Chanter Technique Assessment v2 - North

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NORTH WEST UILLEANN PIPERS
Chanter Technique and Repertoire Progress
NAME:
Technique
B
I
A
Correct finger position on chanter
B1
Can sustain long, steady note.
B1
D scale, one octave
B1
G scale with C natural, one octave
B1
Using cuts to divide notes.
B1
Using taps to divide notes
B1
Hard and soft D
B1
Lower hand rolls, 1st octave
B2
Upper hand rolls, 1st octave
B2
Cut to accent rising note
B2
Cut to accent descending note (lower hand)
Understood
and
practicing
Using and
developing
Using
freely
I
© 2005 North West Uilleann Pipers
Comments
NORTH WEST UILLEANN PIPERS
Technique
B
I
A
Cut to accent descending note (upper hand)
A
D cran
B2
E cran
B2
Sliding to C natural
B2
Staccato back D quavers
B2
Rapid movement between octaves
B2
Staccato A quavers
B3
Staccato quavers – all notes
Understood
and
practicing
Using and
developing
Using
freely
I
Popping 2nd octave
B2
Popping 1st octave
I
Short rolls lower hand
I
Short rolls upper hand
I
Sliding to all front hole notes
I
Sliding to back D
I
© 2005 North West Uilleann Pipers
Comments
NORTH WEST UILLEANN PIPERS
Technique
B
I
A
Vibrato on back D
B2
Vibrato on C natural
B2
Vibrato on all notes
I
GFE tight triplet
B3
BCD half tight triplet from A
B3
BCD tight triplet
B3
FGA tight triplet
I
ACA tight triplet
I
BCB tight triplet
I
BCB half tight triplet from A
A
BCA half tight triplet from A
A
EFG tight triplet 2nd octave
A
FGA half tight triplet 2nd octave
A
CBA tight triplet
A
Understood
and
practicing
Using and
developing
Using
freely
© 2005 North West Uilleann Pipers
Comments
NORTH WEST UILLEANN PIPERS
Technique
B
I
A
DCB tight triplet
A
EGE tight triplet 2nd octave
A
FGF tight triplet 2nd octave
A
G cut to E and F 2nd octave
I
Lifting chanter on rolls, lower octave
I
Lifting chanter on rolls, upper octave
I
Stopping hard D
I
Low E chanter off knee
I
Open triplets
I
C natural key
I
F natural key
I
Half holing F natural
A
Reverse D cran
A
Reverse E cran
A
Understood
and
practicing
Using and
developing
Using
freely
© 2005 North West Uilleann Pipers
Comments
NORTH WEST UILLEANN PIPERS
Technique
B
I
A
Trills
A
Back stitching
A
Lifting chanter for tonal effects (not on rolls)
A
Use of open fingerings for tonal effects
A
Double flap
A
Understood
and
practicing
Using and
developing
Using
freely
© 2005 North West Uilleann Pipers
Comments
NORTH WEST UILLEANN PIPERS
TUNES
TITLE
Type
© North West Uilleann Pipers
From
Music
From
Memory
With
Variations
NORTH WEST UILLEANN PIPERS
TITLE
Type
© 2005 North West Uilleann Pipers
From
Music
From
Memory
With
Variations

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