Hit the Books With... ALEX MARWOOD ANDREW KAPLAN ROBERT DUGONI

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Suspense, Mystery, Horror and Thriller Fiction
OCTOBER/
NOVEMBER 2014
Hit the Books With...
ALEX MARWOOD
ANDREW KAPLAN
ROBERT DUGONI
MELISSA DE LA CRUZ
DIANE CHAMBERLAIN
Sneak Peek
Inside New Releases From
From Football Star to Drug Cartel
R.M. CARTMEL
Meet The All-American
WILBUR SMITH
SOPHIE LITTLEFIELD
by JON LAND
Nelson DeMille
2015 ThrillerMaster
Brenda Novak
2014 Silver Bullet
Recipient
Charlaine Harris
2015 Spotlight
Guest
Scott Turow
2014 ThrillerMaster
Greg Iles
2015 Spotlight
Guest
Mark Billingham
2015 Spotlight
Guest
Eve n ts inc lude :
ThrillerFest•PitchFest
Master CraftFest •CraftFest
www.ThrillerFest.com
From the Editor
CREDITS
John Raab
President & Chairman
Shannon Raab
Creative Director
Romaine Reeves
CFO
Amy Lignor
Editor
Jim Thomsen
Copy Editor
Contributors
Mark P. Sadler
Susan Santangelo
DJ Weaver
CK Webb
Kiki Howell
Kaye George
Weldon Burge
Ashley Wintters
Scott Pearson
D.P. Lyle M.D.
Kathleen Heady
Stephen Brayton
Brian Blocker
Andrew MacRae
Val Conrad
Melissa Dalton
Elliott Capon
J.M. LeDuc
Holly Price
Kari Wainwright
David Ingram
Jodi Hanson
Susan May
Jenny Hilborne
Anthony J. Franze
Kristin Centorcelli
Jerry Zavada
S.L. Menear
Leslie Borghini
Mary Lignor
Julie Whiteley
Sara Guisti
Jeff Ayers
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SuspenseMagazine.com
Thank you, everyone, who emailed me about
my last letter from the editor. That was easily the
biggest response I’ve ever received for a letter, and
I don’t know whether that is a curse or blessing.
I feel pressure to upstage it, but when something
is perfect can you do better, or is it acceptable to
simply do as well?
When I interview authors, and I pose the
question to them: Do they feel pressure to write a better book?
I basically get the same answer. They don’t feel the pressure; they just want to make
their current work-in-progress the best it can be. But their fans don’t feel that way. Take
movie sequels: Hundreds of movies have had sequels, and you hear it all time—the
sequel isn’t as good, let alone better, than the original. Does that mean that the first book
in a series is the pinnacle and all the others are just sliding down the backside of the
performance slope?
I would disagree with that.
Authors are a unique breed. They don’t think like you and I. They can sit down and
tell a story in four to five hundred pages, and unlike a movie that takes two hours, books
occupy more of our time.
Many authors use the first book in the series to set the stage. The character hasn’t been
fully developed yet, nor has the setting around them. Creating a human from scratch,
with emotions of love, hate, revenge, fear, etc., takes some time. Standalone thrillers
generally have one, maybe two characters that have some depth to them, but the pace
is so fast that such novels are more about the action and plot rather than the characters.
Now I can agree that some authors have taken their series too far. I understand that
it can be very difficult for an author to say, “It’s over, after so many books I have nothing
left, unless I write the same book over and over.” And that happens. I’m sure you can
think of several writers who could just stop their series and move on to something else.
But they get criticism for that, too. Take J.K. Rowling: She gets hit with bad reviews and
complaints that “this is no Harry Potter.” No, Harry ran his course; it was time to move
on. I applaud her for her decision to say it’s over.
I don’t feel it’s a curse to walk out of the gate
with a successful first book in a series. I think that
the reader has to take the series as a whole and see
the progression of the main characters as well as the
secondary ones.
Now, is this letter better than the last one? Is it as
good as the last one? What about all of my letters, do
they share with you a story of who I am as a person
and what my thoughts are?
Only time will tell, because my story has only
just begun.
John Raab
CEO/Publisher
Suspense Magazine ■
Model: Amber Jackson
“Reviews within this magazine are the opinions of the individual reviewers and are provided solely for the purpose of assisting
readers in determining another's thoughts on the book under discussion and shall not be interpreted as professional advice
or the opinion of any other than the individual reviewer. The following reviewers who may appear in this magazine are also
individual clients of Suspense Publishing, an imprint of Suspense Magazine: Mark P. Sadler, Ashley Dawn (Wintters), DJ
Weaver, CK Webb, Elliott Capon, J.M. LeDuc, S.L. Menear, Leslie Borghini, Susan Santangelo, and Amy Lignor.”
1
CONTENT
SUSPENSE MAGAZINE
October / November 2014 / Vol. 060
International Thriller Writers: Reader’s Corner By Hank Phillippi Ryan ����������� 3
Special Excerpt: “The Missing Place” By Sophie Littlefield . . . . . . . . . . . . . . . . . 4
Old Salt By Jessica Housand-Weaver. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
From Across the Pond: Tick Tock By Chris Simms . . . . . . . . . . . . . . . . . . . . . .
12
Special Excerpt: “The Richebourg Affair” By R.M. Cartmel. . . . . . . . . . . . . . .
17
Inside the Pages: Suspense Magazine Book Reviews. . . . . . . . . . . . . . . . . . . .
20
Suspense Magazine Movie Reviews. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
38
Featured Artist: Andrea Garcia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Forensic Files: Bee Venom By D.P. Lyle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48
Copy Editor’s Corner: Line Editing By Jim Thomsen. . . . . . . . . . . . . . . . . . . .
53
Slasher By Jeff Chesnut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
57
Special Excerpt: “Vampires of Manhattan” By Melissa de la Cruz . . . . . . . . . .
63
The All-American By Jon Land . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
68
Special Excerpt: “Desert God” By Wilbur Smith . . . . . . . . . . . . . . . . . . . . . . . .
77
INTERNATIONAL THRILLER WRITERS
READER'S
Corner
Recommendations by Hank Phillippi Ryan
Press Photo Credit: Provided by Publicist
Hello from 35,000 feet. I’m in the midst of a book tour, on the way from
somewhere to somewhere else! What I see in every city—besides a lot of pals and
readers, hurray—is fabulous bookstores with tantalizing expanses of bookshelves.
So proud to see “Truth Be Told” prominently displayed—Hurray. The starred
review from Booklist says, “In Ryan’s adroit hands, even foreclosures can be sexy.”
Love that. And the starred review from Library Journal says, “Drop everything
and binge-read until the mindboggling conclusion.” So, hurray. Do that.
But after “Truth Be Told,” how do you discover what to read? It’s
all about the buzz, right, and one friend telling another. That’s part of the
fun. Still, you don’t need me to tell you to pick up Lisa Scottoline or Linda
Fairstein or Tess Gerritsen or Lisa Gardner or Joe Finder—those are mustbuys, right? And you’d choose them instantly. I do, too!
But each of us has our discoveries, our finds, our books that should be big
on buzz. Some of mine are brand new, some not-necessarily-new but not-to-be-missed.
For instance: have you read “ICE SHEAR” by MP Cooley? She’s amazing, and this
chilling and suspenseful debut is proof of a real talent.
“RAGE AGAINST THE DYING”—Becky Masterman’s first novel of suspense has one of the coolest
characters ever—an ex-FBI agent. Even though she’s retired, she’s still got moves and nerve and power. Terrific.
You haven’t missed Linwood Barclay’s “TRUST YOUR EYES,” have you? Go back and
get it. It has the most delicious premise. It’s about . . . well, you’ll see. He’s got a new one, too.
I can’t resist adding Lisa Unger, even though she’s probably one of your faves already.
Her skill with psychological suspense is unmatched. Be prepared to be creeped out and
mesmerized. “CRAZY LOVE YOU” isn’t available yet—but it will be soon.
Rachel Howzell Hall, also terrific. “LAND OF SHADOWS” reveals a fresh,
powerful voice—set in Los Angeles with a police officer who’s gritty and hilarious and
smart.
Oh! “THE MARTIAN” by Andy Weir. Is it a thriller or sci-fi? Who cares.
And okay, fine, how does Sue Grafton do it? She doesn’t need me to remind you,
but you have to give a standing ‘O’ for the author who paved the way for so many mystery authors, and
continues to create and innovate and constantly surprise. “W IS FOR WASTED” made me cry.
Beginning our descent into—where? So gotta turn off the electronic devices. But books! You can
always read. Let me know if you agree with my choices. And crossing fingers that you’ll love “Truth Be Told.” ■
HANK PHILLIPPI RYAN is the on-air investigative reporter for Boston’s NBC affiliate. She’s won 32 EMMYs, 12 Edward R.
Murrow awards and dozens of other honors for her ground-breaking journalism. A bestselling author of seven mystery novels,
Ryan has won multiple prestigious awards for her crime fiction: three Agathas, the Anthony, Daphne, Macavity, and for ”The Other Woman,”
the coveted Mary Higgins Clark Award. National reviews have called her a “master at crafting suspenseful mysteries” and “a superb and gifted
storyteller.” Her 2013 novel, “The Wrong Girl,” has the extraordinary honor of winning the Agatha Award for Best Contemporary Novel and
the Daphne Award for Mainstream Mystery/Suspense, and is a seven-week Boston Globe bestseller. Her newest hardcover, “Truth Be Told,” is
a Library Journal Editor’s Pick and RT Book Reviews Top Pick, with starred reviews from Booklist and from Library Journal, which raves,
“Drop everything and binge read!” She’s a founding teacher at Mystery Writers of America University and 2013 president of national Sisters
in Crime.
Visit her online at HankPhillippiRyan.com, on Twitter @HankPRyan, and Facebook at HankPhillippiRyanAuthorPage.
SuspenseMagazine.com
3
SPECIAL PREVIEW FROM SOPHIE LITTLEFIELD
the missing
place
By Sophie Littlefield
Press Photo Credit: Provided by Publicist
THE WOMAN ACROSS THE TINY TABLE LOOKED AS THOUGH
a tap with Shay’s little pink craft hammer would shatter her into a
thousand pieces. Which you might expect, except Colleen Mitchell
looked like she’d been this way forever, long before the boys went
missing. You didn’t get lines as deep as the ones between her eyebrows
and around her mouth in a single week.
“You’re lucky you found someone to drive you,” Shay said. “We’re
supposed to get six more inches of snow by morning.”
“Lucky,” Colleen echoed, like the word was in a
foreign language.
Dave took off as fast as he could without being
rude. Shay knew how that went too. Most people
didn’t like to be around bad luck; it was as though
misfortune was contagious. But the men here in
Lawton had surprisingly old-fashioned manners.
In the three days since she arrived, strangers had
opened doors for her, let her cut in line at the coffee
shop, and even offered to carry her groceries to her
car.
“I know what you need,” she told Colleen.
“Oh, I—I couldn’t,” Colleen said quickly, eying
the bottle on the table. Shay had been drinking weak Jack and Cokes, smoking and thinking, before Brenda called, and she
hadn’t put the bottle away because there wasn’t anywhere to put it.
“Oh, no, I didn’t mean that, though a drink might not hurt. You need something to eat. I’ll make you something.”
“No, thank you so much, but I’m not hungry.”
“Yes, you are,” Shay said patiently, the way she’d talk to Leila, her granddaughter. “Come on. You been on a plane since,
what, this morning? Probably didn’t have any lunch?”
“I had something,” Colleen said miserably. Her eyelids were crepey, makeup collected in the creases. Her lips were pale
and flaking. She gave off a faint smell of fabric softener and sweat. And she looked like she was about to cry.
“Well, now you’re going to have something else. What time is it in Boston, anyway? An hour ahead, right? That’s almost
one in the morning.”
Shay kept up a steady stream of conversation while she got the bread out of the little fridge, the ham, cheese, mustard,
and put a sandwich together. Colleen answered a word or two at a time, her voice dull. Both plates were dirty, so Shay served
the sandwich on a folded paper towel. She poured a glass of milk and set that down on the table too.
“Eat.”
Colleen picked up the sandwich and took a bite, chewing with her eyes glazed. Shay doubted she tasted a thing. The
woman still hadn’t taken off her coat and scarf, though the RV was so cold that Shay didn’t blame her; she herself wore long
underwear and a sweater under Taylor’s old sweatshirt. And that was with the generator blasting almost constantly. Brenda
had come over after work to complain for the second time that Shay was running it too high. But since weather.com said it
would get down to minus three degrees overnight, she’d decided to just turn it back up and let the bitch complain.
4
Suspense Magazine October / November 2014 / Vol. 060
SuspenseMagazine.com
5
SPECIAL PREVIEW FROM SOPHIE LITTLEFIELD
Shay gave the glass of milk a gentle push, and Colleen picked it up and drank. Like some kind of robot, like worry had
taken away her will. That wasn’t good. It was way too early for that, and Shay—veteran of crises since before she could walk,
though nothing like this—should know.
“Okay,” she said, keeping it friendly but firm. “So let’s figure this out.”
Colleen set down the sandwich. A crumb clung to her bottom lip. “I didn’t even know there was another boy until
tonight. That seems . . . I’m sorry. I’m sorry about your son and the way I came barging in here.”
Shay shrugged. “The company doesn’t want you to know. Why would they? All it can mean is more trouble for them.”
Colleen’s frown deepened, emphasizing the groove in her forehead. “I don’t understand.”
“The company? Hunter-Cole Energy? Look, think about it. How many accidents have you heard about up here in the last
couple years? Workplace accidents, where they lost workers?”
“Accidents?”
“Come on, you use Google, right? I have an alert set up on Hunter-Cole.” Shay waited for Colleen to process what she was
saying, because people like her never expected women like Shay to be able to do anything with a computer. Which admittedly
had been true until a couple years ago, when she started selling her boxes on Etsy, so there was that. “Any time a guy gets hurt
on the job, they have this whole team that tries to bury the news, but it still leaks out if you know where to look. It’s hidden,
but it’s there.”
“You mean like the man who had the seizure?”
“Well, sure. That. But everyone knows about that one.” In August, a fifty-two-year-old grandfather had a seizure, his first,
and fell from the platform. He died in the helicopter en route to Minot. It might have escaped national attention—Shay would
bet the lawyers were working their asses off doing damage control—but People magazine ended up doing an article. The man’s
daughters were pretty, his grandchild adorable—shit like that sold. “But there’s been others. More than you’ll ever know about
if you don’t keep your eyes open.”
Colleen’s chin trembled. “And you think our boys . . .”
“Whoa, whoa, whoa, I didn’t say that.” Too late, Shay saw the panic in Colleen’s eyes and realized her mistake. “No, come
on, honey, you are not going to go there. I don’t for a minute believe our boys were hurt on the rigs. I mean, there’s protocols
they have to follow, they have to call the next of kin—”
She seized Colleen’s hand and felt the tremor pass through her wrist. Her fingers were waxy and cold, her polished nails
sharp against Shay’s skin. Next of kin, she shouldn’t have said that.
“If our boys had been hurt at work, they’d be busy trying to buy us off. There’d be a pack of lawyers sitting here, and
instead all you got is me. It wasn’t an accident. That’s not what this is.”
Shay felt Colleen relax fractionally. Her shoulders slumped and she stared at the sandwich.
“That’s right, eat,” Shay said softly. She waited until Colleen took another bite before continuing. “So, think like the
company would. The boys go missing. It could be a hundred things. Guys don’t last out here, the work’s not what they think
it’ll be, they don’t like the cold, they miss their girlfriends back home. Whatever. Say twenty percent of them quit the first
week, right? And that’s a conservative guess.”
A little color had come back to Colleen’s face. “I didn’t know,” she said quietly. “I don’t know anything. Paul didn’t—
doesn’t—tell us. And I didn’t know where to look, who to ask. We don’t have anyone else, any friends, any of his friends . . .
we’re the only ones, with a son who came out here to work.”
“Damn, not me,” Shay said, with feeling. “I know half a dozen families with sons up here.”
For a while there it was all the kids could talk about—the rig or the service, the only solid opportunities for boys who
graduated from Fairhaven with bad grades and a blemish or two on their records. Fairhaven—a stupid name for a central
valley town whose population was half illegal immigrants and the other half competing with them for shit wages. It wasn’t
any kind of haven and it sure as hell wasn’t fair, but that’s what they had. Taylor and another boy, Brad Isley, had gone the
weekend after graduation; by the end of summer, three more boys had followed them. Two were already back—homesick,
overwhelmed, just plain broken by the hard work. “Anyway, the company doesn’t care, it’s just a hole to fill. They need another
worm, so they hire and move on—”
“Worm,” Colleen said, interrupting. “I’ve heard that twice today. What does it even mean?”
“You don’t know what that means?” Thinking, What kind of boy doesn’t share that, the first thing they learn on the job?
“It’s what they call the new guys. First couple months on the rig, they do all the work no one else wants to do, they’re worms.
Later they become hands, like the rest of the guys. Roughnecks, roustabouts. You know.”
“Oh.”
“Anyway, the companies up here are hiring as fast as they can. A lot of times they don’t even process the applications until
the boys are already on the job, just get them to sign all the releases and send them on to HR. And you know HR is in some
SPECIAL PREVIEW FROM SOPHIE LITTLEFIELD
office building in another state, and meanwhile up here where the work is getting
done it’s all about getting the boys in a hard hat and on the floor. So a couple of them
go missing, they don’t care, they don’t have time to care, all they’re worried about is
they don’t want any more bad press. So they hand it off to the suits, and they do their
thing and keep it out of the news.”
Colleen looked like she was trying to decide whether to confide something.
“They called us,” she said after a moment. “Hunter-Cole did. They called Andy at
work.”
“Andy—that’s your husband?”
“Yes. He’s a partner at his firm, his name’s on it, so I guess he was easy to find
. . . anyway, the Hunter-Cole management tracked him down. They offered their
support, said they would help in any way they could.”
Shay snorted. “Yeah. I bet.”
Colleen nodded wearily. “They didn’t have any specific suggestions. So then
when we decided to hire our own detective—”
“You hired a detective? To look for your son?”
“Well, yes.” Colleen evaded Shay’s gaze; she looked embarrassed. “Someone to
supplement the efforts of law enforcement up here.”
“Law enforcement up here couldn’t find their ass in a can. Sorry,” Shay added,
regretting the way it had sounded. She was bringing her own issues into this,
something she’d promised herself not to do.
“I just thought that someone who was dedicated to the task, who wasn’t juggling
a lot of other cases . . . anyway, I had Andy call the guy at Hunter-Cole back. Just
to tell him, you know, that Steve Gillette, that’s the detective, would be giving him
a call? And suddenly the Hunter-Cole guy got really evasive. Started backpedaling
. . .”
“They’re trained to do that,” Shay said. “Like they learn it in law school or
something.”
“So I called.” Colleen straightened in her chair. “I called the Hunter-Cole offices
myself. I repeated the same thing Andy said, that Steve Gillette would want access
to whatever they could show him—time cards, employment records, like that. And
the whole narrative changed. They were polite, but it was like a wall went up. They
didn’t so much answer my questions as promise to look into them. Get back to me
later. That sort of thing.”
The anger in her voice—that was good; that’s what she would need. “That’s why
you’re here, right?” Shay asked. “They told you no once too often?”
Colleen looked directly into Shay’s eyes for the first time since she knocked on
the door of the motor home. “Yes. Yes. Andy wanted me to wait. He said . . . he said
we should give Paul a few more days, it was probably all a misunderstanding.”
“Fuck that,” Shay said before she could stop herself. “You’re the mom. You know
when something’s wrong.”
“Yes. That’s what I tried to tell him.” Colleen nodded. A moment passed, and
then she rested her hand on the bottle and turned it so she could read the label. “I
don’t believe I’ve ever had Jack Daniel’s.”
“You want me to pour you one?”
“Maybe. Yes. Do.” ■
From THE MISSING PLACE by Sophie Littlefield. Copyright 2014 by Sophie Littlefield.
Reprinted by permission of Gallery, a Division of Simon & Schuster, Inc.
Sophie Littlefield is the Edgar-nominated author of more than two dozen novels, who grew
up in rural Missouri. The mother of two grown children, she now makes her home in
northern California. Visit her website at sophielittlefield.com.
6
THE MISSING PLACE
By Sophie Littlefield
America’s new ‘Gold Rush’ turns out
to be oil fields in Williston, a few miles
south of the Canadian border. Hundreds
of homeless men with money descend
on the small retirement town, driving
the residents out and raising the rent sky
high. With men drifting in and out every
few weeks and Walmart being the social
center of town, it’s not hard to imagine the
bar fights, probably over the closest of the
local floozies.
Add to that arduous hours the men
work, the temporary sleeping camps that
spring up over the area, safety regulations
that are rumored to be swept under the
rug just out of sight of OSHA—or paid
off, if serious accidents happen—then
it’s not surprising that a couple of young
men, a few weeks into their job, simply
disappear.
As far as the local police are
concerned, it probably got too hard, the
work was too rough on them, and they
took off. Neither mother of the missing
boys believes that story. Each has their
own theory and combining their heads
and ideas, set about to get the truth.
Colleen, a suburbanite from New England
and Shay, used to trailer life in Northern
California, have nothing in common but
their missing sons. Tempers are frayed,
blame is pointed in each other’s direction,
but they hold it together long enough to
make the grisly discovery.
Littlefield leads us through the snow
and slush chasing red herrings, from the
oil rigs to the local bars, until we figure
out (spoiler alert) that in the end, this is
nothing more than a love triangle gone
awry. It doesn’t really leave us with a
traditional happy ending, but then life
rarely does. This is a story of a mother’s
determined yearning for the truth no
matter what and in that, we are dragged
to the emotional ending as harried,
exhausted, as those searching. I read this
in one sitting, unable to leave the fray with
the boys’ lives at stake.
Reviewed by Mark P. Sadler, author of
“Blood on His Hands” published by
Suspense Publishing an imprint of Suspense
Magazine ■
Suspense Magazine October / November 2014 / Vol. 060
OLD SALT
MICHAEL WARREN FROZE. Under the dim, amber glow
behind the bar, there were three of them—buzzed cut, clean
shaven, and wiry as hell—American marines.
On time, on target, never quit.
The motto came to him abruptly, one every Special
Warfare Combatant Crewman (SWCC) in the Navy knew
by heart. He had been part of a Special Boat Team based out
of Little Creek, Virginia, but that had been nearly a decade
ago. Michael felt twisted up thinking about it, the way he did
whenever he saw young, gung-ho service-members sporting
their pride. As a special operations team member, he’d loved
his country and his brothers more than his own life. His team
had ferried the SEALS wherever they needed and extracted
them during the most intense firefights.
He’d had a reason to live or die then. Michael ran one
bronzed hand through his thick, black hair and held it there,
the curls tickling his fingers. But there were things he didn’t
like to think about either, and whenever the ache rose in his
belly because he missed it all, the rest of it tore at him too—
so he had to bury everything, forget the past. He’d traded
badass Petty Officer First Class Warren for plain civilian
Michael, armed only with a smile and a handful of witty
jokes. But every now and then, something reminded him.
The smallest of the three marines was wearing a shirt
with Semper Fidelis stretched across the back in bold print.
One sinewy forearm was anchored against the brick wall. A
Corona bottle, mostly empty, glistened in the other hand.
Another marine, only slightly larger, leaned into the wall
next to him and took a chug of his beer. The older one, in his
mid-twenties, was cracking open a fresh bottle from a stash
in the yellow Firebird parked in the alley. He was African
American and built with more mass than the other two, more
like Michael, especially back when he had been training.
A man will have a certain serration to him when he
returns home from war, Michael thought. An unevenness.
He is an instrument of combat, but he brings with him a
kind of desperation bewildering to a society without war on
its doorstep. A veteran understands that there is brokenness
there, but it was the prevailing belief for those on active duty
that the brokenness of combat must always be repudiated
outwardly. They believed a safeguarded society must never
see their hero break.
SuspenseMagazine.com
By Jessica Housand-Weaver
Let him stew back out here in this snake pit for a while
when he gets out, Michael thought, not without resentment.
It will drive some humility back into him.
In the haloed streetlight, the chiseled features and
agitated, protective stance told Michael the older marine was
probably a sergeant, though he probably hadn’t been one
long. There was still an air of mystification clinging to him,
a perplexity for being alive with all limbs intact somewhere
as ordinary as a hometown bar. He had been intimate with
combat, and now the sergeant’s lidless gaze squinted into the
shadows, blinded by life beyond the burning.
There was another man standing immobile against the
wall. He looked to be in his fifties and of Middle Eastern
descent. The expression on his face was one that Michael
had seen before. The two grunts started to pace, hopped up
on booze and rage. Michael swallowed, dropped his hand to
his side.
The feeling came again; it rose up like a dark, crestless
wave. There was an incessant buzzing like flies pinned to
an electric zapper beside his ear. For a moment it all rode
together, an entire bayou of mad, sand-caked soldiers and
villagers with wild eyes in the blackness, the terrible ringing,
the shouting, and the blood. Michael ground his teeth
together to find himself in the black.
“The fucking Al Qaeda sleeper cells!” the young marine
with the Always Faithful tattoo demanded, sloshing his beer.
“That’s what I want to know!”
The Arab said nothing.
“You in that Mosque cuttin’ deals wit’ them,” the
sergeant said in a very low tone.
“Yeah, with that ugly motherfucker, what’s his name…
Mr. Abdul Asad,” Always Faithful chimed in.
The captive man made a noise in his throat. The sergeant,
irritated, turned toward the younger marine.
“Smith, man, that ain’t his name, you fuckin’ dumbass.”
He shoved the smaller marine back.
“Wha…? Sergeant Hayes, I thought…” the tattooed one
named Smith began.
“A-rabs don’t be callin’ each other names the same way
we do,” Hayes corrected.
“You mean that Allah fucking Blah bullshit?”
“The leader’s name’s Abdul-Sami bin Asad bin Ghalib
7
al-Salib. Salib’s the family last name. Abdul-Sami’s the first
name.”
“Why the hell do they have two first names?”
“It’s a title, or some shit, means Servant of....” The
sergeant turned back toward the Arab man. “Hey, wha’ do
Sami mean?”
The man was still quiet.
“Come on, hajji, teach this inbred muthafucka somethin’
of yo peep’s culture,” sergeant Hayes said, mouth distorted
into a half-smile, though there was little warmth there.
“Servant of wha’?”
“Servant of the devil!” exclaimed the third marine who
had been standing some ways away in the background.
“Patricio,” the sergeant said, “look that shit up. S-a-m-i.”
“Yes, sir!” the third marine, Patricio, said, pulling out his
cell phone and fiddling with the touchscreen.
Michael frowned in the shadows. They were too drunk
and getting hostile in the middle of downtown—Albuquerque
nonetheless. Marines, booze, and deserts didn’t mix. A
memory stirred that was both unpleasant and exhilarating.
It had been some time since the blood had rushed into
Michael’s hands. He ached to grip the chill steel of a rifle,
to cradle something painfully real in his arms. A woman
was one thing, but risk—it was a formidable infatuation,
stronger at times even than love. The tiniest tingle tiptoed
like soft December snow up the back of his bare neck.
I should turn around, he warned himself.
What was it the Navy psychiatrist had counseled him
about his ‘vigilante tendencies’? Haven’t you seen enough
combat, sailor? Let the other battles go...
Before he had joined the military at nineteen, Michael
had walked this same alley wearing boots not so different
than the old military ones he had on now. He’d slept behind
a dumpster over there, curb-stomped a man just there
around the corner with the dark all around. The feeling was
always at the tip of his toes, crawling over the skin of his
feet, up the bones of his ankles, that awful way a man’s skull
felt under his boot, how tenuous and soft we all are inside
when death comes. Not far down Silver Avenue, under the
stars, he had seen what a lifetime looks like as his girlfriend
was shot through the head beside him, his tangled fingers
slipping through hers.
Michael knew there were wars all around, all the time.
There was combat in the streets, in the deserts, across the
ocean where millions of stars saturate a strange sky, even
behind secret doors—inside of everyone.
On time, on target, never quit.
Michael stepped into the light, boots grinding against
the gravel and reverberating down the alley. The sergeant
had already turned toward him.
“Evening,” Michael announced, lighting a Marlboro.
His zippo reflected the streetlight.
“What the fuck do you wan’?” Sergeant Hayes demanded.
“You boys sure know how to pass the time out here.”
It was a teasing remark suggestive of the movie Brokeback
Mountain. But there was young, hot blood and old wounds
spoiling. The air was explosive.
8
Michael laughed a little.
“Just trying to keep you straight, shipmate.”
“Hayes,” Smith slurred. “Don’t he look kind of brown to
you? Like dune coon brown?”
“Smells like shit, too,” Hayes answered, not taking his
hard eyes off Michael.
They gleamed like the edge of two round bones in the
yellow light.
“Gimme those,” Smith said as he snatched zip ties from
Patricio, who had lowered his cell phone momentarily to
pull them out of his pocket. Hayes reached back and took
them, watching Michael’s face for some reaction. Anger
flashed suddenly in Michael, sighed, and was gone. There
was maybe a decade between the sergeant and himself in age.
When Michael had first donned his special ops gear, Hayes
had been someone’s whining child.
Still, it had been years since Michael had been away from
that wreck in the Middle East, from Iraqis and Afghanis
armed with American guns, from words like honor, glory,
and retribution—and from loud-mouthed, gung-ho
marines. He knew the loudest ones were often the first to
piss themselves during combat. He suspected that Smith
might be one of those. Hayes, however, was different. He was
changed in the way a man is under that purifying Mashriq
sun among a thousand enemy eyes with smiling faces. He
was a man who knew what he was made of when no one else
was watching.
Michael estimated that Hayes was of no threat on his
own. He was a man that under the right circumstances, one
might sit down and have a beer with—talk about women,
war, and politics; a man he could trust with his life in the
field. But it was the others, Smith especially, who aroused a
precipitous pack leader factor in young, slightly unbalanced
Hayes. He was too new to leadership, too protective to know
when to step back, swallow his pride, or call his men off.
“You got a problem wit’ somethin’ here?” Hayes wanted
to know, muscles already strained for a fight.
Michael could almost taste the tension. Hayes wanted to
make it about race.
Once two black boys had tried to jump Michael in
elementary school over his shoes—the shoes he had earned
for mowing several neighbors’ yards for a month. The boys
had assumed he came from a wealthy white family and owed
them the shoes for that reason alone. They didn’t know about
his Hispanic side, how his stepfather’s family was made up
mostly of convicts doing time in the state pen, or the fact
that his father was a Vietnam POW who had not lost three
of his fingers to Charlie in a prison camp so that every spic,
nigger, and zipper-head in America could beat his son’s ass
for being born mostly white—that Michael was more scared
of facing his father if he lost the fight than getting beaten by
two boys.
But after Michael bashed the side of one kid’s head with
a large rock and that kid ended up in the hospital, everyone
at Michael’s school started calling him racist. By the time
Michael went into the military, he was sick of social divisions.
He had made some friends for life of all colors and cultures.
Suspense Magazine October / November 2014 / Vol. 060
He’d bled red for his men, and they had bled red for him. He
was too old for the game that Hayes wanted to play.
“The truth is,” Michael began, “I don’t really care for
what you’re doing to that man right there. It ain’t Christian.”
He smiled his most disarming smile.
“What the hell?” Smith exclaimed.
“Servant of the All-Hearing!” Patricio shouted suddenly.
Everyone stopped and looked at him.
“Abdul-Sami,” he explained.
“All-Hearing…” Michael said quietly, rolling the words
around on his tongue evocatively.
“Listen here, cracka’,” Hayes started, “you best be turnin’
yo’ white ass back ‘round and mind yo’ own damn business.”
“Listen, boss,” Michael retorted. “My great grandfather
Billy might have done just that while his cousin Budro was
out banging poor Bubba’s wife in the cotton field. I’m trying
to right the wrongs here.”
Deep down inside, Michael didn’t like many people
in general, whatever their background. Some of his worst
betrayals were not those contrived by enemies on a battlefield
but by friends at home with an Anglo last name. He had seen
startling feats of altruism by Afghanis in villages with halfstarved children and insurgents at their back doors, as well
as the kind of self-sacrificing brotherhood that mortality
brings out of all good men. But there was ugliness, terrible
ugliness inside of human beings, and war had ruined his
belief in morality. Buttons were real, and Hayes was wearing
his loudly—something he’d likely picked up from growing
up black in a white neighborhood. So Michael and Hayes
had a lot in common.
When Hayes lunged at him, Michael expected it. He had
taken his last drink over an hour ago and had twice walked
up Central Ave to the freeway and then back downtown
again. He was stone sober and dodged the shot. Turning,
he knocked Hayes in the back of the head with a quick jab.
The hit snapped Hayes’s head forward, making him stumble.
Michael’s knuckles burned, and he had to grind his teeth
together to keep the dark, killing wave at bay.
The other marines were already rushing Michael, so he
swept Smith to the ground. The young marine was not as
coordinated as he would have been sober. His rage made him
clumsy and easy to restrain. Patricio kicked Michael sharply
in the back, sending a stabbing pain into the slipped disc of
his spine. But his adrenalin had kicked in. With two arms,
he hefted his captive, rolling onto his side so that Patricio’s
succeeding kicks went straight onto Smith’s face. Hayes
prowled near, murder on his face. Michael released the
hollering young marine and shot to his feet. He felt numb,
far away, as if he were watching some ludicrous fight scene
play out on TV. Hayes swung; he was quicker than Michael
had expected this time and caught him in the jaw with a
powerful uppercut. Michael, dazed, retaliated with three
sharp rib shots, then caught Hayes in a headlock. Hayes was
punching him in the liver, but Michael got him in a sleeper
hold.
When he went limp, Michael let go, watched the marine
sergeant fall to the ground with a thud. He had done it all
SuspenseMagazine.com
automatically, but seeing the young man sprawled awkwardly
on the street like that, felt something akin to guilt—though
he knew the marine would recover in a moment or two.
“You fucking killed him!” Smith cried, half blinded by
booze and blood.
Shadows danced across the light as he rushed at Michael.
Michael had prepared for the force as soon as he realized
Smith had misunderstood what had happened, but the full
impact never came. Instead, there was a squelching sound
and a weird, cold feeling. The marine was staring at him,
glassy-eyed and expressionless, a boy’s face with nothing in
his eyes.
Michael staggered backwards, dizzily clutching at the
knife protruding from his stomach. Between his fingers, the
blade was lit up with the street lights, while the hot blood
began to pool below, dripping down his thigh and steaming
onto the black pavement. Hayes groaned a little, holding his
head, and sat up.
The two other marines had gathered around their
sergeant and were quiet, watching Michael scoot against the
nearest adobe wall to keep from collapsing onto the ground.
He struggled to pull his shirt off.
“What’s tha’ ring he got on his finger?” Hayes asked
suddenly.
“Why? Is it expensive?” Patricio said in a low voice.
Smith spit out a wad of blood, then hissed, “Holy shit.”
Michael yanked the tactical blade out, grimacing, and
shoved the shirt he had succeeded in pulling off against
the wound. Parts of the shirt turned red quickly under his
fingers. His SWCC insignia ring for SBT 20 glimmered with
its skull and crossbones shaped into a gun and sword.
“Special ops,” Patricio exhaled aloud.
“I ain’t going down for this shit,” Smith said, uneasily. “I
just thought he was some crazy homeless dude.”
Michael’s face twisted with the sharp pain in his
belly, though he was starting to feel dizzy. His vision was
beginning to diffuse into that grey fog he recognized from
when he had been wounded during a firefight in Baghdad.
The haze seemed to come across a black sea, out from the
alleyway shadows, bringing the tide with it. He’d walked its
shores for so long—sometimes he’d even stirred its depths
with his fingertips. But now its cool waters came up to his
toes, lapped his ankles.
He felt alone.
“Maybe I should call an ambulance…” Patricio said,
ready to dial numbers on his phone.
Hayes put his hand on Patricio’s arm. “He knows our
names.”
“Well, what are we gonna do with him?” Smith was
scared now. An assault on a combat veteran was likely to
cost him his career and land him in the brig. He was young
and ambitious and didn’t want to be locked away doing
hard labor for a good part of his life. “Let’s just say how he
attacked us first.”
Even in his clouded state, Michael understood. He had
faced the same fate at one point because of a mistake he
made during a mission. He almost felt sorry for the kid, but
9
the blood loss was making him light-headed, and it was hard
to hate like that.
“There’s a camera,” Patricio whispered, pointing up to
an old security camera angled towards them in the alley.
“Fuck me!” Smith exclaimed, starting to panic.
Hayes, protective of his men, said, “We’re here on leave.
If that piece of shit is even working, no one here knows
who we are. It can’t even see him,” he reasoned, pointing in
Michael’s direction. “We got to move over there and finish
it…make it look like hajji did it.” The Middle Eastern man
had remained against the wall through the whole thing,
his hands still zip-tied, like he was afraid to run. The three
marines looked at him.
Patricio tightened his grip on his phone, didn’t move.
Hayes gave him a long, threatening look until he pushed his
phone back into his pocket.
“Smith,” Hayes ordered, moving out of view of the
camera. “You do it.”
Smith’s mouth gaped in silent protest.
“Are you a marine?” Sergeant Hayes demanded.
The question was a familiar one, helped to break the
surreal quality of the situation.
“Yes, sir!” Smith replied, grateful for the distraction.
“Do you want to stay a marine?”
“Yes, sir!”
“Then, do it.” Hayes handed Smith a 9mm from out of
his jacket. It had a suppressor to muffle the sound. “It’s not
registered…won’t be traced.”
Smith’s face was starting to swell from the earlier brawl.
It made him look soft and even younger than before. Patricio
grabbed the Arab by the arm and shoved him toward the
place where Michael had slid down the wall and was clutching
the blood-soaked material against his belly with both hands.
Patricio held his captive’s arms with one hand and
used a utility knife to cut the zip-ties apart with the other.
Smith took the gun hesitantly like it burned. Patricio came
up, wiped it down with the handkerchief he kept in his back
pocket, leaving the fabric between Smith’s hand and the
metal. They tried handing the gun to the Arab.
The man shook his head. Patricio shoved him aggressively,
trying to get him to take it. It took the two of them to put his
hands on the weapon so his fingerprints would be on it. Then
Smith aimed the gun with the handkerchief.
He hesitated.
“He’s just another threat,” Hayes said. “Do it!”
But Smith’s hands had begun to tremble.
Hayes chewed on his tongue as he turned to Michael.
“What years did you serve?”
“2001 to 2008,” Michael forced himself to say.
“Then this ain’t the first time he been shot at,” Hayes
reasoned. “We all have our time.”
Michael groaned and closed his eyes.
“Smith,” Hayes insisted, “he fucked now…like Crewes,
‘member Crewes? Put him outta his damn misery!”
Michael hit the ground before he realized that the bullet
had gone through the top of his chest and out his shoulder. It
seemed like the small cracking sound of the suppressor came
10
a long time after the pain had set in.
“Shit!” Smith howled.
“He’ll bleed. He’ll bleed,” Hayes assured them, but his
tone had taken on a frantic edge. Smith let go of the stunned
Arab. The gun clattered on the hard ground.
Patricio crouched down over Michael and grasped the
dog tags he always kept around his neck.
“Warren,” he whispered. “His name is Warren.”
Smith made a sound in his throat.
“We are Oscar Mike,” Hayes ordered, jerking his head
toward the car.
The marines, like one form, turned quickly away and
got into their vehicle. The headlights erupted like two great,
open eyes, blinding Michael until the car lights grew dim
and were gone.
High above, familiar stars glimmered with that same
dispassionate aura that Michael had observed throughout the
years. They glittered the same way now as they had in Iraq,
out in the wild Gobi, or in exotic cities with skies bisected
with curved structures. He couldn’t feel his feet anymore,
but it was somewhat comforting to think that the stars had
remained unchanged—whether he had killed a man or made
love below their steady gaze, even when a child was born new
into the world, or when a man died alone.
The Arab approached Michael. He muttered something
in Arabic. The tone was not friendly, and then he spat onto
the side of Michael’s face before walking away. In a way, it
almost hurt worse than the wounds. The burning had faded
into a terrible ache that Michael could no longer tell the
source of. There was a loneliness in him as he watched the
stranger’s back move further away from him. One frozen
light dangled above him. It struck him as ironic to think
that just beyond the wall at his back an entire lit-up bar was
in motion—drinking, brawling, flirting, drowning out the
noise of the world, of war and sick infants, of hunger, of
grief, and how much hatred endures among human beings,
forever tying knots around and between people.
Michael thought of his mother, of how it felt to be a child
in someone’s arms, to be enfolded, DNA to DNA, for those
few sweetly human moments in the lifetime of the Universe,
to feel like an extension of someone else, to be made from
the same stars and to die among them.
The shock had come. He felt himself going cold,
dissolving into the street, part of the dark and the light. He
had held men’s hands in these moments and wept when they
left him to venture on their own into the black. Now there was
an empty boat for him bobbing in the rolling waves pouring
out salty and stinging from that black, fondling him in the
cold, and he felt, if he could just climb in one last time—the
suffering, the sadness, the remorse, it would all end.
Blood spread out, slipped between one hand and the
asphalt. He thought of his wife and his two kids, how he had
left the house at midnight while they were asleep without
saying goodbye to drown out his recurring nightmares at the
bar.
“There is no justice, son,” his father had told him once.
“There is just us.” ■
Suspense Magazine October / November 2014 / Vol. 060
“Funerals Can Be Murder, Susan Santangelo’s latest Baby Boomer Mystery, will keep
you chuckling, as well as wondering whodunit, until the very end.”
—Lois Winston, Award-winning author of the critically acclaimed
Anastasia Pollack Crafting Mystery series
Every Wife Has A Story
A Carol and Jim Andrews Baby Boomer Mystery
Baby Boomer Carol Andrews is
shocked to hear that her hunky
landscaper, Will Finnegan, has died,
and feels obligated to pay her respects
to his family. But this Finnegan’s wake
is shut down before it even starts, when
Carol discovers someone has added a
pair
pai of scissors to the guest of honor’s
chest. Once again, her husband Jim
and the Fairport police forbid Carol
to get involved. But the always curious
Carol can’t help herself when one of
the most important people in her life
jumps to the top of the suspect list.
http://babyboomermysteries.com
“I love this series! With Funerals Can Be Murder, author Susan Santangelo has done
it again—successfully mixed the challenges of aging boomers into a stew with hilarious
events, winning characters and nimble storytelling. I’ve read every book in the series
and can’t wait for more.”
—Barbara Ross, Author of the Maine Clambake Mysteries
This mystery puts the FUN in funerals!
FROM ACROSS THE POND
Tick tock
By Chris Simms
Our usual feature—in which a member of the UK’s Crime Writer’s Association shares their thoughts on an aspect of crime
writing—is on temporary hold. In its place for this issue of Suspense Magazine, is a short story written by myself. I hope you
enjoy it….
Time’s running out. Darren and Elaine need money for heroin. And if they don’t get it soon, ants will start
crawling beneath their skin. They hope to snatch a handbag at the main train station in Manchester. But
unbeknowst to them, the city has been hosting a royal visit. And the Prince’s schedule is set to clash with
theirs...
 
TICK TOCK BY CHRIS SIMMS
The incessant sound finally forced his eyes open. There it was, sitting on the breezeblock beside the mattress. Tick tock, tick
tock. Round-faced pain in the arse. He focused on its hands. Twenty to three. In the morning? he wondered. What time did
we crash out? Surely later than that. He swivelled an eye.
The small rip in the bottom corner of the blanket nailed over the window frame was glowing white. Day, then. His
stomach growled and he had the notion it was twisting in on itself, trying to wring out any fragment of food that might have
been within it. Tick tock, tick tock. Letting out an exasperated sigh, he turned onto his back. ‘Fucking starving.’ From under
the sheets beside him came a low groan. ‘Elaine? I said—’
‘Fuck off.’
He propped himself on one elbow, blinked a few times and looked down at his body. He still had his t-shirt and tracksuit
bottoms on. His battered trainers poked out from the other end of the grimy sheets. Letting his head fall to the side, his eyes
went to the little tray on the bare floorboards. A quick hit, just to dull the hunger. Among the paraphernalia next to the little
Perspex bag was a syringe, soiled teaspoon and lighter. Frowning, he collapsed forward onto both elbows, the movement
taking his upper body off the mattress and his face to within inches of the tray. Empty. The fucking bag was empty. He was
about to curse her when a memory fought its way through the cotton wool filling his head. I had the last hit. After she’d passed
out. Bollocks.
He raised himself onto his knees, further disturbing the sheets in the process. She yanked them back over her head
without a sound. His stomach rumbled again and he got to his feet. Walking a little unsteadily, he crossed the room and
stepped out into the dim corridor.
The kitchen was opposite. Opening the door revealed a room with ruptured plaster where a cooker, dishwasher and
radiator had once been. In the middle of the room was a table. On it was a bottle of ketchup and a crumpled plastic bag. He
looked inside, removed the final slice of bread, squirted ketchup over it then smeared it about with his finger. After licking
it clean, he folded the slice over and crammed the entire thing in his mouth. The jaw muscles of his gaunt face pulsed slowly
as he chewed. The first swallow sent his guts churning, reverberations spreading straight to his lower stomach. He forced the
last lumps down before stepping back out of the kitchen and into the bathroom next door. A single cardboard tube was lying
on the cistern. ‘Shit,’ he murmured. ‘I need to shit.’
The front door opened and his head poked out. Littering the floor of the shared hallway was the usual assortment
of junkmail and flyers. Hanging from the letterbox was someone’s newspaper. Quick as a flash, he tugged it through and
retreated into the little flat; a trap-door spider with its prey. The headline on the front cover announcing that day’s royal visit
was torn in two as he scuttled back to the toilet.
 
12
Suspense Magazine October / November 2014 / Vol. 060
She heard a door bang shut followed by the plastic clatter of the toilet seat. Immediately she grubbed across the bed, head
emerging above the works spread out on the tray. Bastard. The last of the gear was gone. Bastard. ‘Bastard!’ she shouted.
No reply.
When she stepped off the mattress, the floor felt cold underfoot. She slid her feet into her trainers, fingers running
through her lank brown hair as she did so. Out in the corridor, she thumped a fist against the bathroom door. ‘Bastard.’ But
the word was delivered with less venom: last to sleep got last go with the gear. That was the unspoken rule.
Dropping the empty bread packet back on the table, she checked the bathroom door was still shut before crouching at
the filthy cooker in the corner to open the drawer in its base. Inside was a three-pack of Mars Bars. She ripped the wrapper
off one and started to bite. The toilet flushed just as she swallowed the last of it down. ‘You finished the end of the bread,’ she
announced, as he stepped back into the room.
‘Come on,’ he replied, gently probing the sore below his left nostril.
‘What?’
But the question didn’t need asking. Their supply of heroin was gone and the clock was ticking on when the need for
more started to really kick in.
‘Train station,’ he said. ‘We haven’t done that for a bit.’
 
She hovered at the chiller section, one ear cocked toward the till. As soon as she heard him say, green, not red, she lifted the
tube off the shelf and stuffed it up the elasticated sleeve of her faded red top. When she joined him at the counter, the cashier
was turning back with a pack of red Rizlas in her hand.
She eyed the pair of them suspiciously. ‘Anything else?’
He shook his head.
‘Then that’s thirty pence.’
Rummaging in the pocket of his tracksuit bottoms, he extracted a few coins and held his dirty palm out.
Gingerly, the shop assistant picked out a twenty and two fives.
As they tottered along the pavement with stiff little steps, he spoke from the corner of his mouth. ‘What did you get?’
She produced the tube of Dairy Lea.
He scowled. ‘That it?’
‘Yes.’ She unscrewed the cap, tilted her head back and squirted a worm-cast of pale yellow into her mouth. Memories
came flooding back. The farm out near Oldham, sitting in the kitchen as her mum placed a mound of triangular slices on the
table, each one thick with creamy cheese.
‘Give us it, then.’ His hand was raised, fingers outstretched.
She passed it across while pressing the blob against the roof of her mouth, forcing it between the gaps in her teeth.
The gently curving concourse which led up to the entrance of Piccadilly Station was heaving. His eyes darted about.
Handbags were hanging off shoulders everywhere. They continued along the pavement, a row of shops on their left. Every
ten metres, he noted with irritation, there seemed to be the day-glo tabard of a British Transport Police Officer.
Behind the bus shelter to the side of the station’s main entrance was an eight-metre high metal post. The CCTV camera on
top of it whirred faintly as the lens angled down.
Inside the station’s monitoring room, a man in a white shirt marked with Security spoke up. ‘Darren Fletcher. You don’t
want him in here.’
Next to him was a man wearing a dark blue suit, white shirt and turquoise tie. ‘Who?’ he asked with a crisp, Home
Counties accent.
The camera operator pressed a couple of buttons, his other hand working a joystick mounted at the centre of the console
before him. The main image on the bank of screens switched to the flow of people outside. ‘Him,’ the operator stated, zooming
in. ‘Utter scrote. He’ll get in with the crowd, looking for handbags.’
The man in the suit checked the digital clock on the wall. Two minutes past three. ‘The cavalcade is due in twelve minutes,
the train departs at three twenty-five. Can you radio your colleagues at the entrance to pull him to one side?’
The operator nodded before speaking into his headset. ‘Gavin? You’ve got a bag-snatcher at about ten o’clock, moving
towards the doors. Male, mid-twenties, shaved head with a black shell suit and dirty white trainers. Tell him to hop it.’
 
Fletcher saw the British Transport Police officer standing by the far side of the doors raise a hand to his ear piece. Instinctively,
he changed direction, putting a large man between him and the officer. The policeman gestured to his colleague and they
started straight towards him, eyes sweeping the flow of people. Fletcher kept in close to the overweight man, head ducked
down. The policeman went up on tip toes as Fletcher passed through the doors. Some kind of crowd control barriers were up
SuspenseMagazine.com
13
ahead and he cut into Superdrug.
Elaine trailed him in. ‘What are you doing?’
‘Can’t believe the amount of pigs,’ he replied, making his way to the rear of the shop. ‘Wasn’t sure if the two at the doors
had spotted me.’ Moving behind a shelving unit, he unzipped his top. ‘Swop.’
‘You what?’
The skin on his neck was beginning to itch and he felt sweat breaking under his arms. An hour, he thought. Even if things
go well, we won’t be scoring for another hour. He jiggled from foot to foot. ‘Give us yours. Come on.’
She peeled off her hooded top, revealing a pale green t-shirt beneath. Once they’d exchanged items, he licked his lips,
thinking about the barriers. Must be a football match or something. The sleeves of her top were too short for his arms and he
checked to make sure the track lines on both his forearms weren’t showing. ‘Right, we keep away from the main hall. That bit
outside the coffee shop with all the chairs? Let’s try there first.’
‘OK.’
He moved back to the shop’s entrance, aware he was about to become visible to the station’s CCTV cameras once more.
Lowering his head, he rejoined the mass of people, oblivious to the enormous plasma screen high up on the far side of the
terminal.
The local news was beaming out a live report about Prince William opening a new drug treatment centre in nearby
Salford. The footage showed the next-in-line-to-the-throne waving at a modest crowd before climbing into the rear of a black
Daimler. The car took central position in a row of vehicles which was then led off down the street by two police motorbikes.
The camera swung back to the reporter who announced the Prince was travelling by public train back to London.
Skirting round the base of an escalator leading up to the balcony terrace, the pair made their way past a WHSmith, Boots
and Orange store. The shops ended at a seating area. Waist-high canvas screens bearing the coffee chain’s logo had been
erected around a cluster of metal tables and chairs. People were sipping at drinks and picking at muffins.
Fletcher sidled up to the perimeter, making a show of studying the departure screens above the entry points for the
platforms. Pointing at the screen for the three twenty-five to London, he murmured, ‘Four tables along. Woman with her
back to us. See?’
Elaine’s eyes slid across. The lady was somewhere in her fifties. An expensive-looking beige leather handbag was hanging
off the back of her chair, which was within easy reaching distance of the perimeter screens. Elaine gave a quick nod.
Fletcher thought about the little pub tucked away in the maze of streets making up the Northern Quarter nearby. ‘Meet
outside The Crown and Anchor if I get it.’
 
The control room operator narrowed his eyes. ‘Fletcher. Next to Café Gino. He’s scoping it out.’
The man in the suit sighed. ‘Which screen?’
‘Four. He’s changed his top somehow. Might be working with that skinny lass. The one just entering the seating area now.’
The suited man looked at the screens displaying the view of the station concourse. Officers were positioned at the barriers
at the end, preventing any vehicle from turning off the main road. He raised a handset to his lips. ‘Control Point, Piccadilly.
Cavalcade status, please.’
‘Mancunian Way, passing the University buildings. ETA, five minutes.’
He lowered his handset. ‘I don’t need any commotion when they enter the terminal. Get that little prick lifted.’
The camera operator flicked to another view. Four British Transport Police officers were positioned at the top of the
stairs leading up from the taxi rank at the back of the station. ‘Dave. You and one other. Café Gino. There’s a male, midtwenties, shaved head, red top. He’s standing by the side of the partitions of the seating area. Remove him from the terminal,
immediately.’
 
Elaine made her way between the tables, stopping before the target. ‘That chair taken?’ she asked, wiping her nose with the
back of a hand.
The woman looked up, registering the dishevelled appearance and unwashed hair. ‘Erm—sorry.’ She gestured towards the
café. ‘My husband. He’s in there getting served.’
Elaine pretended to be in two minds over whether to sit down anyway as Fletcher unhooked the handbag and stuffed it
up the red top he now wore. He started making for the stairs which led down to the station’s taxi rank. Two fluorescent jackets
appeared directly in front. One officer raised a hand. ‘You!’
Fletcher spun on his heel and burrowed back through the crowd, risking a glance over his shoulder as he did so. The two
officers were trying to wave people out of the way, one of them speaking rapidly into his radio. Fletcher moved past the Boots
and Orange store, realising the net would now be closing. But the bag had too much inside to give up yet.
Through the plate glass doors at the entrance, he saw more officers starting to turn their heads as a colleague waved a
14
Suspense Magazine October / November 2014 / Vol. 060
hand. Shit. That left the far side doors, the ones leading out into the rear car park. He broke into a half
run, knocking some kid over. The crowd thickened closer to the barriers and he bent forward to force his
way between the press of bodies. Past a Cornish Pasty place and then out into the fresh air.
He ran round the corner, lungs burning. Before him a deserted service road ran along the back of the
shops that lined the station’s concourse. Markings on the concrete denoted bays where delivery vehicles were permitted to
unload. On the other side of the road was row upon row of vehicles.
Fletcher started towards the main road, but quickly realised he would never make it from sight before the pursuing
officers appeared behind him. After fifty metres, he veered into the car park. Gasping for breath, he crouched down beside a
vehicle and peeped through its windows. A moment later, three officers ran round the corner of the terminal. They slowed
to a stop and looked to each side.
 
Up on the roof of a renovated warehouse next to the railway terminal, an officer lowered his binoculars. ‘Something going on
in the car park behind the station.’
His colleague gazed downwards.
‘A guy just ran out. See him squatting behind that car? About a dozen rows in? I think those three officers are after him.’
His colleague spoke into the mouthpiece of his headset. ‘Obs Point Five to Control Point Piccadilly.’
The suited man in the station’s monitoring room lifted his handset. ‘Go ahead Obs Point Five.’
‘We’ve got an adult male concealing himself in the British Rail car park behind the station. Three Transport Police appear
to be trying to locate him.’
‘You have visual contact?’
‘Yes. He’s…hang on…fourteen rows down, next to a dark blue people carrier. Renault, I think. It’s six cars in.’
The suited man turned to the camera operator. ‘Did you get that?’
‘I did, but we’ve got no cameras there. Gavin? There’s an apartment hotel overlooking you. Surveillance unit on its roof
has spotted him. Fourteenth row of vehicles down. Hiding by the side of a dark blue people carrier, six cars in.’
The suited man spoke into his handset. ‘Control Point Piccadilly. Cavalcade status?’
‘Turning off the Mancunian Way. ETA, three minutes.’
 
Fletcher could feel his heart hammering at the back of his throat. He looked down where the sleeves of Elaine’s top had ridden
up. Beneath the rivulets of black dots running down each forearm, his veins strained against the skin. They’ll give up, he told
himself. There must be hundreds of cars here.
The uniform in the middle seemed to look up at a building then nod. He spoke quietly to his colleagues. One peeled off
to the left, one to the right and all three started forward. Fletcher glanced in the other direction. A good hundred metres to
the main road and the safety of the Northern Quarter beyond. The officers were now three rows in. They’ll give up soon, he
thought. They must. But they continued to advance, one with his eyes firmly on the vehicle Fletcher was hiding behind.
A small white van appeared round the corner of the terminal, coming from the direction of the catering units used for
supplying the inter-city trains with food. The officers were now eight rows away. Fletcher watched as the van pulled up in the
loading bay behind one of the shops and turned its hazard lights on. A man of about twenty got out, hurried round the vehicle
and disappeared through the rear door of the premises. Fletcher could see he’d left the engine running.
 
The surveillance officer on top of the nearby building spoke up. ‘Obs Point Five to Central Control. A van has just pulled in
at the rear of one of the shops that faces out onto the concourse.’
The suited man looked at the bank of screens, wishing he could see what was going on. ‘From where?’
‘Hang on…’
 
Keeping as low as possible, Fletcher ran along his aisle of cars and bounded across the narrow road. He yanked the van’s door
open. Yes! Keys were hanging from the ignition. As one of the officers shouted behind, he slammed the gear in first, popped
the handbrake and shot forward. In the rear view mirror, he watched the three sprinting officers rapidly fall behind. ‘Come
on!’ He screamed triumphantly.
 
Peering down from the roof, the surveillance officer said, ‘The male has just taken the vehicle! He’s proceeding towards the
main road, turning right…no, he’s stopping…’
 
Fletcher pressed the button for the passenger side window. ‘Elaine!’
 
SuspenseMagazine.com
15
The officer on the roof spoke again. ‘He’s picked up a female
pedestrian. They’ve now turned right, heading away from
the station along Store Street. I repeat, away from the station.’
In the monitoring room, the suited man’s shoulders
relaxed. ‘That’s fine by me. Calvacade status?’
‘We are nearing the junction of London Road. Train
station is on our right.’
The camera operator pointed. ‘There they are. On
number two.’ The screen showed the main road outside.
Led by the two motorbikes, the state vehicles were slowly
approaching.
 
Fletcher pulled the handbag out and tossed it onto Elaine’s
lap. ‘Fuck me! Soon as I took it, every pig in that place was
after me.’
Elaine was laughing with excitement. ‘I was sure they
had you.’ She unzipped the bag, wondering what the smell
was as she reached straight for the purse. ‘Check this!’ A fan
of notes was in her hand, all tens and twenties.
Fletcher was now turning off Great Ancoats Street into
some waste ground behind a derelict mill.
 
As the suited man watched the motorbikes turning right,
something needled him. The barriers at the end of the
concourse had been raised, an officer waving the royal
vehicles through. ‘Control Point to Obs Point Five. Had that
van approached from the main road?’
‘No—it came along a service road which leads to some
kind of commercial premises at the far end of the staff car
park.’
 
Fletcher pulled to a halt. ‘What else is in there?’
The farm, Elaine thought. The smell reminds me of the farm. The mobile phone in the handbag’s inner compartment
started to ring. Elaine took the call. ‘Yeah, yeah—you’ve lost your stuff, Mrs.’ She tossed the handset onto the white bags piled
up in the rear of the van.
 
The suited man in the monitoring room was frowning. ‘All deliveries to those shops were suspended. Can you still see the
vehicle?’
‘Negative, visual contact lost when it turned off Store Street.’
 
Elaine looked over her shoulder at the sacks. That’s the smell, she realised. Fertiliser. She reached over her seat and opened
the uppermost sack. Wires ran into the pale blue granules. And there was a little digital clock. The thing was ticking away, a
few seconds off twelve.
 
The royal cavalcade was half-way up the concourse when, just over a kilometre away, a dull whump reverberated across the
city. The surveillance unit on the roof watched a massive old building collapse in on itself before a huge cloud of dust billowed
up towards the sky. ■
Chris Simms is the editor of Case Files, the Crime Readers’ Association’s online magazine. You can subscribe to Case Files for
free at www.thecra.co.uk. Along with nominations for the Crime Writer’s Association Daggers (for his novels and short stories),
and the Theakston’s Crime Novel of the Year award, Chris was selected by Waterstone’s as one of their ‘25 Authors For The Future’.
He continues to feverishly scribble away in a small hut behind his house.
Discover more at www.chrissimms.info or at www.facebook.com/AuthorChrisSimms.
16
Suspense Magazine October / November 2014 / Vol. 060
By R.M. Cartmel
Press Photo Credit: Provided by Publicist
Chapter 8
Nuits-Saint-Georges, Friday afternoon
Truchaud had realized very early in his life that he wasn’t very good at comforting people. He was well aware that in the
current situation he was showing little improvement. He also felt uncomfortable holding a slightly built teenaged girl so
closely, who was considerably younger than he was. It wasn’t as if he knew anything about her at all, apart from the fact that
she had just found her employer very messily dead.
There was one other thing he knew; she had just failed to sell him a bottle of wine. All right, so he didn’t actually want any,
and that wasn’t why he had come into the shop in the first place, but she wasn’t to
know that. He hadn’t even consciously looked at her face. He could see from the
position of her head on his right shoulder that she had brown, shiny bobbed hair,
but that was about as much as he had worked out by the time that the gendarmes
arrived.
‘Good evening, Commander. I see you’re busy,’ said Captain Duquesne drily
as he walked through the door, followed by a couple of uniformed gendarmes he
recognized from earlier in the day. They were armed to the teeth and looking as
if they might actually bite.
‘Good evening, Captain,’ he replied. ‘The body’s through there, in the office.’
The Captain and the male gendarme walked through into the office. Truchaud
watched the younger officer walking in first with his gun at port. The other
gendarme, a red-headed woman, remained at the door of the shop, brandishing
her weapon just to make sure that Truchaud and the shop girl didn’t try to escape.
They were back out again very quickly, with the Captain already barking
instructions into his handset. When he had finished, he looked at Truchaud and
the girl coldly.
‘Do we know who he is?’ he asked.
‘Jérome Laforge,’ said the girl. ‘He’s the owner.’
‘And how do you know that? Did you actually touch the body?’
‘No,’ she wailed. ‘It’s his office, and that’s the same old jacket he always wears.
SuspenseMagazine.com
17
SPECIAL PREVIEW FROM R.M. CARTMEL
The
RICHEBOURG
Affair
SPECIAL PREVIEW FROM R.M. CARTMEL
Who else would it be?’
The Captain ignored her question and the desperation in her voice. He continued, ‘Who discovered the body?’
The girl looked at him. ‘Well I suppose that was me too,’ she said rather brokenly, still crying.
‘And you are?’ asked the gendarme, still ignoring her distress. ‘Suzette Girand. I work here.’
‘What do you actually do?’
‘I’m a salesperson. I try to sell wine.’ She emphasized the ‘try’, and looked up over her shoulder straight at Truchaud. He
caught his breath. He had not seen eyes that green since he had last looked at ‘the one that got away’, so many years before.
‘So, can you tell me exactly what happened?’
Truchaud told him the story from when he had entered the shop to the moment of the Captain’s own arrival. The Captain
then interrogated them rapidly: first the one, then the other.
‘Did either of you hear any shots?’
‘Not that I’m aware of, and I like to think I would recognize a shot if I heard one,’ replied Truchaud.
‘So would I, Commander, so would I. Now, I noticed you mentioned that you had entered the shop before Miss Girand
here. How exactly did that happen?’ There was a pause, and then he added, ‘Miss Girand?’
She tried to speak amid the sobs. ‘Well, it had been a quiet afternoon, so I crossed the road to have a cup of coffee with
my friend who works in the café over the road. We were sitting where I could easily see the entrance to this place if anyone
should actually come in, and I could get back to the shop long before they managed to leave again.’
‘Your friend will corroborate that statement?’ enquired the gendarme.
‘Of course,’ she said. ‘Ask her.’
‘I’m quite likely to do that,’ he said. ‘When did you last see your employer alive?’
‘Yesterday.’
‘So how did you get in today?’
‘I have my own set of keys, so I let myself in after lunch and opened up.’
‘Been a busy afternoon?’
‘No. As I said, very quiet. This gentleman was only my second customer.’
Duquesne harrumphed. ‘Well,’ he said, ‘it’s not going to get any busier. We’re going to have to shut the shop up for the
moment, as it’s now a crime scene.’
The girl let out an explosive wail, and pushed her face again into Truchaud’s shoulder for a moment. Then she looked up
again, more frightened. ‘I’m not under arrest, am I?’ she asked, her eyes opening even wider.
‘Not at the moment,’ he said, ‘but I don’t need to tell you … don’t leave town.’
‘But I’m due back at university in Dijon on Monday,’ she said desperately. ‘My tutor is expecting an essay in then, at the
latest.’
‘Then what you have to do is get that essay done. What will happen on Monday, we will have decided by Monday. And
the same thing about leaving town goes for you too, Commander Truchaud.’
‘I wasn’t planning on leaving town. I’ve told you that already.’
The gendarme noted down their names and addresses, looking up at Truchaud when he gave her his address. He
wondered whether she was the same policewoman who had sat with Michelle awhile after she had discovered Bertin’s body.
Duquesne looked at the crying girl with increasing irritation. ‘Commander Truchaud, can I trust you to make sure Miss
Girand here gets home safely? That way I can hang on to my gendarmes to investigate the crime scene. I think you had both
better have one of my cards.’ He issued them both with one of his business cards: Truchaud’s second of the day.
‘Now once you have got her home, go home yourself. If I need to see you tonight, I’ll know where you are. If I don’t come
and see you tonight, can you come down to the gendarmerie in the morning?’
‘Of course.’
‘And, mademoiselle, may I also request that you stay home tonight? I would rather you weren’t off gallivanting with
boyfriends. I may need to be able to find you too. I will make a telephone call when I want to see you, and as soon as I know
what we’re to do about university on Monday.’
Truchaud and the girl left the shop, and she directed him where to go. He decided not to tell her that he had grown up in
Nuits-Saint-Georges, and that he knew every street in the place. ■
From “The Richebourg Affair” by R.M. Cartmel. Copyright 2014 by R.M. Cartmel. Reprinted by permission.
Born into a military family, R.M. Cartmel was educated at the Sherborne School in the South West of England and Oxford. Cartmel
served as a practicing doctor for over three and a half decades. “The Richebourg Affair,” Cartmel’s debut novel, combines two of his
lifelong loves—writing and traveling throughout France’s exquisite Burgundy region. R.M. Cartmel is currently at work on book two in
the Burgundy wine trilogy, The Saint-Georges Episode.
18
Suspense Magazine October / November 2014 / Vol. 060
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Suspense Magazine Book Reviews
INSIDE THE PAGES
ANARCHY
By James Treadwell
Narration is a gift; the power
and ability to lead a reader through
a tale with beauty, adeptness, and
intelligence, while offering up that
twinge of absolute terror, is not
something given out to authors
every day. James Treadwell is one
of those ‘few’ who has the art of
narration mastered. With every
page a new event unfolds, beginning
with the tale of a teenage girl who
finds herself in utter fear.
Goose is an officer in a small,
isolated town. She has just been
thrust into a mystery that could
very well end her career. The
teenage girl named Jennifer was
brought to the jail by Goose. The
girl doesn’t speak, and will only
be with Goose for a short time
before she’s picked up and taken to
a ‘facility’ where, perhaps, they can
help extract information from her
regarding an odd death. Jennifer
is locked in a cell, yet when Goose
returns to the jail, the door is wide
open and the child has disappeared.
Constable Jonas Paul is Goose’s
friend. He is more than a calming
influence; in fact, he never seems
to get uptight about anything. And
he wants to help Goose find this girl
gone AWOL before it’s too late.
No one is exactly thrilled with
Jennifer. Most people at the jail
would rather she stay lost in the
woods. After all, she’s someone
that has a pall of creepiness about
her, almost making her look like
she has serial killer tendencies. But
for the life of Goose, she can’t help
but want to aid the girl. She feels
something strange going on—and
soon, things turn from bad to worse.
This is a fantastic novel that has
a group of journeys that eventually
come together. The scenes and
characters are interesting, and the
stunning descriptions of locations
make the reader see quickly that
even though the author’s goal was
to write about ‘magic,’ he most
definitely created it in the process.
Reviewed by Amy Lignor, author of
“The Charlatan’s Crown,” published
by Suspense Publishing, an imprint
of Suspense Magazine ■
20
MISSING YOU
By Harlan Coben
“Missing You” is an appropriate title for this book, because I’ve never read any Harlan
Coben books and I realize, after reading this page-turning gem, that I have been missing out.
Coben is an accomplished writer and after only reading the first chapter, you know you are in
a professional’s hands. There are so many mysterious plot threads created that my poor tired
eyes were propped open into the wee hours as I desperately read on to discover the reveals.
It all begins with NYPD Detective Kat Donovan finding her ex-fiancé’s profile and picture
on a dating website, but when she contacts him he doesn’t seem initially to recognize her. She is confused, but
at the same time she doesn’t have time to ponder it for long, as she becomes preoccupied with the imminent
death of the imprisoned man whom she believes killed her father. He has never revealed the truth as to why
her father was murdered; this is her last chance to confront him.
Amid all this emotional chaos, enter teenager Brandon whose mother has gone missing, but nobody
believes him. She’s supposedly on holiday with a lover whom she met on the same dating website where Kat
has spotted her ex-fiancé. As the tale unravels, nothing is as it seems, and the truth is terrifying. Kat discovers
some frightening truths, as readers are treated to one of the slickest thrillers released this year.
As I closed the cover on the final page, all I could think was: I’m going to miss you, Mr. Coben. Luckily,
there are twenty-five other published books of Coben’s, so I won’t be missing him for long.
Reviewed by Susan May, author of “Back Again” ■
FATAL FORTUNE
By Victoria Laurie
Abby Cooper is psychic and she trusts her intuition. When the police show Abby a
surveillance video of her best friend and business partner, Candice Fusco, shooting a man
in cold blood, she can’t believe what she sees. Then she receives a cryptic voicemail from
Candice, who has disappeared. Abby decides to go to Las Vegas to search for her friend and
find out the truth. Despite the police’s suspicion that Candice is involved with the Mob, Abby
just can’t believe it.
When Abby arrives in Vegas, she finds a rigged game of dirty double-dealing that might just cost her life.
Can Abby find Candice and get the problem sorted out before the police track Candice down and arrest her?
Can Abby protect her friend while she protects herself?
This book was a definite cut-above average mysteries and had twists and turns that kept me guessing
while I was reading. Ms. Laurie has created a winning protagonist and an intricate plot that kept me up late
so that I could find out whodunit. I recommend this series and look forward to the next installment. Bravo!
Reviewed by Holly Price author of “At Death’s Door” (released soon) ■
BLUE WARRIOR
By Mike Maden
Adrenaline junkies will be thrilled to know that Troy Pearce and his drone technology
team are back in action.
Pearce is the CEO of Pearce Systems, a company that builds and specializes in drones and
drone operations. Troy is much more at ease when he’s out in the field, leaving the executive
office behind. Traveling a great deal, he and his men go around the world to help with various
problems, and this time out, they are headed to Mali to help former President Margaret Myers;
she’s a friend of Troy’s, and is wrapped up in a secret mission that’s all about unearthing a true ‘pot of gold.’
This rescue mission takes Pearce directly into a fight between the Tuaregs, led by a man who goes by
the name, Blue Warrior, and Chinese soldiers led by a take-no-prisoners tyrant. It seems that some very rare
and priceless minerals have been found in the Sahara and, instead of individual treasure hunters going for the
spoils, some very powerful nations, as well as a few international companies, are coming out of the woodwork
to get the goods.
Who wins will be based on who believes whom. The Tuaregs are a tribe of warrior nomads fighting for
independence. The Chinese offer their help to get rid of the Tuaregs once and for all, attempting to make the
Malian government believe they are only trying to provide aid. The ‘old’ Al-Qaeda also join the skirmish, and
Pearce and company soon must understand and uncover each thread that’s being pulled, while also searching
for Troy’s friend who has asked him for help in getting out of there. Utilizing the drone equipment, their
courage, and a team with amazing intelligence, Troy faces the possibility of a region committing genocide all
because of the basic deceit of power hungry individuals searching for wealth.
Suspense lovers will find their hearts racing because of the abundant and creative detail. The plot is rich,
and the villains are…everywhere.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
Suspense Magazine October / November 2014 / Vol. 060
BONES NEVER LIE
By Kathy Reichs
The beloved Dr. Temperance Brennan is back on the page, and the fan favorite forensic
anthropologist is embedded in yet another incredible thrill-fest.
This time around, she’s been called in to consult on a cold case investigation. In this
particular case, however, a veil of creepiness falls over Temperance, as she realizes that what
she’s investigating seems highly familiar. The connection can be made between the murders
of two young girls in Charlotte and Vermont to a case Temperance worked on decades ago in
Canada. At that time, a hideous killer named Anique Pomerleau was responsible for the torture
and murder of young girls. In addition, this horrific woman also attempted to kill Dr. Brennan who, at the time,
was up north working with Canadian detective, Andrew Ryan.
Seeing as that the past may just have resurfaced, Temperance has a great deal on her mind, including
resurrecting a detective to help her solve this case; a man who was not exactly the happiest of people, and who
disappeared from the police force.
Tracking down Ryan, Temperance does not take no for an answer, and convinces him to go back to Canada
in order to stop Anique Pomerleau once and for all. You would think that after all these years this woman would
be exhausted, but now the killer seems to be stepping up the pace, murdering at a much faster rate than ever
before.
A deliciously frightening plot, the reader goes on a journey that’s creepy, thrilling, and hugely surprising
to both them and Dr. Brennan. As the story progresses, each twist is better than the one before, leading to an
ending no one sees coming. Although Bones is a fantastic television show where no fan is absent Dr. Brennan in
their lives, the amazing books that Reichs creates are still the cream of the crop when it comes to her popular
character, drawing readers in for a ride that leaves them absolutely breathless.
Reviewed by Amy Lignor, author of “The Charlatan’s Crown,” published by Suspense Publishing, an imprint of
Suspense Magazine ■
ADMIT TO MAYHEM
By D.J. Adamson
Lillian Dove makes bad choices. A thirty-nine-year old recovering alcoholic, five years sober, her life is
one long series of mistakes. Now she works two part-time jobs, one of them as a clerk in a liquor store, drives
an old Mustang convertible that has trouble closing its top in rainy weather, itself, an apt metaphor for Lillian’s
life. Such a car might not be a problem were she residing in West Texas or some other bone-dry climate, but for
summer storm prone rural Iowa, not exactly the best choice in vehicles.
This cozy-noir novel takes off when, early on a Sunday morning and heading home after yet another mistake,
she chances upon a remote country house in flames. She’s certain she saw a face in an upper story window and
almost dies trying to save them. But no trace of another person is found when help arrives. Only then does she
learn the story of a sixty-year-old murder and arson in the same house.
Her mother, from whom she has been estranged for years, is in precarious health in a care facility. Her ugly
cat, Bacardi, has a habit of darting outside and getting lost. Flu is running rampant through the community, she
loses her other part-time job, and more than one person in her insular town is angry that she reported the fire
and the face she saw at the window. For Lillian, it seems that all the chickens hatched of every bad choice she
ever made are coming home to roost at the same time.
Dry, dusty cornfields, town socials down by the lake, cows that block traffic at inopportune moments, an
oppressive sun relieved only by sudden bursts of rain and hail. D.J. Adamson brings her Midwestern setting to
life—a life that includes an ever increasing possibility of sudden and violent death.
Reviewed by Andy MacRae, author of “Murder Miscalculated” ■
CHRISTOPHER'S DIARY: SECRETS OF FOXWORTH
By V.C. Andrews
There is no doubt that there are very few readers out there who do not remember where this
all began. The Dollanganger books by the incomparable V.C. Andrews are held in the memory of
millions of readers. She presented, by far, some of the very best in YA fiction: dark, creepy, and a
series that had you on the edge of your seat just waiting for the next one to come out.
Now, ghostwriter Andrew Neiderman has been delving into the Dollanganger clan, and is
producing these books to expose secrets about the evil Foxworth Hall, and how the quartet of
memorable kids had to enter Foxworth’s attic, while their lying mother attempted to erase them
from her life so she could begin again.
Taking place in the here and now, teenager Kristin Masterwood, has lost her mother, who just so happened
to have been a distant relative of Malcolm Foxworth. Kristin’s father is hired by the bank to look into the remains
of Foxworth Hall and evaluate it. But once they arrive on the ghostly property, Kristin finds a certain dusty
treasure: a box containing a leather-bound book left behind by Christopher Dollanganger. Kristin decides to
read the book, and begins to learn all about the children and the real truths that occurred in the horrible mansion.
But the information has a strange effect on Kristin, and she and her boyfriend end up reading the diary out
loud together in the attic of Foxworth. Although the Dollangangers are there in spirit, the fear that comes from
the story surrounds Kristin, and how just by opening that book, she brings ‘Flowers in the Attic’ back to life.
With one more still to come in this ‘journey back to Foxworth,’ this tale is a true escape with moments that
bring the past alive and combine it with a frightening present that would make V.C. Andrews extremely proud.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
SuspenseMagazine.com
BLOND CARGO
By John Lansing
A fantastic read, this
genuine thriller featuring Jack
Bertolino is the continuation
of Lansing’s previous tale, “The
Devil’s Necktie.”
Jack Bertolino owns his
own business. Most of his time is
spent protecting clients, but Jack
also does a little extra ‘work’ on
the side for anyone who needs
him.
In the previous book, Jack
was dealt a horrible blow when
his son, Chris, was the victim
of a murder attempt. Chris was
a college student and budding
pitcher on the baseball team
at the time of the attempt, and
was shot in the arm…ending his
future in sports. His father put
all his will and determination
into finding the man who
harmed him. And it was Vincent
Cardona, the local mafia boss,
who aided Jack by providing
him with information that led to
Jack’s eventual takedown of the
man who hurt Chris. When all
this came to pass, Jack accepted
the mobster’s help knowing full
well that he would have to repay
Cardona someday. . . . Now is
that day!
Summoned to the Cardona
household, Jack is asked (told)
by Vincent that it’s time to repay
the favor. It seems that Cardona’s
daughter has come up missing,
and it’s Jack’s job to find her and
return her to her father as soon
as possible. Uncovering clues,
Jack discovers that the beautiful,
blond-haired mafia princess is
the victim of a kidnapping. The
door soon opens wide on a team
of rich, politically-connected
creeps, who are in a very special
business that involves the selling
of sex slaves to middle-eastern
harems.
This extremely fast and wellthought-out thriller will remind
some of James Patterson’s early
works. The action is great right
up to the end and, luckily, Jack
Bertolino will be staying on the
fiction scene to continue his
search for any and all bad guys to
come.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
21
TUNNEL VISION
By Aric Davis
Mandy Reasoner was
murdered fifteen years ago. A
villain was caught back then—
her boyfriend, Duke. However,
there is a group now attempting
to free Duke, knowing that the
police interrogation that put him
away led to a confession that
was basically forced out of the
drug-addled, exhausted boy after
seventy-two hours of grilling.
Fast forward fifteen years,
and we have a young man who
is both killer, drug dealer, as well
as P.I. who actually helps people.
Whether it is to find their lost
loved ones, or simply stalk the
cheating wife, Nickel takes many
jobs. But what gives him his basic
income are the substances he
grows that his distributor wants.
Unfortunately, Nickel is about to
take on a case from a frightened
Mom who needs him to watch
her daughter and make sure
nothing ‘bad’ happens to her.
June is a young lady who
looks just like Mandy Reasoner.
Seeing as that Mandy was her
Aunt, the resemblance is no
surprise. But when her best
friend, Betty, finds out about
this mysterious murder that was
buried and hidden from June by
her own mother long ago, the
girls get together to figure out
what really happened. This is the
subject of their school paper, and
they will leave no stone unturned
until they dig up the truth.
When Nickel joins up
with Betty, finding her more
than pretty, he begins to offer
information he has found out
about the killing long ago, talking
to her about every clue that the
police swept under the carpet
in order to get Duke to confess.
One clue being a journal Mandy
left behind—a journal that may
just unveil the real killer who is
still walking the streets.
An interesting plot, yet
readers will have to pay very close
attention to this one. Missing
even one paragraph or line could
mean instant confusion, seeing
as that the cast of characters each
have their own little ‘extras’ to
add to the story.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
22
DEADLINE
By John Sandford
Murder, money and meth—what more could a reader ask for? John Sandford’s “Deadline” is a sharp crime
thriller with killer dialogue that leaves you shaking your head because it’s so good. Virgil Flowers of the Minnesota Bureau of Criminal Apprehension gets a call at three in the morning
from his friend Johnson Johnson. Dognappers are afoot, stealing countless dogs in a small town in Southeast
Minnesota. Will Virgil come down to solve this mystery? Of course, even if he does think it’s a bit silly to be
woken up at 3:00 a.m. for stolen dogs, as he is used to murders and gun fights, not kidnapped pups.
Upon Virgil’s arrival to the small town of Trippton, a corrupt school board votes to kill the reporter who has
discovered their multi-million dollar embezzlement scheme. And at the same time, a meth-cooking site has been
discovered and the key dealer who may be involved in the dognappings is on the run. Virgil must solve all three
crimes before more dead bodies are added to the count—including his own. “Deadline,” the eighth book in the Virgil Flowers series, doesn’t beat around the bush in both its strong,
colorful dialogue and straightforward prose. Sandford, the pseudonym for John Roswell Camp, is a Pulitzer
Prize-winning journalist, and his journalism skills shine throughout, opting for clear-cut action and description
rather than ambiguity. However, this does not leave the thriller feeling less than; the suspense is spot on, the
characters are a lively bunch, and Sandford’s commentary on bureaucracy and politics is entertaining. “Deadline” is highly recommended for gritty crime thriller lovers looking for a punchy fix. While some of
the dialogue may be a bit rough for some, “Deadline” is still worth checking out: It is a delightfully smart and
saucy foul-mouthed cop novel that left me chuckling out loud and wanting more. The next Virgil Flowers novel
can’t come out fast enough. Reviewed by Sara Giusti ■
FALL OF NIGHT
By Jonathan Maberry
Jonathan Maberry’s newest release, “Fall of Night” is the perfect sequel to his already
bestselling “Dead of Night” saga. Picking up the story right where it left off, Maberry ushers in
the next installment in a zombie apocalypse that will wipe out humanity.
When the inventor of Lucifer 113 goes missing, it’s believed that Patient Zero will never
be discovered…until Patient Zero goes on a pre-conceived rampage, infecting victims outside
Stebbins, Pennsylvania, and the believed containment area. Who is this Patient Zero, and what
is his motivation for infecting the world with a man-made virus tweaked to turn the living into
the walking, eating dead?
Jonathan Maberry’s characters are cutting-edge and true-to-life, trying to stay alive in the situations they are
placed in. Some are likeable and some, not so much, but all are typical and believable…just what you’d expect
in small-town America. All doing their best to escape the effects of a terrible, rampaging disease that mutates the
dead and re-animates them as monsters.
Maberry’s apocalyptic scenario is frightening to the tenth power and the ‘creep’ factor is off the charts. To
say his vision of the future of mankind is too close for comfort is understating the obvious in this horrifying tale
that just keeps on coming with hit after hit. Truly, a brilliant look into the all-too-possible future of the human
race.
If you are a fan of zombie tales don’t miss this one from the Master. “Fall of Night” will satisfy your bloodlust for a long time to come.
Reviewed by DJ Weaver (WebbWeaver Reviews) co-author of “Collecting Innocents” published by Suspense
Publishing, an imprint of Suspense Magazine ■
FIVE MINUTES ALONE
By Paul Cleave
A sad tale of folks who definitely do not deserve what life has handed them, which made some run into a
so-called ‘guardian angel’ that helped them cope.
In New Zealand, Detective Inspector Theodore Tate is a man who has had his own troubles ever since
his daughter was killed by a drunk driver, and having to deal with a wife who suffers memory lapses since the
accident. The man was also in a coma for a time and has recently come out of it. Detective Carl Schroder, Tate’s
ex-partner, has also just come back to the land of the living from a gunshot wound, but has retired from the force.
Tate is matched with a new partner, Detective Kent, and they are sent out to investigate the death of
a convicted rapist who has just been released from prison. Found near a railroad track, it seems that he has
committed suicide. But while looking deeper, this duo uncovers a tape that shows Smith recently stalking Kelly
Summers, a woman that he attacked in the past. Tate and Kent decide to visit Kelly’s home, and come across
evidence that Summers may just have gotten her revenge…but not alone.
A certain, so-called ‘helper’ is offering a deal to victims out there, a chance to spend five minutes alone
with the person who has ruined their lives or harmed them in some way. Taking justice into their own hands,
however, has consequences. Forensics don’t lie, and forgetting something vital is “Murphy’s Law” at its finest.
But who’s really to blame? A victim getting their say, or a ‘helper’ who may just be in the game for their own
personal purposes?
The plot is outstanding and the drama and questions keep on coming, in this great read that brings up a
whole new thought process about criminal vs. victim. The author has done an outstanding job of asking readers
‘what if?’ people could be their own judge, jury, and executioner.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
Suspense Magazine October / November 2014 / Vol. 060
THE SECRET PLACE
By Tana French
Holly Mackey, a student at St. Kilda’s in Dublin, finds something on a bulletin board at the
school; this has been dubbed ‘The Secret Place,’ which allows girls to post whatever is on their
minds anonymously. This particular posting, however, is frightening. It’s the photo of a very
popular murdered boy who attended the private boy’s school, located very close to St. Kilda’s.
Written on the photo are the words, “I know who killed him.” Holly goes to the police station to
see Detective Stephen Moran.
Detective Moran has been working cold cases for a while and wants desperately to try his
hand at solving this murder. Teaming up with Detective Antoinette Conway, they head into the world of private
education to find out what happened to Chris Harper, and why anyone would want to kill him.
The cops have their work cut out for them. Many girls attend St. Kilda’s, but there are two specific cliques
that the detectives seem to think are the instigators of what goes on inside the historic doors. These cliques are
sworn enemies, and spend all their time trying to get even with each other to see who will come out on top.
The two detectives throw themselves into the investigation full-force. Interrogating both schools, they ask
questions in order to uncover the secrets that got this boy killed. And as they dig deeper, it becomes clear that
teenage girls have a vicious side. In fact, the sweetest of them all would have no trouble murdering someone
without batting an eyelash. The only thing that stands in the law’s way are the bonds of their female friendship,
which are so tightly woven that the evil they’re protecting can cause two jaded detectives to become terrified
beyond belief.
Tana French has put together a definite ‘must-read.’ The investigators are slick, and the kids are sly, brutal,
and pompous. This plot may change your view about the benefit of expensive, private education…especially at
St. Kilda’s.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
LOOT OF THE SHANUNG
By L. Ron Hubbard
In this short tale, readers follow Jimmy Vance. This is one tough newspaperman working in Shanghai who
will follow a story to the very end. Like a dog with a bone, Jimmy needs that next headline and lives to solve
crimes.
A story comes to his attention that has his adrenaline pumping. A well-known man named George Harley
Rockham has disappeared, and his daughter, a truly stunning woman named Virginia, is asking for help in
recovering her father. In addition, the person who can do just that will receive a one hundred thousand dollar
reward. Let’s just say that this is an offer that the avid investigative reporter cannot refuse.
But Jimmy’s investigation turns more than difficult. Rockham is a billionaire; a man who has more enemies
than Jimmy has energy, which means there are a host of people who are working diligently to make sure
Rockham goes the way of the dodo. And as Jimmy begins to uncover the secrets surrounding the kidnapping, he
finds himself knee-deep in a mystery involving a steamship. This transport, called Shanung, has a lot to do with
the case, and Jimmy finds himself not only the focus of guns and bad guys, but also the gorgeous, Miss Virginia,
who may or may not be a victim.
This is one of those tales where it’s so descriptive, you can literally smell the cigarette smoke of the
newsroom, hear the click of a bad guy’s gun behind your skull, and listen to the high heels of a dame clicking on
the wet cement of a Shanghai street. In other words, Hubbard gives readers a deliciously fun time in the golden
age.
Reviewed by Amy Lignor, author of “The Charlatan’s Crown,” published by Suspense Publishing, an imprint of
Suspense Magazine ■
DEATH OF A DOG WHISPERER
By Laurien Berenson
It’s summertime in Connecticut, and Melanie Travis is hoping for some lazy days relaxing
with her extended family. Melanie’s family includes her husband, Sam, their two-year-old son
Kevin, her nine-year-old son Davey (by ex-husband Bob), and her imperious Aunt Peg. Oh, yes,
and six Standard Poodles, who are easily the best behaved dogs I’ve ever met. Of course, they’re
all show dogs, trained to be well behaved. Showing dogs is still another aspect of Melanie’s busy
life.
When ex-husband Bob introduces Melanie to his new friend, “dog whisperer” Nick
Walden, who has an uncanny gift for decoding “dog speak,” Melanie is skeptical at first. But when she observes
first-hand Nick’s easy rapport and connection with dogs, she agrees to introduce him to Aunt Peg, hoping that,
with Peg’s impressive canine connections, Nick will acquire some new clients. All is going well, and with Aunt
Peg’s assistance, Nick’s client list begins to expand among the well-heeled dog owners of Fairfield County, all of
whom are anxious to discover exactly what their pampered pooches are thinking.
When Nick is discovered dead in his home, his sister Claire enlists Melanie to help track down the killer. It
looks like Melanie’s dream of lazy summer days will remain just that—a dream.
In this seventeenth Melanie Travis mystery, Laurien Berenson once again introduces readers to the inside
world of dog shows. “Death of a Dog Whisperer” is a well-plotted tale with likeable characters—both human
and canine. Boomer and I loved it. We give it a five dog bone review. Woof!
Reviewed by Susan Santangelo, author of “Funerals Can Be Murder,” published by Suspense Publishing, an
imprint of Suspense Magazine ■
SuspenseMagazine.com
SEEDERS
By A.J. Colucci
A recluse by the name
of George Brookes lives on
Sparrow Island, and is dealing
with some frightening things.
This once peaceful botanist was
behind experiments that set free
a monster, one that has a wide
range and can bring the world
to extinction. Not being able to
live with what’s coming and the
role he plays in it, George tosses
himself off a cliff.
A few weeks later, George’s
heirs arrive on the island. George’s
daughter, Isabelle, comes with
her three teenagers and her ward,
Monica. Also arriving is Dr. Jules
Beecher, a friend of George’s
and a fellow botanist, as well as
Ginny Shufflebottom, one of
those interesting English women
who put up the funds for all of
the dead man’s research projects.
Not only have they come to
this remote Canadian island to
grieve but they are also there to
read the Will, settle the man’s
estate, and help catalog George’s
possessions. Unfortunately, they
will also be stranded on the
island for two weeks until the
next supply boat arrives. They
get more than they bargain for on
this unusual trip.
What is slowly unveiled
is that during George’s
experiments, he discovered a way
for plants to communicate with
humans. These plants can now
speak about the pain they endure
and the fear they have about what
humans are doing to their planet.
The plants are unhappy, and the
visitors start to realize how much
when the voices out in the woods
begin.
The teens are sent out to
find a diamond left to Ginny
in the Will that is missing, and
Isabelle is doing her best to keep
everyone out of trouble…but the
earth is about to have an uprising
all its own.
Horror fans will love this
one; this is a creepfest du jour.
And be nice to your houseplants.
Because by the end of this one,
the very true reality of humanity’s
destruction of habitats will
definitely be looked at in a whole
new way.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
23
DAYS OF RAGE
By Brad Taylor
This is a dark and frightening
terrorist tale that begins at
the Summer Olympics held
in Munich in 1972. That’s the
location where the entire team
from Israel was murdered by
terrorists.
Onward to Beirut, Lebanon
in 1979 where the last man who
had anything to do with the
Olympic disaster is killed. The
man called Salameh is taken down
by the so-called ‘hunters’ who
went after the 1972 criminals, and
as far as they know, Salameh was
the last one standing. A mission
finally ends far before 9/11 comes
along to change the world.
Now, in present day, two
members of the Taskforce, a
secret government antiterrorism
agency, are killed in Bulgaria while
following the known Nigerian
terrorist, Usman Akinbo. This
event releases a rumor that a
terrorist attack is imminent, and
will be far worse in pain, blood,
and number than the Olympic
disaster of 1972. The agent in
charge of this secret unit is Pike
Logan, and along with his partner
Jennifer, Pike gears up and heads
to Bulgaria to find out what
happened to their cohorts; if it
was an accident or something that
will spell fear for the United States
and the entire global community.
As the plot thickens, Pike and
Jennifer find themselves stuck in
a dangerous situation as they try
and get facts. The line separating
good guys from bad blurs beyond
recognition. Not only is the
Taskforce attempting to uncover
lies and trickery, but the Russians
get in on the game by taking out
their revenge on America. The
Israeli’s wish to avenge their
athletes and the truth of what
really happened in Munich come
to the surface, allowing one and
all to finally know who’s to blame
for the massacre.
This is so exciting, and there
are so many subplots, readers
may be exhausted before it’s all
over. But the adrenaline flowing
through the veins is perfect for the
spy lover that craves a true thrill.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
24
SIDNEY SHELDON'S CHASING TOMORROW
By Tilly Bagshawe
The late and incredibly great writer, Sidney Sheldon, is remembered by a host of fans. So
many will jump for joy now that Tracy Whitney, one of Sheldon’s most memorable characters,
has returned in this incredible sequel to “If Tomorrow Comes.”
Tracy is the world’s most accomplished con artist. She and her hunky partner, Jeff Stevens,
had a ball with all the danger and adrenaline-pumping moments during their time together;
but as they say, all good things must come to an end. Tracy has come to a decision that the fastpaced life is no longer for her. She wants more than anything to begin a new chapter, which includes marriage
to Jeff and having a child of their own.
Following this path, the two wed and settle in London, where Jeff lands a prestigious job at the British
Museum. Sadly, Tracy’s pregnancy doesn’t happen and she finds herself missing the ‘good-old days.’ One
morning, when Jeff wakes up, Tracy has disappeared. And over a very long decade, Jeff searches for any sign of
his love, while most people come to the conclusion that Tracy is dead.
But a strange group of murders begin; murders that have a haunting link to Tracy’s old life. When a French
detective knocks on the ‘very-much-alive’ Tracy’s door to let her know that she’s the target of an angry monster,
Tracy must use her old, con artist roots to slowly uncover information. The very real fact that the murders have
occurred in locations where Tracy just happened to pull off some of her most brilliant cons in the history of her
career, is the first link in the chain. But with Jeff ’s struggle to locate her, and Tracy’s struggle to rebuild a life,
this killer may just have the upper hand.
The twists are constant and the cat-and-mouse game is a whole lot of fun. Sidney Sheldon created many
amazing characters, and Tracy is one who should remain a ‘star’ for the rest of time.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
DEAD BETWEEN THE LINES
By Denise Swanson
Devereaux Sinclair (Dev) has opened an old-fashioned five and dime store in her small
Missouri hometown and it’s a big change for her. To keep her business in the black, she opens
her shop for local clubs to meet.
On the first night of the Stepping Out Book Club, the speaker storms out after being
attacked by book club members for using sexism and scorn for small towns in his poetry. Later
that night, the poet’s body is found outside Dev’s store.
Dev doesn’t want to have a bad reputation for her shop, so she decides to investigate on
her own. There are two interesting men in her life: Dr. Noah Underwood and Deputy U.S. Marshall Jake Del
Vecchio and both want to help her ask questions. As she gets closer to the truth, Dev realizes that she just might
be the final chapter in this murder mystery if she’s not careful.
I found this to be refreshingly witty and the story is fast-paced and fun. I believe Ms. Swanson has a
winning series on her hands and I am looking forward to the next installment.
Reviewed by Holly Price author of “At Death’s Door” (released soon) ■
THE MYTHOLOGY OF GRIMM
By Nathan Robert Brown
Before beginning this incredibly cool book, it’s important to note that this is the mythology
of the Grimm TV show, and not an in-depth journey into the actual fairytales. For anyone who
read Brown’s other book covering the popular Supernatural television series, you will absolutely
be thrilled and intrigued by this one.
Everyone knows that the Brothers Grimm created some of the most frightening tales ever
told. Far from the ‘Once Upon a Time’ stories that always provided happy endings, Grimm was
all about how far you could go to scare all the children out there. And even after all this time,
Grimm is still making all age groups want to hide under the covers.
Beginning with a bit of historical background, readers learn facts regarding Jacob and Wilhelm Grimm.
More than interesting, the author touches on the Grimm’s trials and accomplishments, from losing their father
to pneumonia; to their eventual study of law. Certainly determined, the Grimm brothers tried to make the best
of their modest status while surrounded by wealthy and/or noble classmates. The brilliant minds of this duo
remain unmatched in fairytale circles; and the success of today’s television show proves that the name Grimm
remains popular.
Covering the pilot episode and why Little Red Riding Hood was the tale chosen to begin the series, this
book talks about everything from the Big Bad Wolf to the Three Bears that a young blonde knew all too well.
Medieval weapons used in the show are described to fans, as well as data found throughout the book defining
Grimm words (i.e.; the occupation of Ratcatcher). Every once in a while a ‘Tasty Morsel’ is also thrown in that
offers a little something extra.
This is one of those fun encyclopedias that opens the door on a show that captured the imaginations of
2014, by utilizing the incredible imaginations of two brothers who spun suspenseful tales that will far outlast
the series.
Reviewed by Amy Lignor, author of “The Charlatan’s Crown,” published by Suspense Publishing, a division of
Suspense Magazine ■
Suspense Magazine October / November 2014 / Vol. 060
FOUND
By Harlan Coben
Coben has created a bevy of adult novels that forever remain in the ‘best of the best’ category.
But his ‘turn’ into the YA world, with this incredible series, has also proven him to be a suspense
master that can weave a plot that all mystery/suspense/thrill-chasers can sink their teeth into.
The life of Mickey Bolitar is a busy one, to say the least. The main issue for Mickey is the tragic
death of his father, which has now been over eight months ago. What Mickey thought to be true
is not; an exhumed coffin holding only ashes, has Mickey fired-up to discover the facts about his
missing dad and track down the truth.
It is also sophomore year for Mickey and he is basically alone, except for his Uncle Myron. The bad things in
Mickey’s life seem to worsen by the day. His friend, Spoon, is in the hospital; his mother is in a drug rehab program;
and his girlfriend, Rachel, won’t speak to him.
Now, Mickey’s friend Ema needs his help. She begs Mickey to aid her in finding her missing boyfriend; yet the
‘boyfriend’ was only online, so it becomes more than a chore, considering Mickey doesn’t even know if the guy is
real. Add in his troubles with Troy—the star player on the varsity basketball team who is most definitely Mickey’s
rival and nemesis—and this kid’s life goes out of control. A drug scandal also occurs where Mickey may end up
with all the blame, with Troy being, yet again, at the center of it all.
The plots and subplots are many, with Mickey getting in over his head at every turn. Coben, as always, leaves
just enough on the ‘bone’ as the last page is concluded; just that little touch of mystery that’s like lightning in a
bottle, reminding readers that Mickey Bolitar is far from over.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
AMERICA'S MOST HAUNTED: THE SECRETS OF FAMOUS
PARANORMAL PLACES
By Theresa Argie and Eric Olsen
One of the most interesting parts of history—whether it be American or all the other countries
of the world—are the myths, legends, and perhaps just gossip that ‘stuck’ when it comes to the
ghostly hauntings and fearsome past of a particular location. Asylums, cemeteries—from the tale
of Lizzy Borden’s home to the strange ‘disappearance’ of Jamestown—there are particular locations
that hold everyone’s interest and still cause goose bumps to this day. And when it comes to this
particular work, the duo of Argie and Olsen band together to present some of the most frightening
and chilling locations in America.
Not only do they tell the background of the location, but they also provide their own personal experiences.
The readers can sit in their homes and read all there is to know about the Queen Mary in California; the TransAllegheny Lunatic Asylum in West Virginia; the Waverly Hills Sanatorium in Louisville, Kentucky; and the Ohio
State Reformatory in Mansfield, Ohio. These are just a few out of the top 10 U.S. locations that are spoken about,
while attempting to unveil the truth.
With each location, the authors not only offer the background in regards to why and how the particular area/
location came to be, but they also offer extra information that includes their own private moments with dead ‘souls’
that are still living and lurking within the buildings. The authors allow the reader to enter and explore each and
every place mentioned, and experience what in particular the authors saw and felt in each one.
For anyone who is extremely interested in the thrill of the unknown, or getting an education of the very real
places that are around us each and every day, this is one of the most unforgettable, knowledgeable, and fun books
you can read.
Reviewed by Amy Lignor, author of “The Charlatan’s Crown,” published by Suspense Publishing, an imprint of
Suspense Magazine ■
RAGING HEAT
By Richard Castle
I’m a huge fan of the television series, Castle, and the weekly antics of the assorted cast of
characters, from the mystery author Richard Castle played by Nathan Fillion to his muse and
romantic partner, detective Kate Beckett, played by Stana Katic. Both of them and the supporting
players only enhance the fun of the show, so it becomes more about them than the mystery of the
week. On the show, Castle writes mystery novels featuring a NYPD Homicide detective named
Nikki Heat, who is based on Beckett. In the cleverest way to publish a tie-in novel I can possibly
imagine, Castle’s latest book is available for fans and mystery readers to enjoy. Whoever the author
is ghostwriting these books knows not only the nuances and hidden jokes for true fans of the show, but also how
to write a crackling great mystery.
A hole appears in the middle of the glass structure of the Hayden Planetarium thanks to a body hurtling
through it. Was there a parachuting accident or something more sinister at play? Nikki Heat teams up once again
with journalist Jameson Rook to solve the crime, but as they progress, the clues begin to dry up. While fighting for
answers and her feelings for Rook, Heat must also prepare for a potential disaster as Hurricane Sandy begins its
path northward, heading straight to New York.
This series of books, whether picked up by a fan of the show or someone who has never seen an episode in
their life, will find “Raging Heat” to be a winning and compelling tale. Previous knowledge of the earlier titles is not
necessary, but will be eagerly sought once the final page is turned. Feel the heat.
Reviewed by Jeff Ayers, author of “Long Overdue” ■
SuspenseMagazine.com
RUIN FALLS
By Jenny Milchman
Liz Daniels is surprised
her husband and sustainable
living professor Paul wants
to visit his parents’ farm,
people who Liz has only met a
handful of times. It’s no secret
Paul doesn’t get along with
them. But Liz knows a family
vacation is in order—their
young children Reid and Ally
haven’t been on a trip in God
knows how long, and a little
family bonding never hurt
anyone—until Liz awakens
in a hotel room on the way
to her in-laws and realizes her
children are missing. Frantically, the police
are called, and an Amber
Alert is placed. Who would
kidnap her children? Was
it the bellhop who gave Liz
an unsettling vibe? A serial
kidnapper? Never mind the
fact that Reid and Ally are
country kids, resourceful and
wary of strangers to begin
with. Nothing is adding up and
no leads are discovered until a
gut-wrenching turn of events
uncovers that the kidnapper
is much closer to Liz than she
could ever have imagined. Jenny Milchman’s “Ruin
Falls” follows Liz as she
stops at nothing to find
her children. Set in the
woody Adirondack Mountains
of New York, “Ruin Falls” is
a fantastic rollercoaster of an
eco-thriller. Comprised of
addictive short chapters—
this is a true un-putdownable novel—Milchman
fills “Ruin Falls” with heartracing action and suspense,
including
exquisitely
detailed descriptions of the
Adirondack’s native plants.
Milchman also provides
relevant food for thought,
weaving in discussions of
sustainable living and gender
roles.
“Ruin Falls” is highly
recommended for those
looking for a fast-paced and
delicious read. A warning,
however, the punch of an
ending will leave you craving
more. Reviewed by Sara Giusti ■
25
THE FINAL SILENCE
By Stuart Neville
Raymond Drew has a
mission: He wants to die in the
river where he lives in Belfast,
Northern Ireland. No muss, no
fuss, no family—he just wants to
end it all, and make sure no one
goes into his house. There are
things in there that he should’ve
destroyed many times over, but
he was unable to, and now he
can’t live with it. Locking the
secrets inside, Raymond heads
to the pub for a final drink, and
then walks straight to the river.
Throwing his keys in, he follows
face-first for an icy cold death.
When the body is found,
Rea Carlisle is told that she is
the inheritor of a house that an
uncle (who she never met) used
to own. The lawyer’s instructions
are easy: Head to the house and
look for any documents, bills,
and papers before claiming the
property. Seeing as that her uncle
had barely any possessions,
the cleaning is quick. The only
thing they can’t get to is the back
bedroom which remains locked
and no one can find a key.
Taking possession, Rea
finds a crowbar in the garage
and battles with the lock until
finally attacking the door fullforce. Breaking through, she
sees a dark room with nothing
but a desk and a light bulb. The
desk has one drawer containing
a notebook full of names,
newspaper clippings, locks of
hair, and handwritten entries…a
catalog of victims.
Scared beyond belief, Rea
wants to go to the authorities,
but her political father asks her
to wait, wanting no scandal to
fall on him. Instead, she asks an
old flame, Jack Lennon, for help;
Jack is a police officer who’s
currently on suspension. As they
investigate the hideous journal,
the truth that comes forth will
scare the heck out of you.
A great thriller, this author
has created a strange and fresh
story that will have readers
perched on the edge of their
seats for a great reason!
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion
■
26
SPECTRUM
By Alan Jacobson
“Spectrum” is the sixth novel in the Karen Vail series, but if you haven’t read the others,
this is the ideal spot to jump on this speeding locomotive. Alan Jacobson has written the perfect
balance between the present and the past lineage of Karen Vail’s career in “Spectrum.”
This thriller follows two distinct story lines. The first tells of a Greek immigrant family in the
70s that just happens to be in the wrong place at the wrong time. We follow the family’s string of
misfortune and find out how one small misstep can lead to a life of grief and misery. At the same
time, we follow Karen Vail’s career from a wet behind the ears rookie in the New York Police
Department to the present as an FBI agent in the Behavioral Analysis Unit (BAU). We follow her career as it
pertains to one case—a case of a serial killer who has been at large for over twenty years.
Alan Jacobson does not just tell us a story, he pulls us into the lives of the characters and leaves us breathless
until the very last page. “Spectrum” could not be better titled. As the reader, you get to ride-along as Alan takes
you on a high-speed chase that encompasses the spectrum of the lives of the characters. You will be as committed
as our heroes, as they search for a killer who has eluded them for decades. And you will run the spectrum of
emotions from fear to anger, from laughter to tears, and from sympathy to disgust as you witness how one tiny
misstep in one person’s life can forever alter the lives of many.
For fans of Alan Jacobson, this is the book you’ve been waiting for. For those of you who have not had the
privilege of reading him yet, “Spectrum” is the perfect time to start!
Reviewed by J.M. LeDuc, author of “Sin” published by Suspense Publishing, an imprint of Suspense Magazine ■
THE BETRAYED
By Heather Graham
Once again, Heather Graham has outdone herself. “The Betrayed” took me on a fantastic
trip to Sleepy Hollow and I’d travel with Graham anytime. She never disappoints and this novel
is no exception.
It’s Halloween in Sleepy Hollow and it’s started out with a bang. Maureen “Mo” Deauville,
and her wolfhound Rollo, find the head of the well-liked politician Richard Highsmith. Mo
and Rollo often help the local police find people, living and dead, but this is their first head. It’s
displayed on an effigy of the Headless Horseman. Mo’s unusual ability to see and talk with the
dead is helpful. This time, Richard’s ghost is nowhere to be found, neither is his body.
Aiden Mahoney is awakened by the voice of his longtime friend Richard Highsmith, telling him, “They got
me.” He knows in his heart that Richard is dead. He hasn’t settled into his new position in the FBI’s Krewe Unit,
which handles weird cases. Aiden is not sure he belongs in this group; he pushed his ability to see ghosts to the
back of his mind as a child and never let it resurface. Now he must in order to find out who killed his friend.
Time is running out in Sleepy Hollow as the bodies and heads pile up. The only survivor of this gruesome
killer is a child, whose mother has just lost her head. Aiden, Mo, Rollo, and the Krewe must use all their abilities
to solve these crimes. When the child is kidnapped along with a friend of his deceased mother and a cop, the
team fears the worst. As the suspense increases, so do the feelings between Aiden and Mo. This chilling novel has
everything: suspense, romance, intrigue, and an ending that takes your breath away.
When you think about where you grew up or where you live now, pay attention to the history of the land.
Listen to the local folklore, because sometimes legends come to life.
Reviewed by Leslie A. Borghini, author of “Angel Heat” published by Suspense Publishing, an imprint of
Suspense Magazine ■
REVIVAL
By Stephen King
We begin in a small town in Maine. Jaime Morton is the youngest in a big, loving family. It is
the 1960s and life is good, quiet…and then a stranger comes to town. This is the stage for King’s
latest novel, and most would agree it’s the familiar stage that fans have come to expect from the
‘master of horror.’ Tension builds, and behind the smiles await the screams. (For both characters
and readers).
Reverend Charles Jacobs is moving into the community with his child and lovely wife, to
take on the role of spiritual counselor for the congregation of ‘nice’ people. Charles is a fun guy,
even if he’s a bit odd. He has a passion for electricity, and finds ways to relate electricity to Bible stories for his
sermons, as well as lessons he teaches to the kids. He’s a good man, but when tragedy strikes, Charles finds
himself forced from his job and the friends he has made, including a young man he cured with his knowledge of
electricity by allowing the boy to speak.
Jamie Morton is the boy readers follow. He has a first love, a first break-up, and faces the world. Meeting up
with the reverend later in life on his own journey, Jamie is dealing with some rough issues. He is heavily addicted
to drugs, and Charles helps to cure Jaime so he can forget the abuse and live a good life. Turns out, this electric
treatment he provides holds far more danger and horror for Jaime than he can possibly imagine.
King has put literal lightning in a bottle for this latest novel that promotes the chills and fear he’s famous for
from the very first page. As always, when you believe something is about to happen, King makes sure it doesn’t.
And when you believe you know exactly what the ending will be, King expertly proves, yet again, that he is one
storyteller that will never be figured out.
Reviewed by Amy Lignor, author of “The Charlatan’s Crown,” published by Suspense Publishing, a division of
Suspense Magazine ■
Suspense Magazine October / November 2014 / Vol. 060
COURIER
By Terry Irving
Rick Putnam is a recent Vietnam vet in the early 1970s who works as a courier for a Washington, DC
television station, while trying to put his life back together after being injured in the war. It’s the long ago days
before digital photography and instantaneous communication, and Putnam’s job is to deliver news film from
the site to the TV station. It is often a race against time with a news broadcast minutes away, but Putnam has the
motorcycle and the skill to do the job.
After he picks up film from a news crew doing an interview in suburban Virginia, the entire crew dies in
what could have been an automobile accident. And as more deaths occur and Putnam’s own life is threatened,
it becomes clear that someone doesn’t want a story told. And the story involves highly placed politicians in the
United States and Vietnam.
Rick Putnam uses his BMW motorbike and the speed of the chase to outrun the demons of his memories
of Vietnam, as well as the long black car that seems determined to cause his death. Along the way, he finds a
dangerous money trail, and there are people who don’t mind killing to cover their tracks. Putnam hooks up with
a Native American activist who understands the legalities and illegalities of the seamy side of Washington, and is
attracted to him as well. Together they narrowly escape the bad guys time after time, making good use of the new
Washington Metro system, then under construction.
“Courier” is a tense story set in the days before social media, when news professionals still needed to develop
film in a dark room and splice footage together. Author Terry Irving clearly knows the inside of the news business
in a different time, and the suspense never lets up from the first page to the last.
Reviewed by Kathleen Heady, author of “Hotel Saint Clare” ■
YOU
By Caroline Kepnes
Stephen King’s 1987 “Misery” was one of those novels that had everyone talking. The
insanity and obsession of Annie Wilkes was both mesmerizing and horrifying in equal quantities.
In the same year, the film Fatal Attraction gave us the iconic portrayal of obsession with Glenn
Close aiming her crazy desire at Michael Douglas. They were visceral experiences spawning a
myriad of copycat plots, but I personally don’t think anything has come close to creating their
claustrophobic feel until I recently read “You,” debut novel from talented U.S. author, Caroline
Kepnes.
From the first chapter, you’re sucked into the world of bookstore manager Joe Goldberg, whose instant
attraction to a random customer, Guinevere Beck, takes obsession and love to a whole new level. She has a
boyfriend, but that’s no problem for Joe. And the demanding gal pal who gets in the way? No problem either
for Joe. These snags have a way of working themselves out when Joe is around. He tracks the love of his life,
frighteningly via social media, and things head down a very dark and dangerous rabbit hole with some people not
coming out alive. That’s love, and Joe will do anything for love.
Beck is not a perfect girl; she’s self-indulgent and insecure, but Joe still loves her. It’s his hilarious commentary
on her and her friend’s failings that make this book special. You might think being inside the head of an obsessive
narcissist with murderous tendencies wouldn’t be the most pleasant of visits, but thanks to Kepnes’s witty prose,
you actually come to like Joe—he’s kind of cool. Each time you open the pages you are both excited and terrified
to discover what he will do next. I don’t ever want to meet someone like Joe, but boy I sure do love him as a
character.
Reviewed by Susan May, author of “Back Again” ■
PARIS MATCH
By Stuart Woods
Another Stuart Woods book is on its way to the masses. Stone Barrington is back to give fans
another fun-filled ride of action and suspense.
Fans are brought to the City of Light, as Stone Barrington and his police commissioner pal
and wife head to Paris. The police contingent is going to a meeting that will include other justice
officers from various countries, and Stone is headed there in order to be at the grand opening of
l’Arrington, a first-class hotel that he just happens to own.
Stone’s most recent lady love, Ann, has to stay in the states because of the amount of work
she has on her plate—being Chief of Staff to the current ‘first lady of the land’ who’s running on the Democratic
ticket, attempting to become the first female President of the United States.
Nothing can be easy or relaxing when it comes to Stone’s life. In fact, right when the plane hits the tarmac,
Barrington is informed by a CIA buddy that there are Russians in the city—former enemies who are lying in
wait, gunning for Stone because of something they believe he was responsible for in the past. When Stone is
driven to the hotel, there are even more people awaiting his arrival, including a woman who’s a designer of
couture clothing, as well as a young lady who has been a ‘friend’ of his for many years. The charismatic Barrington
certainly has a stable of ‘pals’ that could enhance or destroy his sojourn to Paris in minutes.
Meanwhile, back in the U.S., there’s a rumor going around that Stone is also involved with the lady on the
cusp of making history, gossip that will certainly derail her chances of becoming President.
With threats coming in every direction, the typical ‘life’ of Stone Barrington will again please fans. Stuart
Woods never fails when it comes to making his readers happy, and they will never fail him, as they look forward
to the next Woods’s creation.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
SuspenseMagazine.com
DAMAGE
By Felix Francis
This is the fourth incredible
solo novel written by Felix
Francis, son of the eminent
mystery novelist Dick Francis,
and in this latest story, the action
and suspense are right on target.
Jeff Hinkley, an undercover
agent
with
the
British
Horseracing Authority, is
checking out a racehorse trainer
that has been banned from
racing for drugging the animals.
Jeff is at the Cheltenham Racing
Festival following his target
when he sees a killing occur. The
culprit is caught and hurried off
to jail. But only a few days later,
the horses test positive for drugs,
which could be the beginning of
a scandal that will set the British
horseracing world on its ear.
Soon the Horseracing
Authority gets a ransom
demand. The blackmailer is
asking for a whole lot of money,
and expects the sport of racing to
pay up or he/she will make sure
that the entire sport becomes
nothing more than an entry in
the history books. He promises
that the animals will continue
to be drugged, and the fans and
professionals can kiss their sport
goodbye.
As a result, Jeff is handed
a new assignment. Looking
into the ransom demands, the
mystery grows deeper. He finds
that this person is not going to
go away anytime soon, so Jeff
must use his intelligence and
talents to track and beat the
blackmailer, who is someone
that turns out to be very hard to
catch.
An extremely good story
for the mystery lover, and most
especially the horseracing fan.
With a fascinating plot, Felix
Francis continues to prove that
he owns the wonderful writing
style of his famous dad; yet
he still has the fresh voice that
allows him to carve a niche in
the literary world that is all his
own. Readers can keep looking
forward to the next mystery that
will open up the gates and unveil
the underbelly of the racetracks
of England.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
27
GOING GONE
By Sharon Sala
Third in a series, this
journey continues to follow a
team of FBI agents who began by
trying to find and disable a serial
killer. This killer is unique, setting
their sights only on survivors of
disasters because of an emotional
death in the killer’s own past.
Going after the loved ones of the
FBI team that were hounding his
every move, the FBI felt as if they
did their job and declared victory.
Yet, it seems the announcement
of the killer’s demise may have
been greatly exaggerated.
Beginning with a plane
crash in the mountains of
Colorado, Red Cross worker,
Laura Doyle, is the only survivor
of the frightening event, and just
so happens to be the girlfriend
of FBI Agent Cameron Winger.
After a fairly lengthy recovery,
Laura is finally out of the
hospital and she and Cameron
board a plane for their home in
Washington, D.C.
Cameron, not wanting
to wait for a romantic dinner,
proposes to Laura and they start
planning their life together. But
in the meantime, the killer who
has suddenly been resurrected,
begins a new game in order to
get as close to Laura as possible.
It is time to shove a knife through
the heart of the next FBI agent
he hates by taking out his love.
When the bodies start piling
up, the team has to finally admit
that the killer is most definitely
still alive and in business yet
again. But Cameron will stop
at nothing to make sure that he
does not succeed in delivering
his next dose of revenge.
This book is a gem; the
plot is well written and the
mind of the killer is intricate
and meaningful, considering the
background involved. Add in the
romance of Laura and Cameron,
and the chase to stop a murderer
who is incredibly skilled at
using natural disasters and his
own strong will to bring about
a person’s demise, and you have
yet another excellent book to add
to an already great series.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
28
A PROMISE TO PROTECT
By Patricia Bradley
This novel is the second in the Logan Point series and it’s easy to say that the series is
continuing as smartly as it began.
Sheriff Ben Logan goes to Memphis at the behest of Tony Jackson, an old friend from
Logan Point and the brother of Ben’s former girlfriend, Leigh Somerall. Tony’s in trouble, but as
the story begins, Ben arrives in a Memphis hotel room and stares down at the dying body of his
friend. Apparently, Tony has some information about the shooting of Ben’s father. But as the life
drains out of him, Ben still doesn’t know the reasons behind why the shooting would be a subject that would
make another want to take his life.
In addition, his old flame, Leigh, makes an ‘out of the blue’ request by asking him to take the time to protect
her brother. From what, Ben still doesn’t know, but it becomes too late to change course. No matter who he
asks, there’s no one who can tell him what or who was after Tony, and why he could perhaps have been silenced
because of Ben’s father.
After a bit of time, and a gut instinct, Ben decides to look after Leigh and her son, T.J., as someone may now
have changed their goal to come after her. Leigh is a doctor working in Logan Point. Yes, she wanted protection
for her brother, but she, personally, doesn’t want anything to do with Ben, which makes his work harder. She’s
been carrying a secret around for years, and when Ben and his men take over her protection, that one secret
might change many lives before the killers are caught.
This story is one of young love, mistakes, and the deep emotion of a mother for her child. With a little
vengeance and risk thrown in to increase the adventure, this author has done a terrific job of exploring
relationships, while at the same time offering action in Logan Point.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
DECEIVED
By Irene Hannon
This next book in the incredible series, Private Justice, is yet another in the line of terrific
reads by this author.
Kate Marshall is at home in rural New York State finishing a birthday cake for her son,
Kevin, when a car pulls up to her house. She’s been waiting for her husband and son to arrive
back from a small fishing expedition, but the car contains the local law enforcement coming to
tell her that there has been an accident up at the lake and her family has gone missing. Although
her husband is finally found dead, her son remains a mystery.
Jumping ahead three years, Kate is now living in St. Louis running a business that helps people find jobs.
Also, and perhaps even more importantly, she and her company help them rediscover their self-worth. During a
quick stop at the mall one day, Kate spots a young boy riding on the escalator with his father. Upon overhearing
the boy speak a very familiar phrase, Kate becomes absolutely convinced her son is not dead. Then and there,
she makes up her mind to locate this boy and find out if he is the missing son she has been praying for all his
time.
With the help of Phoenix, Inc., an organization that includes a former Secret Service agent, Connor
Sullivan, Kate moves forward. Connor is smitten with Kate and offers to help her even though the chances of
this boy being her lost son are almost nonexistent.
Likeable characters and a plot rich with suspense, this lady’s books are definitely worth reading.
Reviewed by Mary Lignor, Professional Librarian & Co-Owner of The Write Companion ■
ONE POTION IN THE GRAVE
By Heather Blake
Carly Bell Hartwell is a real witch. Please, take that literally. Not only is Carly Bell Hartwell
a real witch, but she’s descended from a long line of witches. Hey, the family that casts spells
together stays together, or so I’ve been told. She’s turned her super powers into a thriving
business, the Little Shop of Potions, in her hometown of Hitching Post, Alabama, the wedding
capital of the South.
Carly’s witchy powers go on high alert when a young, sophisticated woman walks into her
shop and starts browsing among the inventory. Turns out the woman is Carly’s old childhood
friend, Katie Sue Perrywinkle, now a successful doctor who’s calling herself Katherine Perry. Katie Sue fled her
hometown a decade ago, and now she’s back to settle a few scores with her troubled family and with Senator, and
probable presidential contender, Warren Calhoun, who’s in town for his son’s high profile wedding.
Someone in Hitching Post, Alabama is not happy to see Katie Sue. In no time flat, her room is ransacked
and the local police advise her to move to another location for her own safety. Of course, good-hearted Carly
takes her in. But before Katie Sue can even unpack, her body is found at the bottom of a steep canyon outside of
town. Carly has to use all her witchy powers to sort out the dizzying array of suspects and motives and unmask
the real killer.
Although I’m not usually a fan of any mystery that smacks of paranormal, this one had me hooked right
from the first page. I guess you could say that “One Potion in the Grave” cast a real spell on me!
Reviewed by Susan Santangelo, author of “Funerals Can Be Murder,” published by Suspense Publishing, an
imprint of Suspense Magazine ■
Suspense Magazine October / November 2014 / Vol. 060
THE COUNTERFEIT HEIRESS
By Tasha Alexander
The fashionable London world is abuzz when word circulates that the elusive heiress,
Estella Lamar, will attend a costume party at Devonshire House, a lavish affair in honor of
Queen Victoria’s Diamond Jubilee. When the heiress turns out to be an imposter who is later
found murdered, Emily and Colin Hargreaves set out to discover the murderer, and how the
mysterious Estella Lamar is involved.
Always known as an eccentric woman, Estella came into a considerable fortune after the
deaths of her parents, and has been using her time and her inheritance to travel the world. Her
photographs, along with reports of her adventures in Egypt, Siam, and other far flung places, appear frequently
on the society pages of European newspapers. But as Emily and Colin investigate the murder of Mary Darby, the
imposter who posed as Estella, they encounter more mysteries surrounding Estella Lamar’s life.
From fashionable London in the late nineteenth century to the Pére Lachaise Cemetery in Paris, the story
takes us on a quest for the real heiress, who may not even be alive, and the couple soon put their own lives in
great danger.
“The Counterfeit Heiress” is the latest of the Lady Emily Mysteries series by Tasha Alexander. Rich with
details of life in London and Paris, the characters move in their world of strict class divisions but with a
sensitivity and complexity that makes them real. Emily is an equal partner with her husband in his work as
a special investigator for the Queen, but it is clear they could only accomplish this in the upper class world in
which they live.
This is a tensely written novel with satisfying twists and turns in the plot. The ending, although hinted at
throughout the novel, is still surprising and unbelievable enough to be immensely gratifying.
Reviewed by Kathleen Heady, author of “Hotel Saint Clare” ■
STRINGS
By Allison M. Dickson
“Strings” is a novel full of despicable people that challenge our sympathies, and despite their unusual paths
in life—Nina the hooker, her Madam and Ramon the driver, both employed by the Mob—Dickson finds a way
to make us care for them individually even in the depths of the hell she runs her characters through. This is not
your typical ghouls, zombies, or vampires horror, but straight up frighten-you-to-death type of carnage that
matches up well with the type of monster the Hellraiser movies provided us.
Corpse puppets and human spiders, and every degree and manner of psychopathic sexual deviance that
money can buy, is about to be wreaked upon Nina in order that The Madam can buy her freedom from her Mob
boss brother. Meanwhile, Nina, knowing of the macabre fate awaiting her, bargains with Ramon to steal the
money, a half million dollars for her last trick, so they can run off together. Surely knowing the terrible trick she
is advancing upon would give her the impetuousness to thwart the attacker and make off with the cash.
Before she knows what is happening she finds herself in the web, literally, of the most terrible creature
that only nightmares can conjure up, and she realizes a little too late, she will never make it out alive. Meantime
Ramon makes off with the money. By leaving Nina to a fate worse than death, his theft sets off a chain of events
that help make this nightmarish journey one of the sickest, most twisted books ever. You’ll never trick or treat
again.
Reviewed by Mark P. Sadler, author of “Blood on His Hands” published by Suspense Publishing an imprint of
Suspense Magazine ■
THE WOLF IN WINTER
By John Connolly
Charlie Parker is a name in the suspense world that many readers absolutely love. This
shouldn’t be a great surprise, since this incredible character has been enhancing the thriller scene
for fifteen years. And in this new tale, Charlie definitely doesn’t disappoint when he infiltrates a
group who surely seem to be living on the wrong side of ‘crazy.’
Prosperous, Maine, is a bit odd, because even as their neighboring communities are losing
jobs and wealth, Prosperous continues to live up to its name. There never seems to be any issue
with the people there; if they get a little down or the money becomes tight, they simply solve the problems.
Their tactics are difficult to understand, especially since the female head of town seems to stop the ‘bad’ by using
‘extremely bad’ force, opening the door for Charlie Parker’s arrival.
It is a homeless man who actually begins Charlie’s interest and confusion. He’s a man who heard his daughter
had left for Prosperous for a job…which is the last thing he heard. Now, his daughter has simply disappeared,
and stories of where she went don’t seem to add up. Charlie Parker is filled with compassion for the situation, but
when the homeless man is found dead—his prone body made to look like suicide—Charlie brings out his ready
mixture of anger and intelligence and heads to Prosperous in order to solve the mystery and stop the bloodshed.
From the police to the city council to a family that’s being used and threatened in order to help the town,
everything from reality to paranormal appears as Charlie Parker attempts to bring down the long, crazy past of
Prosperous, Maine.
Connolly has once again brought to the page a cold, dark, frightening mystery, and placed it in the lap of one
of the very best characters in the suspense business!
Reviewed by Amy Lignor, author of “The Charlatan’s Crown,” published by Suspense Publishing, an imprint of
Suspense Magazine ■
SuspenseMagazine.com
HOTEL SAINT
CLARE
By Kathleen Heady
A young woman rises from
the sea and steps out of the waves
with seaweed twined in her long
hair. Although it sounds like the
resurrection of a goddess, it is
actually the opening scene for a
mysterious tale.
Two young boys collecting
shells on the seashore tell the
people on the stunning island
paradise that they actually
witnessed a mermaid come
out of the sea, and ever since
that silly, playful moment,
the beautiful girl, Nara Blake,
becomes something of an oddity.
Unfortunately, her life is
not that of a mermaid. Nara
is twenty-two years old, and a
native of the islands who has
been offered a job at the Hotel
Saint Clare, which is an exclusive
hotel located in the Caribbean.
Thanks to her wealthy father,
Nara has grown up with
everything she could possibly
want and has, for the most part,
succeeded in making friends
with the workers in the house
she grew up in. But Nara wants
more than anything to be her
own woman, and immediately
accepts the hotel job in order to
work her way up the ladder of
success on her own steam, and
not on her daddy’s dollars.
Extremely
intelligent,
Nara becomes an excellent
businesswoman and makes
herself known all over the island.
Then…the realm of island magic,
the power of voodoo, and the
essence of suspense takes over.
Just when it seems that Nara’s
world is absolutely perfect, the
false sense of security explodes,
and shocking events put Nara in
harm’s way.
Fast-paced, this is one tale
filled with twists that will keep
readers interested in discovering
what the real Nara is all about.
The author has written a unique
leading lady, creating a true
‘beach read’ for anyone lucky
enough to be sitting on the sand
in the Caribbean just waiting for
a mermaid to appear from the
sea.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
29
PREDATOR
By Janice Gable Bashman
With a fast-paced mix of
folklore, fear and romance,
Janice Gable Bashman takes
on iconic subject matter in this
enticing read, offering up a
bewitching young adult tale.
Sixteen-year-old
Bree
Sunderland certainly doesn’t
expect her life to be irrevocably
changed when she travels with
her father on a research trip to
Ireland to study bog bodies.
She’s hoping they can spend
quality time together, but the
‘father-daughter’ fun fades
into the background when she
literally stumbles across the find
of a lifetime.
The body is in less than
perfect condition; with jagged
slashes, marks of violence, and
a missing hand that impedes the
team’s ability to determine cause
of death. Bree fixates on finding
that missing piece of the puzzle,
and when she returns to the dig
site her new discovery sets in
motion a series of events that
she’ll be unable to control. The
hand is unlike anything the team
has ever seen. Is it a lycanthrope?
What else would explain the
long hairy fingers and claw-like
nails? More importantly, if they
could harness the properties of
a lycanthrope, could they save
the dying?
Warnings are ignored and
dangerous risks are taken, as Dr.
Sunderland brings his daughter
home to the States and begins
applying what he’s learned with
military research. But no one is
prepared for the lengths others
will go to get Dr. Sunderland’s
findings, and what they’ll do
with the data if their mission is
a success.
Everyone seems to have an
agenda, and Bree soon discovers
that not even her own home is
safe, and she’ll have to go to
extreme measures in order to
shield the ones she loves.
Every twist and fascinating
revelation fell into place
smoothly, with an ending
that will leave all readers
wanting more. With this kind
of originality on the page, it
is exciting to speculate at the
surprises Bashman will unveil
next.
Reviewed by Shannon Raab ■
30
THE HOUSE OF SMALL SHADOWS
By Adam Nevill
Catherine is a young woman who is an antiques dealer, and has had a very difficult time of late when it comes
to her ex-job. She has worked with therapists to get her mind back in shape, left London, and found herself a new
job that seems to be working out well. Her new assignment is also exciting; her employer wants her to catalogue
and value the contents of a house owned by the late M.H. Mason. Mason’s collection is stored at The Red House,
and is currently looked after by his niece, Edith, and her maid, Maude.
Catherine will head there to do the job. What she does not know is that The Red House is a true ghostly
mansion that is as creepy as possible. Mr. Mason was an expert in taxidermy, and the house is filled with all types
of scenes that are frightening beyond description.
Oddly, Catherine is actually delighted when the caretaker niece invites her to stay. But soon, her own
emotional flaws thrust Catherine into a world of sinister secrets and macabre dreams. And unfortunately, with
her background comes her own nightmares that this house seems to bring to life the more time she spends there.
The characters are beyond well written by the author. Catherine is highly believable, while niece, Edith, is
a bit ‘off ’ and more than set in her ways. Maude is her own brand of scary, and very much under the rule of her
employer. For horror lovers, the horrendously off-the-charts scenes left behind by Mason are beyond words.
Dream sequences and flashbacks alluding to Catherine’s youth definitely provide a nightmarish brand of story
telling.
King is still ‘king,’ but Nevill has produced a spine-tingler to remember for a good, long time. So long, in fact,
that it will not be a surprise if plenty of new light bulbs are installed in readers’ houses just so they never have to
go to sleep in the dark again.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
POISON AT THE PTA
By Laura Alden
Beth Kennedy has a huge problem. At least, all her family and friends think she does. She just can’t say no
to anything. She’s not only running a children’s bookstore in her hometown of Rynwood, Wisconsin, she’s also
the single mom of two great kids, which leads her to become more involved in the local school system. Which,
inevitably, involves the PTA. Beth can’t say no to becoming the president of the PTA, a thoroughly thankless job
under the best of circumstances.
Oh, and by the way, Beth also keeps tripping over dead bodies, which leads to still another problem. Beth
can’t say no when the chief of the local police asks for her help in solving whodunits.
Beth’s posse, with the very best of intentions, stages an intervention and challenges Beth to let each of them
take over part of Beth’s responsibilities for six weeks. Of course, Beth resists as we all think nobody can do a job
as well as we can, right? She gives in, however, and even allows someone else to organize the PTA’s eightieth
anniversary event.
The event is going great until Cookie Van Doorne, a local bank teller and one of the event speakers, dies
under suspicious circumstances. But not until she charges Beth with the responsibility of finding out who is
responsible for her death.
With a suspect list that includes many of the upstanding citizens of Beth’s hometown, including the new
vice-principal of her son’s school, Beth just can’t say no to solving this murder.
“Poison at the PTA” is the fifth in Laura Alden’s delightful series. Well plotted, likeable characters, and a
charming protagonist. Don’t say “no” to this one!
Reviewed by Susan Santangelo, author of “Funerals Can Be Murder,” published by Suspense Publishing, an
imprint of Suspense Magazine ■
TRUTH BE TOLD
By Hank Phillippi Ryan
Readers need to get geared up and ready for this exciting new novel featuring Jane Ryland,
the unforgettable reporter for the ‘Boston Register.’
Jane’s newspaper is getting ready to go after the housing crisis like an angry bull; they are
planning to take on the industry, with the ridiculous amount of foreclosures being number one on
their priority list. But Jane Ryland has a great deal on her mind when it comes to the stories she’s
working on; setting her sights on a murder that was committed in a recently foreclosed home, and
what Jane refers to as a ‘puff piece’ centering on customer service in the banking world. Whether
‘puff ’ or not, these particular news threads will lead Jane directly into a wealth of extremely criminal financial
wrongdoings inside the banks—from foreclosures to holding mortgages to even…more death.
In the meantime, Detective Jake Brogan of the Boston PD is handed a solution to a twenty-year-old cold
case by way of a signed confession. The culprit has just confessed to the murder of a young girl that happened
many years ago, a case referred to as ‘The Lilac Sunday Killing.’ Unhappy with the data, Jake is sure that the man
is lying, and will not stop until he solves the case that was the major headline when Jake’s own grandfather served
as Police Commissioner. But as bodies begin piling up in vacant houses, a lawyer who happens to be defending
the man who confessed joins the crowd searching for answers. And soon, Jane and Jake are attempting to do their
jobs without getting in each other’s way.
From a widowed attorney with his eye on Jane to a banker who may turn traitor to an expectant mother who
could just be married to a killer, there are many characters in this book offering up some very thrilling twists and
turns. This incredible ‘master of plot’ excels with this tale!
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
Suspense Magazine October / November 2014 / Vol. 060
THE SWIMMER
By Joakim Zander
In my twenties, I discovered Robert Ludlum’s “The Matarese Circle,” Ken Follett’s “Eye of
the Needle,” and Frederick Forsyth’s “The Day of the Jackal,” and remember being blown away.
I was hooked on them and, subsequently, read everything they wrote. Somehow over the years,
I drifted away from spy thrillers. They became cliché, mostly derivative of these masters’ genre
work.
I wasn’t expecting to be excited by the genre again, but Joakim Zander’s book “The
Swimmer” has everything Ludlum, Follett, and Forsyth’s books did. His skill with words, the
imminent feeling of suspense, and a layered, intriguing story, combine perfectly for an exciting read. What makes
it even more amazing is that this is a translation from Zander’s native Swedish.
Klara Waldeen, orphaned as a child and raised by her grandparents, now lives in Brussels and works as
a political aide. In another life and another country, an old spy who’d prioritized his job over his family now
ponders his choices in life; his only solace, swimming. Then, on Christmas Eve, Klara is dragged into a race
against time and unseen enemies via an ex-lover who comes across sensitive information. Thus begins a wild
chase across Europe with pursuers who will kill to maintain their secret. Elsewhere, Swedish lobbyist, George Lööw, is assigned a client with a suspicious agenda. He suddenly finds
his life threatened and involved in the pursuit against his will. When the retired spy realizes who Klara is, he
becomes embroiled in the chase. A man Klara doesn’t know, but has always wondered about, may be the only
person who can save her.
After setting up the characters, this book ramps up and doesn’t let you go. Within “The Swimmer’s”
unassuming cover is an explosive read that will have any spy-thriller fan rejoicing. This is the perfect thriller.
Reviewed by Susan May, author of “Back Again” ■
THREAD END
By Amanda Lee
Marcy is excited to go to the new exhibit at the museum. She owns the Seven Year Stitch
shop and this Textile Exhibit is right up her alley. She is going with a friend and her boyfriend,
Detective Tom Nash. Before they leave, Tom tells her that they are on the watch for a possible
thief.
The next morning, Marcy finds a dead body wrapped up one of the exhibits behind her
shop. She calls and the police investigate. They figure out the victim is a visiting art professor who
was in town for the exhibit. Marcy investigates the murder determined to figure out who killed
the man, and why.
She works the investigation into her daily schedule. As she teaches, works at the store, and converses with
Angus, her Irish wolfhound, she asks questions. She has plenty of suspects, but has to narrow the list down
before something else happens.
A wonderful cozy mystery in a great series!
Reviewed by Ashley Dawn, author of “Shadows of Pain” published by Suspense Publishing an imprint of Suspense
Magazine ■
THE RECKONING
By Rennie Airth
The fourth John Madden novel is set in 1947 while England is still recovering from World
War II. Rationing continues, bombed-out buildings scar London, and a weary population wishes
for life to get back to normal.
Within this atmospheric setting, retired Scotland Yard detective John Madden is drawn
into a puzzling murder investigation when Madden’s name is mentioned in a letter penned by
the victim shortly before he was killed in broad daylight. Madden can’t recall ever meeting the
unassuming bank manager, much less knowing him well enough to be enquired about in the
letter to Scotland Yard. The investigation is further complicated by additional killings, apparently committed by
the same perpetrator, with no obvious connections between the growing number of victims—elderly men who
mostly seem to have led lives that provide no motive for their murders.
The first half of the book is primarily character driven as the investigation proceeds slowly and with few
clues. Although the well-crafted prose and interesting characters keep the reader’s attention, the story is a little
disjointed. The point of view shifts from Madden to various active police officers (most of whom have worked
with Madden in the past) to the soon-to-be victims and their friends and acquaintances. When the scene
suddenly shifts to people and places that haven’t yet appeared in the book (or the previous entries in the series),
it’s clear that someone is about to be killed. While this does build a certain suspense, it contributes to a jumbled
feeling as the reader tries to keep track of the growing number of characters and their relationships to each other.
As the police begin to focus their investigation on their best clues, however, the storytelling also gets more
focused, and the action kicks up a notch as well. Surprising twists maintain the suspense as the coppers narrow
in on the perpetrator, and many of the secondary characters get moments to shine. After a slow start, “The
Reckoning” builds to a satisfying and moving conclusion which should resonate for both newcomers to the
series and its fans.
Reviewed by Scott Pearson, author of “Star Trek: The More Things Change” and cohost of the Generations Geek
podcast ■
SuspenseMagazine.com
THE SON
By Jo Nesbo
Nesbo is a master with his
Harry Hole series and again with
his latest standalone novel “The
Son.”
I’m a die-hard fan of Jo
Nesbo and I’ve read probably
every book, with the exception
of his children’s titles. I waited
months to get my hands on
“The Son” and once I opened
the cover and read, “And he will
come again to judge the living and
the dead,” I knew I was in for a
thrill ride.
Sonny “The Son” Loftus has
spent the last twelve years of his
young life in prison for murder.
With an addiction to heroin,
the drug is supplied to him in a
constant flow for taking the fall
for crimes he didn’t commit.
Fellow prisoners confess secrets
to him and there is rumor of his
laying of hands. When one man
confesses to Sonny, he learns a
long hidden secret surrounding
his father. Seeking revenge, he
escapes prison to find and serve
his own brand of justice to the
men responsible.
The series of gruesome
murders that follow his escape
have the authorities and cops on
a manhunt: one to bring Sonny
to justice, and one to silence
him. Thrown into the mix are
an unexpected and touching
love story and a touch of
championing the downtrodden.
Nesbo’s plot line is bang on.
There is not a single lull or plot
hole in the book. The action is
fast and the scenarios often
graphic and not for the faint
of heart. Sonny will, without a
doubt, have readers struggling,
knowing they should be rooting
for him to get caught, but
inevitably hoping he will fulfill
his vendetta and make a clean
getaway. The supporting cast
is equally well written, causing
readers to have emotional
reactions; some favorable, some
not so much.
My final thought is this:
“The Son” is a thrill ride of a read
that will have you struggling to
put it down for fear of missing
any action. Trust me; this is the
read you absolutely need to take
on vacation.
Reviewed by Jodi Chapters
(ChaptersandChats.com) ■
31
THE LOST KEY
By Catherine Coulter and J.T.
Ellison
As I’ve known for a long
time, Catherine Coulter never
disappoints, and this continues
with her Brit in the FBI series.
Written with J.T. Ellison, this
series is nonstop action with
enough realism to keep you
thinking and scare the daylights
out of you at the same time.
“The Lost Key,” the second in
the series following “The Final
Cut,” reintroduces us to Agent
Nicholas Drummond, formerly
of New Scotland Yard, now with
the FBI and his partner, Mike
(Michaela) Caine. On Nick’s first
official day, he and Mike respond
to a mugging turned murder.
Little do they know where this
crime is going to take them. The
dying man’s last words will hold
the key to life as we know it or the
possibility of Armageddon.
Their investigation leads
to a centuries-old secret society
founded in Great Briton. Once
formed to protect the Crown, its
members—now international—
guard the world’s greatest secrets,
some of which need to stay
hidden.
Nick and Mike are locked in
a battle with an enemy of wealth,
intelligence, and a mind so
twisted he just might discover the
key to world domination. We will
follow the search for such a key
from WWI Germany to Madame
Curry to present day Scotland.
Along the way, Nick and Mike
find a secret so frightening that
even its originator wants nothing
to do with it.
“The Lost Key” will expand
your mind and imagination
as it takes you on a thrill ride
worthy of two such great writers.
Coulter and Ellison have created
characters and a series that will
be around for a long time and
which belongs on the big screen.
If you are a fan of either writer,
you will love “The Lost Key.” If
you have never read either before,
I can’t think of a better place to
start. I will be on pins and needles
waiting for the next installment of
a Brit in the FBI!
Reviewed by J.M. LeDuc, author
of “Sin,” published by Suspense
Publishing, an imprint of Suspense
Magazine ■
32
THE LIFE WE BURY
By Allen Eskens
In this beautifully written first novel, author Allen Eskens tells the story of college
student Joe Talbert, who takes on a required English assignment and ends up in a race against
time to clear the name of a dying man. Talbert visits a nursing home where he interviews a
Vietnam vet, Carl Iverson, who has been released from prison to die. Iverson was found guilty
of a horrendous murder of a young woman thirty years earlier, and although he protested his
innocence throughout his trial, he made no effort to prove it.
Running parallel to Iverson’s story is Joe Talbert’s own story. He struggles to stay in college while working
as a bouncer at a local club, but must also deal with his bi-polar mother who is both unwilling and incapable of
providing the proper care for Joe’s autistic brother. He is torn between his desire to get an education and start a
new life, and his responsibility and love for his brother.
Joe Talbert’s own life becomes threatened as he comes closer to indentifying the real murderer and rapist
of fourteen-year-old Crystal Hagan thirty years earlier. At the same time, he never loses his tenderness and
vulnerability. His sense of responsibility for his brother, his attraction to the girl in the apartment next door,
and his drive to prove Carl Iverson’s innocence before the man dies all come together in a strong yet vulnerable
character.
Set against the backdrop of a brutal Minnesota winter, “The Life We Bury” is much more than a satisfying,
suspenseful novel. This story kept me turning the pages, and it touched my heart. The characters are as real as
my next-door neighbors, the story compelling, and the writing superb.
Reviewed by Kathleen Heady, author of “Hotel Saint Clare” ■
NO TIME TO DIE
By Kira Peikoff
In a research lab located in our nation’s capital, a scientist is suddenly attacked and killed
by his animal subjects, a group of chimpanzees. Then, a very talented biochemist who’s part of
Columbia University in New York City is enticed out of her apartment and never seen again. It
is no mistake that these things feel like they’re related in some way…and an agent in the Justice
Department will do anything to figure it out.
Zoe Kincaid, a college student, is suffering from a rare genetic disease. Kidnapped by a
group of scientists who want nothing more than to study her disease, Zoe finds herself in the
middle of a strange and frightening situation. Although Zoe apparently stopped aging at the
tender age of fourteen, she has had to watch her beloved granddad face extreme suffering in his senior years. So
even though she is more than a bit confused and scared by the kidnapping, she soon agrees to cooperate with
her abductors. These people are working on a technology to stop, or at least slow down, the aging process and
Zoe has no problem with them studying her if it means it will help her granddad survive.
Not only is this a suspenseful plot but as this action-packed tale moves along at a pace that will leave you
gasping for breath, the pros and cons of preventing aging are weighed. Not a medical journal in any way, and no
reader needs a Ph.D. to understand, but this book offers a wealth of characters that are extremely likeable and
very realistic, causing an underlying level of education, and answering the question of whether or not it would
be worth it to live forever.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
VALHALLA
By Robert J. Mrazek
An expedition to the Greenland Ice Cap is led by John Lee Hancock. This adventurer, who
loves to come upon old shipwrecks and airplane crashes, discovers a plane from WWII resting
under the ice. The plane is called, ‘March Hare,’ and it crashed in December 1942.
Long ago, this was a new Flying Fortress taking off from Labrador to join the 8th Air
Force squadron in England. But before the plane could arrive, it disappeared in a monumental
blizzard. Hancock and his party, using all the equipment possible, ready themselves to go down
into the plane and see what’s what. Hancock and his pilot, Steve Macaulay, check out the plane
and arrange to have the crew brought to the surface in order to give them a proper burial. But, a snag comes up
when, while investigating, they find yet another treasure buried under the plane that turns out to be an ancient
Viking ship, containing nine Vikings that have been perfectly preserved by the freezing waters.
Markings along the ship show that the wreck occurred in the year 1016 BC, and they want to know more
about it. Hancock decides to find the best scholars of Norse archaeology and bring them to the site to better
study the ship and its contents. But what turns out to be an innocent find, soon turns into a mission of survival.
A group appears that don’t want anyone to know about this find, as it will uncover a mystery that will change
the world…and not for the better.
As a battle ensues, survivors from Hancock’s men will turn away from treasure hunting to follow the
dangerous group in order to avenge their crew, and find out exactly why the Viking ship must remain forever
buried in ice.
This author shines. With a huge dose of action, adventure, and a thrilling pace that will take the breath
away, the depth of Norse mythology on top of everything else, makes this novel an incredible treasure.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
Suspense Magazine October / November 2014 / Vol. 060
THE RIVER IS DARK
By Joe Hart
Joe Hart paints a beautiful account of real life horrors that rear their ugly heads. My heart
pounded every page. With twists and turns, the story unfolds into a suspenseful thriller where the
ending is excellently executed.
Eric Shevlin calls 911. His parents and dog are dead. He is alone in their bedroom with it. By
the time police arrive, Eric is minus one arm, and it is gone.
Liam Dempsey gets a wakeup call from the Bureau of Criminal Apprehension. Liam learns
his brother Allen and wife Suzie were the victims of a home invasion. Liam heads to Tallston,
Minnesota, to put his brother’s affairs in order.
Liam remembers Dani Powell the second he sees her. His brother had married her cousin. As their
relationship begins, the investigation into the double homicide takes several turns. Liam discovers his sister-inlaw had a large insurance policy and Liam is the beneficiary. Liam is shocked, but he knows that would be motive.
He was a Minneapolis Homicide Detective before the righteous shoot that killed a pregnant woman and unborn
child. Thanks to a dirt digging reporter, the whole town knows it, too.
When the manager of Colton Inc., is found dead, the BCA arrest the town drunk, named ‘Nut.’ Liam knows
Nut is innocent. He has been helping him conduct his own investigation. Liam and Dani must figure out what
connects the murders to Colton. When Liam is attacked, he has Dani sketch a picture of his attacker.
Eric says Nut was not the one at his home. He tells them the picture is the monster. Their lives depend on
the monster not getting them first.
They tell us there are no monsters, but there are. It isn’t the misshapen bones or mangled flesh you need to
worry about. It’s the perfect looking ones whose souls are monstrous. Family blood is thicker than water. That
blood runs like a river, and often times The River is Dark.
Reviewed by Leslie A. Borghini, author of “Angel Heat” published by Suspense Publishing, an imprint of Suspense
Magazine ■
THE DARKEST HOUR
By Tony Schumacher
A stunning debut from an author who, a lot like Turtledove, brings alternate history plots to
life. And this time around, it is Nazi-occupied England that gets the spotlight.
June, 1940: Winston Churchill delivers a speech in Britain’s House of Commons that
announces the beginning of the Battle of Britain. Churchill states that the outcome of this battle
will depend on the survival of Christian civilization over the Nazi madness. He calls this Britain’s
‘darkest hour.’ They must stand up and take the reins in order to stop Hitler in his tracks.
WWII begins and the Nazi forces are strong, with Hitler and his armies easily taking over
Europe. England’s biggest ally, America, turns away as England becomes occupied by the Nazis, and everything
from politics to war is on the table.
John Rossett is a British war hero and policeman. Living in an occupied-England, he’s assigned the troubling
job of rounding up Jewish citizens to send off to ‘camps.’ This is a job he doesn’t want to do, but chooses to keep
silent. John’s own family has been taken from him, and he’s gotten to the point where nothing matters. Humanity
is lost, in his country and his heart.
When he meets a seven-year-old Jewish boy named Jacob, John’s goodness is revived, and he decides to
rescue him from the camps. Unfortunately, the Nazis take up the chase, hunting John down and attempting to
stop them. The action never stops, as John discovers he can no longer trust his friends. Everyone he knows would
give him and the boy up in an instant to save their own hides.
This is a truly dark look at the ‘what if ’ scenarios that prove how easy things can change, and how fast people
can alter their own ideals and morals when forced to do things they would never do…just to survive. A brilliant
work for the history and thriller fan who wants to see the past through a truly imaginative mind.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
WATERS OF OBLIVION
By David Lyons
Judge Jock Boucher is back and better than ever. While he and his fiancé attend the funeral
of another federal judge, they find themselves in the midst of a terrorist attack. A bomb, hidden
inside the deceased’s coffin, detonates, killing most of the attendees including many federal judges
and Boucher’s fiancé. By sheer luck, Jock survives.
Once he recovers from his injuries, he sets his attention on trying to organize all of the open
cases that have been delayed due to all of the judges’ deaths. Picking through the files, he finds a
needle in a haystack. A rather innocuous case involving the death of a Navy pilot who dies while
ejecting from an experimental aircraft. A case that never should have been granted a trial has found a spot on
the docket, only to have the judge who granted it, wind up dead. Waters are further muddied when the defense
attorney in the case is found to have committed suicide days after the bombing.
David Lyons takes us on a journey of deceit, international intrigue, and the brink of a possible nuclear war
in “Waters of Oblivion.” Judge Jock Boucher is at his very best as he attempts to unravel a bees nest of corruption
and greed without getting stung.
“Waters of Oblivion” is a must read. A great espionage thriller!
Reviewed by J.M. LeDuc, author of “Sin,” published by Suspense Publishing, an imprint of Suspense Magazine ■
SuspenseMagazine.com
STALKERS
By Paul Finch
Although the title of this
book may suggest one thing,
it is so much more. Finch has
created an intricate plot that
will entice and intrigue to the
very end.
Detective Sergeant Mark
“Heck” Heckenberg and his
team have been working on a
series of cases for what seems
like a lifetime. Investigating the
disappearance/kidnapping of
thirty-eight women, Heck has a
list of victims that all lived happy
lives and were the absolute best
in their fields. Perhaps it is their
exemplary talents that send up
a ‘red flag,’ as it opens the door
on a group that fulfills peoples’
fondest wishes…for a price.
Heck has been unable to
find any trace of the women and
the cases are slowly driving him
crazy. When his bosses get just
as frustrated, they pull Heck’s
team of detectives and suspend
him from the case. But his drive
and determination to figure
out what’s going on doesn’t
diminish one little bit. The fact
that his superiors send him
off on a three month holiday
in order to relax, helps even
more as Heck becomes a one
man army dedicated to finding
out the truth and stopping the
kidnappings.
He
meets
Lauren
Wraxford, the sister of one of the
vanished women, who decides
to stick to Heck like glue until
they get a break in the case.
Heading into the underworld of
gangsters and organized crime,
the duo soon hear talk of “The
Nice Guys Club,” believing
they have finally stumbled over
a lead. But the investigation
comes to a screeching halt
when no one will speak of the
Club and its ‘work.’ But Heck
will not go away, making a vow
to himself that these particular
“nice guys” will finish dead last
no matter what it takes.
This is a terrific story that
will keep readers in their chairs
until the very end. And the best
part is, Heck will be back!
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion
■
33
THE LAST MILE
By Tim Waggoner
Waggoner creates a realistic
‘World After’ the ‘Arrival’ of the
‘Masters.’
Dan was an average guy
living with his wife Caroline and
daughter Lindsey. They had a
good life until the Masters’ arrival
when the sky changed colors and
a million eyes were staring down
at the world. The ground cracked;
strange thorn-stalk weeds with
poisonous thorns sprouted up,
consuming everything. They
spread across I-75 through SW
Ohio, now known as The Way.
But they left alone the thralls.
Dan became a thrall to save his
family. He witnessed firsthand the
punishment the Masters served
up if sacrifices weren’t made.
Dan
delivered
many
unmarked sacrifices to his
Master. His family was fed and
didn’t mutilate themselves. This
particular delivery should have
been simple, except it wasn’t. One
of the many mutated animals, a
deer with antlers of bone ending
in needle tips, with serrated teeth,
and rhino-like hide, rammed his
Oldsmobile. Then his cargo woke
up; he hated that. They talked,
begged, pleaded, and cried. But
Alice was no ordinary sacrifice;
she was a survivor. Dan didn’t
know how tough the young
girl was until a half-man, halfmotorcycle tried to take her.
Dan maintained the upper
hand, so they walked “The Last
Mile” to his Master. He answered
her question about if the eyes
were still up there. He tells her
yes and maybe always have been;
watching and waiting. This makes
her think, maybe there never was
a world without the Masters.
It’ll be Dan’s downfall if he
remembers a world where sanity
ruled. Compassion and helping
people was a way of life. As he
presents Alice to his Master, which
is a horrific fountain of blood, this
idea is Alice’s opportunity. The
final climactic fight is a battle of
humanity between two people
who used to be humane.
If the ground cracks and you
see a million eyes staring down
on you, remember, they’re a nonforgiving alien. To survive, you
may have to forget you’re human.
Reviewed by Leslie A. Borghini,
author of “Angel Heat” published
by Suspense Publishing, an
imprint of Suspense Magazine ■
34
LAST WINTER WE PARTED
By Fuminori Nakamura
This page turner, to say the least, is a translation from the Japanese. And although it is a bit
difficult in some places, it is certainly an unforgettable plot that certain readers will want to see
through to the very end.
A young writer is sent out on assignment; he will head to a prison in order to interview a
convicted killer. The criminal in question is photographer, Yudai Kiharazaka, who is scheduled
to be executed for the killing of two women he was photographing. This was a horrific murder,
where the killer set the women on fire and actually photographed them as they were burning
alive.
This journalist becomes more and more intrigued by this criminal and his monstrous tale, and decides he
wants to write a book about the crime. But when his investigation begins, the writer soon finds himself buried
in a horrific life that led to brutality that goes far beyond what the human mind can accept.
The reader is brought through various archives regarding Yudai; learning all about his sister, their lives in
an institution, the neglect they suffered, as well as a group called ‘K2.’ But even with all the proof against Yudai,
as well as the considerable information regarding the twisted human beings both he and his sister became
because of their past, the writer actually begins to doubt the photographer’s guilt.
This is an extremely dark and certainly twisted narrative, with a plot that draws you into the very core of
evil. At times reading a translation can be difficult because the language barrier doesn’t allow for the context of
the story to be clear. But for the horror fan that’s truly dedicated to delving into the powers of the mind and the
madness and hate that can be created by the world around you, Mr. Nakamura certainly provides those chilling
moments.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
THE BULLET CATCH
By John Gaspard
Eli Marks, a magician/illusionist, is talked into attending his fifteen-year class reunion. Newly single, Eli
is planning to take some steps to approach his old high school crush, Trish. Eli has observed Trish’s husband
drinking, hanging with other women, and ignoring his wife…which does not exactly make him happy.
However, the next morning when Eli crosses paths with Trish, she is a widow. Her husband’s death is ruled
by the authorities as a mugging, but Eli thinks otherwise. Fortunately, he has at his disposal, connections in the
DA’s office (in the form of his ex-wife), and the police department (his ex’s brand new husband), to help look
into the mugging.
In the meantime, Eli’s friend, Jake, has been cast to star in a movie about a magician who dies performing a
trick that took many illusionist’s lives throughout history. The Bullet Catch is the trick, and it’s where a bullet is
fired directly at the magician who catches it in his teeth, hopefully not killing him in the process. Production of
the movie is not going well, and Jake is thinking that the real death of the lead character would bring the movie
a huge payoff at the box office.
While Eli works on this so-called mugging, he ends up hip-deep in the trials and tribulations of his pal,
who is becoming more and more terrified that the ‘trick’ is going to be a true finale.
The author does a fantastic job juggling the separate plots and keeping readers’ minds thoroughly engaged.
Anyone into magic will get a small look ‘behind the scenes’ at some familiar tricks and illusions, yet no secrets
are unveiled. The relationships between Eli and his remarried ex are interesting, to say the least, and the pure
entertainment of the industry will leave all readers hoping that there will be a ‘number three’ very soon.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
THE LESSER DEAD
By Christopher Buehlman
A vampire meets up with his worst enemy…and they are nothing but children.
This is 1970’s New York, and for those who believe that vampires only glitter in the sunlight,
this author goes for the ‘oldie but goodie’ version of vamps who are after only one thing: blood.
The vamps haunt and hunt when the sky is dark, and the only things about them that glisten are
their incredibly sharp fangs.
Joey Peacock is the one to follow. Living in a world now where white Saturday Night Live
suits are the ‘in’ thing, Joey truly loves his life. He was only fourteen when he was changed into
a creature of the night by, oddly enough, the family maid. And now, decades later, Joey enjoys the fast pace of
New York City where the streets never sleep. There, he utilizes the labyrinth of subway tunnels to get from place
to place. One night, however, Joey sees a rival on the subway system—a creepy rival, even to a vampire. His
enemy comes in the form of little vamps who are extremely mean and extremely hungry. As all kids are prone
to do, these small creatures decide that being unruly is a good thing, and they’re not about to stop.
Yes, Joey is only fourteen, but he has learned over the past forty-five years how to maintain security in the
dangerous world. He has perfected his life/death routine; womanizing, feeding at night, and sleeping in the
daytime with others of his ilk under the city. But Joey is more than upset to have his charming and exciting
playground turned into an actual ‘playground’ of death by these children. What was once a place not safe for
humans is now a place no longer serene and safe for vampires.
This is a new, fresh approach, with the author offering a wonderful plot and a mystical leading man/boy. A
great story, this will also show the job of babysitter in a completely new light.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
Suspense Magazine October / November 2014 / Vol. 060
DEAD BROKE IN JARRETT CREEK
By Terry Shames
Jarrett Creek, Texas, is like a great many small towns in the U.S.A.—it has completely run
out of money to fund the town and any of its programs. Unfortunately for the residents, this also
includes the police force that is definitely needed.
Financial scams have been perpetrated, and neighbors are up in arms. So when the anxiety
and tension gets to be a bit much, the town big shots make the decision to ask Samuel Craddock,
retired Jarrett Creek Police Chief, to come back to his old post. The salary he can expect to
receive is $1.00 a year until things pick up financially, and the town sees some kind of light at
the end of their really dark tunnel.
Good thing he cares, because Sam does return and immediately gets handed his first murder case. Gary
Dellmore, the heir to the main bank in town, is dead. This is not a real brain of a guy to begin with (rest in
peace), but he was certainly not deserving of death. Or was he?
As Sam investigates, he discovers that Gary was a player, even though his wife is highly supportive of her
husband and says that nothing ever happened. Sam, however, continues to unearth people who weren’t fond of
the deceased, and that includes husbands and fathers of girls he chased. Gary was also the man who ruined the
finances of the town by choosing to build a water park and striking a deal that was not the right one. Forced to
use friends, enemies, and neighbors in order to get a full picture of Gary’s life, Sam has his work cut out for him
separating the truth from the gossip in order to solve the crime.
This plot is fun, quick, and offers a town full of characters that are written so well it seems like they’re living
in your own neighborhood. Shames continues to supply her fans with a winner.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
COVER YOUR EYES
By Mary Burton
If there’s a category of ‘page-turner,’ Burton would always ends up on the top of that list.
This time is no different. Just read the back of the book to allow the chills to begin: “Don’t
look…Don’t speak…Just prepare to die.”
A young woman, Dixie Simmons, is a country-western singer ‘wannabe’ on her way home
from a gig at a local bar. Suddenly stopped by a person dressed in black, wielding a tire iron,
Dixie is beaten and left on the sidewalk for authorities to find. She struggles to no avail, until her
eyes close in death…“Don’t look.”
Local Nashville attorney, Rachel Wainwright, is a public defender trying to reopen a cold case of a horrific
murder in the city. The victim was a young mother, who was also a ‘wannabe’ singer, but her head was missing
when her body was discovered. Identification revealed her to be Annie Dawson. With this new murder, Rachel
tries to obtain DNA evidence for her client, the man they say murdered Dixie. She must go head-to-head with
the policeman looking into Dixie’s case, who just happens to be the son of the officer who was lead investigator
on Annie’s murder. Annie’s case is decades old, and the alleged killer has been in jail ever since, but DNA was
not available and the police never listened to his cries of innocence…“Don’t speak.”
Rachel unearths far more than she bargained for in her attempt to help a man labeled ‘murderer’ get out of
jail by means of forensic science. She becomes involved in the lives of many shady characters, some of whom are
killed in the same way that the other women were. A chilling puzzle begins, and before Rachel and the police
are through, they encounter secrets, surprises, and even more killings in Music City, USA.
Fantastic work with never a dull moment for the reader. Instead of using the author’s final note, when it
comes to this book: “Just prepare to…have a blast!”
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
THE FRONT SEAT PASSENGER
By Pascal Garnier
Sometimes revenge doesn’t work out the way one expects. Although his marriage has lost
its spark, Fabien is stunned to learn after his wife dies in a car accident, that her companion, who
also died, was her lover.
Fabien sets out to stalk the lover’s wife, Martine, with no apparent goal in mind other than to
learn who she is. After following her and sneaking into her apartment, rearranging her furniture,
eating her food, and washing her dishes, he discovers that she and her friend Madeleine are
headed to Majorca on holiday, and he books the identical tour.
After the two women fish him out of the sea when he swims out too far, the three of them spend the rest
of the holiday together. He manages to get Martine into bed, which angers Madeleine. The three return to Paris
barely on speaking terms, but Martine gives Fabien her address, which of course he already knows, and her
phone number on a slip of paper.
Fabien tries to pull together the tatters of his own life, as well as that of a longtime friend Gilles with whom
he is now living, but is pulled relentlessly into the lives of Martine and Madeleine.
Translated from the French, “The Front Seat Passenger” is a short novel—I read it in a day—but the story
is unyielding in the madness of its characters. While told mostly from the point of view of Fabien, the newly
widowed husband, it is a race to determine who will crush whom in their own style of insanity. Fabien is an antihero; bent on revenge, but easily led. The conclusion left me wondering where he would go from there—back
with his father in Normandy? This is an ironic and darkly humorous book that I thoroughly enjoyed.
Reviewed by Kathleen Heady, author of “Hotel Saint Clare” ■
SuspenseMagazine.com
HOLY WAR
By Mike Bond
Just as the title states, this
is a true saga that concentrates
on a religious war where various
factions fight for their own
beliefs. Included in the thrills are
terrorists, hostages, and enemies
fighting in a place that simply
cannot find peace.
There are three characters
within these pages owning three
very different points of view, and
their lives come together during
this truly horrific time. First and
foremost, there’s Neill, a war
correspondent who has been sent
to Beirut on a secret mission for
MI-5. He has been chosen for this
because he just so happens to be
the ex of Layla, who is now the
wife of Mohammed. Mohammed
serves as the Hezbollah leader
who may just own the power to
stop the war before it starts.
The second in our little trio
is Andre, a commando from
France who is eager to avenge
his brother’s death at the hands
of terrorists who bombed a U.S.
military base. The third character
in this huge holy war madness is
Rosa, a Palestinian on nobody’s
side in the fighting, except her
own.
As in all hideous wars, people
with various beliefs and ideals
come together. Unfortunately,
they come together and scream
their opinion, not bothering to
hear the ideas of others that could
perhaps form the peace they
supposedly are wanting.
This is a tale that every
reader will have their own
opinion on when it comes to the
state of nations, religions, and
the political and social forces
that bring about pain and anger.
It will also provide a look into
how peace can be achieved, how
the innocents of the world can
survive, and the passion that
ignites just as fast as the exploding
of a bomb.
This author uses his lengthy
experience to create this novel.
Having been to Lebanon, Syria,
and the Middle East, he definitely
knows his subject. Written in a
setting of one of the most horrible
places, the author does a terrific
job.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion ■
35
THE PERFECT
WITNESS
By Iris Johansen
Teresa Casali was still a
little girl when she made the
odd discovery that she could
read other people’s memories.
But she’s not the only quirky
one in the family. In fact, Teresa
Casali is the daughter of a mob
boss.
Unfortunately, Teresa loses
her father, and the man who
steps up to take the head honcho
role decides that the girl should
actually be killed because her
gift may bring about bad things
for the ‘family.’ This man is going
to marry Teresa’s mother, but he
feels that having a kid that can
get into his brain will make him
look extremely bad. So running
is her only option.
She finds a savior in a man
called Mandak. This is not a
man she exactly trusts, but he
kills her predators and she goes
with him. As fate would have
it, Mandak possesses special
gifts as well, and he proceeds to
teach Teresa how to control her
memory reading, without ever
exposing who he is or what he
wants. After working together
for a few months, Mandak
has her entered in a Witness
Protection Program; changing
her name to Allie, she goes
to live with friends of his and
experience a new, safe life.
After seven years, Allie gets
her gift under control, learning
how to block out people’s
memories. Finally happy, Allie
has loved the couple she’s lived
with and is ready to graduate
from college. But as always
when happiness occurs, the past
comes back to haunt her. With
a cover that’s blown and people
she cares about now in danger,
Teresa leaves Allie behind and
delves back into her gift to take
the bad guys out.
The mob, the mystery, and
a little bit of the supernatural
thrown in for good measure,
makes this story a true thriller
that will keep you glued to the
pages. Cheering for Teresa as
she goes from a frightened child
to a strong, unstoppable woman
with the help of her friends,
makes for a great read.
Reviewed by Mary Lignor,
Professional Librarian and CoOwner of The Write Companion
■
36
WATCHING THE DARK
By Peter Robinson
DCI Alan Banks is back. Definition: Police procedure takes over in a fantastic mystery that
starts with a ‘bang’…or, more accurately, an arrow in the chest of DI Bill Quinn, who dies on the
grounds of a police convalescent center.
Not only is this a horrific murder but there are also compromising pictures tied to the victim,
which means Banks needs to be as careful as possible. He’s sure the culprit has to be someone from
one of Quinn’s old cases, and proceeds to delve into the most likely candidates. Everything seems
to dead end until a second murder occurs that gives Banks a clue. The new victim is a freelance
reporter who might just be the key Banks needs. Apparently, the two victims worked on an investigation six years
ago; an investigation surrounding the disappearance of Rachel Hewitt—a bridesmaid who was separated from
the rest of her party during the celebratory evening and who was never seen again.
Now that the reporter and Quinn are dead, Banks heads to Estonia where the girl disappeared, with Inspector
Joanna Passero by his side, who has been assigned the case. The Inspector’s job is to discover if Quinn might have
been a shady cop. Banks isn’t happy about having Joanna as a partner, and is determined to clear Quinn’s name
from any crooked deals or ridiculous gossip. The investigation stalls with the cold case of Rachel Hewitt, but the
more Banks digs into the two killings, the more he finds that Quinn’s murder and Rachel’s disappearance are most
definitely linked…but the townspeople refuse to help. They act like they will do anything they can to stop the past
from coming back to haunt them.
Again, this is a true example of police procedure, including the friendship and camaraderie that the profession
has with one another. Plot is extremely interesting, and the calm, cool, and collected Banks, matched with the
determined Inspector Passero, makes for a very magnetic dialogue.
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
COVENANT: THE BOOK OF RAZIEL
By Sabrina Benulis
This is the second installment in the series The Books of Raziel, and is a very good follow-up that will make
readers continue on this author’s superior journey. Not only that, but this second novel clears up some very
important parts laid out in the first book, “Archon,” and begins as all good stories do, with…Genesis.
In book one, readers met Angela Mathers, an artist who enrolled at the Westwood Academy a year previously.
The poor girl has many crosses to bear, so to speak, especially when it comes to her never-ending dreams of angels
and demons. Subsequently, Angela unearthed the truth that she is actually an Archon—a person with holds many
great powers that will resolve the fate of the universe. But Angela also learns that with all her great power comes
great danger, and she has forces that are actually working against her to make sure she fails. These forces can take
many shapes and forms, and when a demon takes her friend, Sophia, and steals the Book of Raziel, Angela is
forced to walk through the door to Hell in order to rescue her.
With book two, the paranormal thrillfest takes our heroine into a world full of intrigue; including angels that
are heavenly and demons, who are residents of Hell that never stop working to try and possess Angela. The reality
of the situation is that for all those who think that angels are the white lights and winged creatures who bless and
help everyone, while the demons are dark and evil and waiting to strike—appearances can deceive. And Angela
must figure out who exactly is a wool in sheep’s clothing.
As this cool character begins this journey into Hell, the fun truly begins, with a new thrill waiting around
every corner she travels. But it is a very good idea to read “Archon” first, because this fantasy/gothic thrillfest is
definitely one series you do not want to miss a second of. Bravo!
Reviewed by Mary Lignor, Professional Librarian and Co-Owner of The Write Companion ■
THE LAST BREATH
By Kimberly Belle
Sixteen years ago, Ray Andrews’ wife Ella Mae was murdered. Ray was sent to prison for life.
Now, he is dying of cancer and is released from prison on a technicality. He’s brought home to
Tennessee by his brother and attorney, Cal. Gia Andrews returns from her humanitarian life to
deal with her father’s impending death.
Gia and her siblings, Lexi and Bo, are Ray’s children from his first marriage. They believe
their father is guilty. For Gia, seeing her siblings and the dysfunctional lives they live, coupled with
seeing her father again, has her on an emotional tightrope. When she meets Jake, a local restaurant
owner, he is the only thing that keeps her from going off the deep end.
With protesters camped out front of their home, a journalist suggests to Gia that the truth did not come out
years ago, giving Gia a sliver of hope. Was Ray innocent? Did their neighbor lie on the stand? Can she make peace
with her father after never visiting him in prison and thinking him guilty of murder? Once her father passes, will
Gia leave Tennessee behind forever or will she finally stop running from her past?
Gia wades through the murky waters of the murder her father may or may not have committed, her siblings’
refusal to cooperate, Cal hiding behind attorney/client privilege, and even Jake, who has a few skeletons in his
closet.
So many secrets and lies, so many lives ruined. Isn’t it time for the truth to come out? Will the truth bring
peace or heartbreak? The story examines the affect the murder had on Ray’s children, but despite everything, in
the end these people will have the chance to deal with the path their lives have taken, but they now have a choice
to make about their future. This is more than a suspense novel, it is the story of family, forgiveness, and the power
of love. 5 stars.
Reviewed by Julie Whiteley ■
Suspense Magazine October / November 2014 / Vol. 060
“David Lyons takes us on a journey of deceit, international intrigue, and the brink of
possible nuclear war in WATERS OF OBLIVION. Judge Jock Boucher is at his very best as
he attempts to unravel a bees’ nest of corruption and greed without getting stung.
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BEFORE I GO TO SLEEP
Movies
2014
Genre – Mystery/Thriller (R)
Nicole Kidman has not enjoyed a good run of films at the box office. Most have
tanked, and after the woeful Grace of Monaco, you start wondering if it isn’t her.
Sometimes her acting feels distant from the character, the mechanics of the process
visible in her eyes. However, in Before I Go To Sleep that distance works very well indeed.
It’s a Hitchockian Memento type thriller, Kidman playing Christine Lucas who,
due to head injuries from a violent assault, wakes up every morning having forgotten
everything from the day before. Her husband (Colin Firth) is supportive and loving,
albeit it is clearly emotionally taxing and difficult to have to recount their years of
marriage to her each morning.
Her doctor (Mark Strong) calls her every morning after her husband leaves for
work to remind her that she is keeping a video diary on a camera hidden in the back
of the cupboard. It is via the video that the mystery begins, with Christine telling her
future self not to trust her husband. Each day we learn a little more about her, as she
searches for what really happened and who she can trust.
The first half of the film is intriguing and strong, however toward the end it devolves
into less than it could have been had a little more thought gone into the conclusion and
setting up of the red herrings. However, if you like your thrillers a guessing game, you
will enjoy this. It’s no Gone Girl, but the cast do a great job, and director Rowan Joffe (Brighton Rock, 28 Weeks Later) is
certainly the master of creating a dark and claustrophobic mood on screen.
Reviewed by Susan May, author of “Back Again” ■
WHIPLASH
2014
Genre – Music/Drama (R)
The synopsis of this film is impossible to describe well enough to inspire you to see it,
because the concept of watching 106 minutes of a kid taking jazz drumming lessons at an
elite music conservatory in New York is never going to sound scintillating. However from
the opening scene, where we are introduced to Andrew Neyman (Miles Teller) during a solo
drumming practice session interrupted by revered but feared teacher, Terence Fletcher (J.K.
Simmons), you realize that this is no Glee.
As Fletcher mentors Neyman and his fellow students, you viscerally endure their physical
and emotional abuse. He uses increasingly more vicious and disturbing modus operandi
to elevate their performances, and you become caught up in the question the film asks:
What price, success? The word “evil” flitted through my mind during particularly tense and
harrowing scenes.
When Fletcher invites Neyman to join his elite band, suddenly a young man, whose
musical aspirations are not considered by his family to be a worthwhile pursuit, becomes convinced that he is on the road to
greatness. But his aspirations for greatness come at an enormous price. Will that price be too high?
The last twenty minutes are some of the finest acting you will see on film this year. In fact, the film is outstanding in not
just the performances but in its unflinching commitment to deliver the ugliness and wonderment of the magical impact
created by any art form. All I can say is how grateful I am to be a writer, where things rarely get physical. We might jokingly
claim there is blood on our keyboards, but in comparison to this story and similar insights into the ballet world via the Oscar
winning Black Swan, as far as the arts go, writers have it easy.
Whiplash and its leads, Teller and Simmons, and Academy Awards will be mentioned in the same sentence in the coming
months. There is blood on the drum kit, and you will feel your blood pulsing as you watch Whiplash, too. This film dares to
march to the beat of a different drum, and for that it is a marvel.
Reviewed by Susan May, author of “Back Again” ■
38
Suspense Magazine October / November 2014 / Vol. 060
Featured Artist
ANDREA GARCÍA
With a Little Determination . . .
Interview by Suspense Magazine
LADY BUTTERFLY
http://www.fairy-tales-photography.com Photo: DelphineAyache
SuspenseMagazine.com
39
Our
CALM BEFORE THE STORM
Model: Maria Amanda Schaub
October/November featured artist, Andrea
(Andy) García, was originally born in Antigua,
Guatemala, a place well known for majestic
architecture. Andy now resides in Brazil with her
husband—also a designer—and their dog, and spends
her free time doing martial arts, taking photos, and
traveling. She’s a self-taught, fulltime artist who
spends her working hours on commissions, book
cover design, and working to constantly better her
skills.
Andy’s distinctive style and clear personality shine through in her work,
making her stand out against the masses of the DeviantArt community. We
were able to chat briefly with Andy about her work process and here is what
she had to say:
Suspense Magazine (S. MAG.): Is anyone else in your family creative?
Andrea García (A.G.): My mother is very creative. She has always done a
lot of crafts, and I learned some of them with her. But in terms of Photoshop,
my cousin is a designer and my husband is a web designer who works with
manipulations like me.
S. MAG.: When did you realize you had a passion for art? Do you ever work
in other mediums?
LOST IN MY SOLITUDE
Model: Janna Prosvirina
A.G.: I think art is something I’ve always liked since childhood, but I started
manipulations in 2009. I was nineteen years old at the time and since then,
I’ve grown to love them more and more.
S. MAG.: Do you follow a specific process when beginning a new project?
A.G.: No, I don’t. I just let my imagination and inspiration flow. Sometimes I
have an idea of what I want the art to look like but in the process it turns into
something completely different. So I think the best way is to just let things flow.
S. MAG.: Of all your pieces, which is your favorite?
A.G.: To be honest I don’t have a favorite because I like each and every one of
them in a different way. Some of them are more personal than others, some of
them are special because I made them with someone else, and it is great be able
to work with another artist because it helps you grow and learn new things.
S. MAG.: What is your biggest challenge professionally?
RECORDANDOTE
40
A.G.: I want to learn more about digital painting so I can start painting my
own art using images only as reference to have more artistic freedom. I always
like to continue learning new techniques that will improve my work.
Suspense Magazine October / November 2014 / Vol. 060
A LA LUZ DEModel:
LAJessica
LUNA
Truscott
SuspenseMagazine.com
41
THE CITY WATCHER
Model: Rob
“MY BIGGEST MOTIVATION IS
GETTING BETTER AND BETTER AT
WHAT I DO, BECAUSE I LIKE IT AND
IT'S FUN, AND IT’S EVEN BETTER
WHEN YOU MAKE SOME MONEY
DOING WHAT YOU ENJOY.”
Also I would love to see my work on more books, CDs, etc.
S. MAG.: Who is your favorite artist?
A.G.: My favorite artist is my husband because he
is very creative and he has crazy and original ideas.
I think his work is pretty amazing and he always
inspires me and supports me. He is constantly
teaching me new things.
S. MAG.: What is the best piece of advice you’ve
been given? Would you offer that same advice to
aspiring artists?
A.G.: Never give up and to keep learning and
practicing, because you can be a great artist if you
want to; no matter what, you will accomplish what
you want if you are determined to make it. Search
for tutorials and never give up.
THE JOURNEY BEGINS
S. MAG.: Money, possibility of fame, or the fun of it? What motivates
you?
A.G.: My biggest motivation is getting better and better at what I do,
because I like it and it’s fun, and it’s even better when you make some
money doing what you enjoy.
S. MAG: What do you think are your three best qualities? Worst?
A.G.: The best: I’m determined, have a passion for what I do, and I’m
not afraid to face challenges. Worst: I’m impatient and stubborn.
We’d like to thank Andrea for spending time with us. You can
find more information about her at http://andygarcia666.deviantart.
com. ■
42
FOGGY NIGHT
Model: Gustov
Suspense Magazine October / November 2014 / Vol. 060
f r o m t h e e d g a r awa r d - n o m i n at e d
author of Garden of Stones
T W O M O T H E R S.
T W O S O N S.
A TRAIL GOING COLD...
“A satisfying, icy thriller.”
—Kirkus Reviews
“A novel steeped in secrets
and unspoken truths.”
—Christina Baker Kline,
New York Times bestselling author of Orphan Train
“With two strong, complicated
women at its center...
The Missing Place seizes you with
its emotional fervor from its first
pages and never lets you go...
A remarkable novel.”
—Megan Abbott,
bestselling author of The Fever and Dare Me
“A powerful portrait of grief,
fear, and courage
as two mothers fight for truth.”
—C.J. Lyons,
New York Times bestselling author
of Farewell to Dreams
/GalleryBooks
/Sophie.Littlefield.Author
@GalleryBooks
simonandschuster.com
@SWLittlefield
ALEX MARWOOD, MIDDLE NAME:
“SCARY AS HELL”
Interview by Suspense Magazine
Press Photo Credit: Geraint Lewis
A
UTHOR ALEX MARWOOD SCARED THE HELL OUT OF
fans with “The Wicked Girls,” and she is doing it again with her
latest release, “The Killer Next Door.” Many lists are important
for authors, but when a horror/thriller writer ends up on Stephen King’s
Top Ten list of 2013, that is special.
“The Wicked Girls” follow two girls twenty-five years in the
past having to overcome their conviction of a four-year-old girl they
murdered when they were eleven. They build separate lives, but events
that threaten to destroy the worlds they constructed cause the two to
have to face their pasts.
Alex turned up the volume with “The Killer Next Door.” Stephen
King tweeted: “If you read Alex Marwood’s ‘The Wicked Girls,’ her new
one ‘The Killer Next Door’ is even better and scary as hell with great
characters.”
Alex says on her website that she was raised by wolves. If that is true,
you can bet her writing is just as thrilling and intense as her upbringing.
We were lucky enough to catch up with Alex and talk with her about
several different topics. It’s great to be able to discover an author so early
in their career, because when they hit the big time we can say we knew
them way back when. And for Alex, that time is coming quick. Check
out her interview below along with a short synopsis of her latest book.
No. 23 has a secret. In this gloomy, bedsit-riddled South London wreck, lorded over by a lecherous landlord, a
horrifying collection quietly waits to be discovered. Yet all six residents have something to hide.
Collette is on the run from her ex-boss; Cher is a children’s home escapee; lonely Thomas tries to make
friends with his neighbours, while a gorgeous Iranian asylum seeker and a ‘quiet man’ nobody sees try to
keep themselves hidden. And there for them all is Vesta, a woman who knows everything that goes on in the
house—or thought she did.
Then in the dead of night, a terrible accident pushes the six into an uneasy alliance. But one of them is a
killer, expertly hiding their pastime, all the while closing in on their next victim...
Suspense Magazine (S. MAG.): Can you give us your inside thoughts into the creation of “The Killer Next Door”?
44
Suspense Magazine October / November 2014 / Vol. 060
Alex Marwood (A.M.): It’s weird, the way a book will begin to form in your brain. Usually, there will be a thought, a question
that’s been washing about for years, and then something else—an event, a passing face—will kick it to the forefront. “The Killer
Next Door” came out of my downstairs neighbour’s drains—quite literally.
Something that has always fascinated Londoners is the story of Dennis Nilsen, a serial killer who preyed on young men, killing
at least twelve people and disposing of their bodies while living at close quarters with a number of other people in shared houses.
The question that comes up over and over again in one’s mind is: How did nobody notice?
If you live in this absurdly populous city, where most people live in terraced Victorian houses with shared entrances and, often,
thin walls from lackadaisical alteration works, this is a question that will inevitably pop up in your mind from time to time.
It raises so many issues of how people manage to make living at such close quarters with strangers bearable, how ignoring
each other’s “stuff” is as much a matter of courtesy as it is of self-preservation, how an overload of stimulation can ultimately
make you immune. I’ve always wanted to do something about the other people living in those houses, rather than about Nilsen
himself.
Then, as I was casting about for my next project after “The Wicked Girls,” Smelly Clyde’s drains got blocked. He’s a perfectly
pleasant chap, but when he opens his windows, gusts of something old and fetid will burst from them and make the rest of
us slam ours down. It was a warm summer, and his windows were open often, so there were jokes going around that he was
keeping a dead body in there. When his drains seized up, we were standing over them scratching our heads as he scooped a
greyish, calcified sludge from the top.
“I think it’s fat,” he said, looking at the rest of us accusingly.
Nilsen was eventually caught because the drains at his communal rooming house got blocked by adipose tissue from bodies he
was boiling down on his stovetop. I could barely contain my desire to get back upstairs and start writing. S. MAG.: You have basically six main characters in the book. Was it a challenge to make sure they all had an equal voice?
A.M.: Oh, God, yes. Though really, the voice is largely shared among four of them. I’m a terrible one for making my own life
more complicated. Interestingly, though, what I do find with these multiple-narrative books is that plotting ahead of time
often seems to make it more, rather than less, difficult to get the balance right. I
always know the rough shape of what I’m going to do, but I’ve found that
you don’t really know how it’s going to pan
out until you know the people involved
properly and they start making their own
decisions as to how they’re going to get
themselves there. I know that sounds a bit
woo-woo, but in every book I’ve written,
someone has made a decision that has
turned my own expectations on their
heads. But writing without a plot shape is
a dreadfully stressful way to work, if you’re
working to a deadline.
S. MAG.: When you set out to write
the book, did you want to explore the
emotional roller coaster a setting like this
would create?
A.M.: Totally. This is what interests me
about crime, and what keeps my own
attention as a reader. I’m interested in pretty
much every aspect of crime apart from the
SuspenseMagazine.com
45
mechanics of how it’s investigated. I’m interested in the bad decisions, the
tiny acts of questionable morality that snowball, the ways in which someone’s
interpretation of the world can get so skewed that they can justify terrible acts
in their heads. And the ramifications of other people’s choices: these fascinate
me.
We live in a society that loves to preach that we can all have control over
our outcomes if we’re determined enough. Yet everyone has found themselves
affected at some point by someone else’s decisions and struggling to find a way
to make the best of them.
S. MAG.: What scares Alex Marwood?
A.M.: You know what? Ideologues, that’s what scares me. I’m terrified by
the way people will throw themselves in wholesale with belief systems and,
once they’ve done so, will never question them, even when confronted with
incontrovertible evidence that their beliefs—political, religious, moral,
ecological, economic, whatever—are actually doing damage. Did you know
that if you put someone who adheres to a strong ideology into an MRSI
scanner and feed them facts—facts, not ideas—that might undermine those
beliefs, you can actually watch those stimuli be bounced out of their brains
before they ever reach the parts that might have to grapple with them? That
scares the bejaysus out of me.
Oh, and spiders, and my grandmother. Whoo, she was one scary broad.
S. MAG.: Is there one character in the book that surprised you by having a
bigger voice than originally thought?
A.M.: Not so much bigger, as different. I started writing Vesta as an old girl
who was facing old age in a loveless marriage, and I just wasn’t getting on
with her. Her situation wasn’t interesting to me; she just felt bitter and meanminded like the man she was married to. When she transformed into one
of those brilliant spinsters whose single status no one can quite understand,
whose “trap” was actually her home itself, a whole lot fell into place. As a
writer you have to at least quite like your characters, even if you’re writing
them for other people to dislike.
S. MAG.: If there was one book you wish you wrote, what would it be?
A.M.: This week? Barbara Vine’s “A Fatal Inversion.” I just reread it because
I’m having trouble working on timeline issues in the one I’m writing at the
moment, and it’s even more brilliant than I remember. She breaks so many
rules—multiple points-of-view and multiple timelines in a single chapter, not
signifying changes of time with changes of tense, moments of wonderful wry
comedy—and the whole is just perfect. I remember reading that book in my
twenties and thinking: yes, this is writing, this is what I want to do.
S. MAG.: Do you have any superstitions when you write?
A.M.: Um. I like to think of myself as a rationalist, she said, cross-legged on the
bed, cat pressed against shins, having checked horoscope, while surrounded
by household gods. No, none at all.
46
“I LIKE TO THINK
OF MYSELF AS
A RATIONALIST,
SHE SAID,
CROSS-LEGGED
ON THE BED,
CAT PRESSED
AGAINST SHINS,
HAVING CHECKED
HOROSCOPE,
WHILE
SURROUNDED
BY HOUSEHOLD
GODS.”
Suspense Magazine October / November 2014 / Vol. 060
S. MAG.: “The Wicked Girls” was such a big hit for you. Did you feel more pressure
to “up the action” with “The Killer Next Door”?
A.M.: Not really. Though the sudden taking-off of “The Wicked Girls” gave me a few
surprising panic attacks. My lovely doctor told me that she couldn’t count the number
of artists of various hues she’d had to treat for similar responses to finally breaking
through. Getting what you’ve longed for can be a startlingly terrifying thing, especially
if, like most people who’ve lived on low incomes struggling to get there for years, your
brain has trained itself to recognize all states of arousal as yet another disaster. The
physiological tells are exactly the same.
“The Killer Next Door” is actually my sixth novel (I used to write under my own name),
and I’ve always been quite OCD-ish about doing the best book I possibly could, so it
was more of the same, really, though with, as it were, more to lose if I were to get it
wrong. I suspect I’ll feel like this about writing for the rest of my life. A bit of me wishes
I’d become a forensic psychologist instead.
S. MAG.: With social media giving you instant access to reviews and reactions to
your book, do you let that influence you when you write?
A.M.: I try not to. You have to write the books you write, not the books other people
would have written. I am lucky enough to have an awesome editor and a wonderful
agent who also has a terrific editorial eye, and I try to keep outside influence down to
what they have to say.
That said, I adore the social media, Facebook particularly, possibly to the detriment
of my productivity. I’ve met amazing, interesting, stimulating, entertaining, generous
people, who have fantastic things to say and bits of knowledge and personal experience
to contribute that I would have found far harder to access any other way. The chip fork
murder in “The Wicked Girls” came straight from a throwaway gag by a Facebook
friend, and it’s a wonderful place if, like me, you’re a vocab magpie. I can barely
remember how I did my job before it.
One thing I’d also like to add, for other writers: once you’ve had a certain number of
one-star reviews on the internet, they stop stinging. I remember the first one I received,
back in 1999, hurting so much I didn’t write for a couple of weeks while I obsessed
about it. Now, half the time, I just laugh and share them on Facebook. In fact, one of
my best friends took one of my one-star reviews, entitled “A British Book by a Woman
Writer,” set it in Comic Sans and laminated it for me. It hangs in my bathroom, next
to my write-up from Stephen King. And they’re good for stopping one from developing
a narcissistic personality disorder.
S. MAG.: What can fans expect to see from you in the future?
A.M.: I’m working on a new book whose working title is “The Long Weekend,” but it’s
coming slowly—I’ve had a bad year of slow family bereavement and it’s not been great
for the concentration. It’s about secrets. Well, one huge secret that a group of people
club together to keep, and the dreadful emotional toll that keeping it takes over the
years.
Thanks, Alex, for giving us some time. Visit her website at www.alexmarwood.
com. ■
SuspenseMagazine.com
THE KILLER NEXT
DOOR
By Alex Marwood
This novel is about the people
who live at 23 Beulah Grove in
London. Does that sound innocent?
Don’t read this at night, alone.
Just the landlord alone, gave me
the creeps. In the Prologue, some
body parts have been found in the
freezer. A couple of the fingers match
up with a young missing woman,
Lisa Dunne. DI Cheyne finds out
the residents called her Collette. But
where is the rest of her? And just
what is going on in that place?
The reader goes back in time and
follows Lisa from her job at the bar
(with lap dancing), where she finds
her boss dead and, knowing too much
about the financial dealings, snatches
the money and runs for her life.
She lands in an ideal hiding place,
the rundown rooming house full of
losers and a cat called Psycho. There’s
Gerard, the music teacher, who
never interacts with anyone there;
Cher, the Scrumper, a friendly, outgoing, pretty young black woman;
old Vesta, who wants only to be able
to live by the sea, where she takes an
annual visit; Hossein, the intensely
handsome Iranian immigrant; and
that Landlord. The problem is, the
reader doesn’t know which one is
The Lover, a person who kills young
women residents and mummifies
them, until they decay and he must
replace them.
Even stranger things start
happening.
Vesta’s
basement
apartment is broken into, and the
stinky drains, always a problem, are
getting impossible. But the obese,
sweating, lecherous landlord won’t fix
anything until…well, things happen
and it all comes crashing down.
Deliciously creepy book!
Reviewed by Kaye George, author of
“Eine Kleine Murder” ■
47
Forensic Files
Q&A: WILL INGESTION OF BEE VENOM KILL SOMEONE WHO IS
ALLERGIC TO BEES?
By DP Lyle, MD
Photo Credit: Provided by Author
Q: If a person is allergic to bee venom and the venom is ingested, would the person be likely to die?
Would the venom show up on a tox screen at autopsy?
A: Bee venom is a protein toxin and would be digested by the acids in the stomach if swallowed.
And once digested it would not likely cause an allergic reaction. However, an allergic reaction would
happen once the venom contacted the buccal mucosa—big term for the lining of the mouth. This
could cause an anaphylactic reaction and kill the victim.
Anaphylaxis is a rapid allergic reaction to some antigen. These antigens are typically foods, drugs,
or insect venoms. Common foods are peanuts and shellfish; common drugs are penicillin and iodine,
which is found in many radiographic dyes; and common insects are bees, as in your story. There are a
myriad of other foods, drugs, and bugs that can cause anaphylaxis in the allergic person.
This rapid immune (or allergic) reaction involves antigens (the food, drug, the bee venom, etc.) and antibodies, which
are manufactured by the body and react to the specific antigen that they are directed against. This reaction is a critical part of
our defense against bacteria and viruses.
The body recognizes the antigen (virus, let’s say) as foreign and builds antibodies that will recognize and attach to the
virus. This reaction attracts white blood cells (WBCs), which release chemicals that kill or harm the virus, which is then
consumed by the WBCs and destroyed. This process is essential for each of us to survive in our bacteria and virus-filled
world.
But, in allergic individuals, this reaction is rapid and massive and causes a release of large amounts of the chemicals
from the WBCs, and it is these chemicals that cause the problems. They cause dilatation (opening up) of the blood vessels,
which leads to a drop in blood pressure (BP) and shock. They cause the bronchial tubes (airways) to constrict, which leads
to shortness of breath, wheezing, and coughing.
This is basically a severe asthmatic attack and prevents adequate air intake. The oxygen level in the blood drops rapidly.
The chemicals also cause what is known as capillary leak. This means that the tiny microscopic blood vessels in the tissues
begin to leak fluids into the tissues. This leads to swelling and various skin lesions such as a red rash, hives (actually these are
called bullae and are fluid-filled, blister-like areas), and what are called wheel-and-flare lesions or target lesions (pale areas
surrounded by a reddish ring).
In the lungs, this capillary leaking causes swelling of the airways, which along with the constriction of the airways,
prevents air intake. In the tissues it causes swelling of the hands, face, eyes, and lips. The net result of an anaphylactic reaction
is a dramatic fall in BP, severe wheezing, swelling and hives, shock (basically respiratory and cardiac failure), and death.
Usually anaphylaxis onsets within minutes (ten to twenty) after contact with the chemical, but sometimes, particularly
with ingested foods, it may be delayed for hours—even up to twenty-four hours. With a bee sting it would begin in a matter
of minutes. Bee venom in the mouth might take only a few minutes to instigate the reaction.
Your victim would suffer swelling of the tongue and face—particularly of the lips and around the eyes—as well as swelling
48
Suspense Magazine October / November 2014 / Vol. 060
of his hands. Hives and wheel-and-flare lesions would pop out over the
skin. He would begin to gasp for breath and develop progressively louder
wheezing. As the oxygen content of his blood began to drop he would
appear bluish around his lips, ears, fingers, and toes. This would progress
until his skin was dusky blue. He would sweat, weaken, and finally when
his BP dropped far enough would lose consciousness, lapse into a coma
and die.
Unless treatment was swift and effective, that is.
Untreated anaphylaxis leads to shock and death in anywhere from a
very few minutes to an hour or more, depending upon the severity of the
reaction and the overall health of the victim. Treatment consists of blood
pressure (BP) and respiratory support, while giving drugs that counter
the allergic reaction. BP support may come from intravenous (IV) drips
of drugs called vasopressors. The most common would be Dopamine,
Dobutamine, epinephrine, and neosynephrine.
Respiratory support may require the placement of an endotracheal (ET)
tube and artificial ventilation. The victim would then be given epinephrine
IV or subcutaneously (SubQ) and IV Benadryl and steroids. Common
steroids would be Medrol, Solumedrol, and Decadron. These drugs work
at different areas of the overall allergic reaction and reverse many of its
consequences. The victim could survive with these interventions.
Or not. Your call.
If you decide that your victim will die, then at autopsy the findings
are non-specific. That is, they are not absolutely diagnostic that an
anaphylactic reaction occurred. The ME would expect to find swelling of
the throat and airways and perhaps fluid in the lungs (pulmonary edema)
and maybe some bleeding in the lungs. He may also find some congestion
of the internal organs, such as the liver.
He must, however, couple these findings with a history of the individual
having eaten a certain food, having ingested or being given a certain drug,
or having received an insect bite or sting and then developing symptoms
and signs consistent with anaphylaxis.
And in the case of insects, such as the bee you are using, he may be
able to find antibodies to the insect’s venom in the victim’s blood. Maybe
not. So you can have it either way—yes, he finds the antibodies; or, no, he
doesn’t. ■
D. P. Lyle is the Macavity and Benjamin Franklin Silver Award winning and
Edgar, Agatha, Anthony, Scribe, and USA Best Book Award nominated author of
many non-fiction books as well as numerous works
of fiction, including the
Samantha Cody thriller
series; the Dub Walker
thriller series, and the Royal
Pains media tie-in novels.
To learn more about D.P.,
check out his websites at
http://www.dplylemd.com,
http://writersforensicsblog.
wordpress.com, or Crime
and Science Radio at http://
crimeandscienceradio.com.
SuspenseMagazine.com
COMING SOON
On Nov. 8 in San
Diego, the USS
Midway will provide
a dramatic setting
for
best-selling
authors who will
gather to honor
military veterans.
The participating
authors hope “The Military Book Fair” (www.
militarybookfair.org) will become an annual
tradition to be held the weekend before
Veterans Day. The event, open to the bookloving public, takes place between 10 a.m.
and 4 p.m.
With all proceeds going to veteran
organizations, people who want a book
signed will have to buy those books at the
Midway/Fair bookstore. For only twenty
dollars, event-goers can meet bestselling
authors, purchase a book for signature, and
take a tour of the Midway, a ship steeped in
history. Readers can also obtain collectors’
items, personal written notes from authors
(answering a question they always wanted to
ask), or win one of many silent auctions of
signed books by attending authors.
More than forty authors, representing
genres ranging from women’s issues to science
fiction, will be on hand. Panel discussions with
many of the authors will include: “Veteran
Characters”; “Female Heroines”; “Hot and
Cold Wars”; “Terrorists and Politics” and
“Guns and Needles.” In addition, there will
be a Q&A with Hank Steinberg, the executive
producer of the television shows The Last
Ship and Without A Trace. Top mystery and
thriller authors scheduled to attend include:
Catherine Coulter, Charles and Caroline
Todd, James Rollins, Ted Bell, C. J. Lyons,
T. Jefferson Parker, Jan Burke, D. P. Lyle, Iris
and Roy Johansen, Amy Hatvany, Andrew
Kaplan, and Dale Brown.
The authors want to emphasize that,
as Americans, we are living in perilous
times and without those willing to sacrifice,
sometimes making the ultimate sacrifice to
preserve our freedoms, we would be in dire
straits. They hope you’ll take the time to
attend this patriotic event. ■
49
From Scorpion to Homeland:
MEET ANDREW KAPLAN
Interview by Suspense Magazine
Press Photo Credit: Jonathan Vandiveer
A peek inside his latest book:
Bestselling author Andrew Kaplan returns with his highly
anticipated sequel to “Homeland: Carrie’s Run” with
“Homeland: Saul’s Game.” The books are based on the hit TV
series Homeland, seen on Showtime.
Andrew made his name as a top thriller author with
his Scorpion series and his excellent writing landed him the
exciting opportunity to write the Homeland series. His extensive
experience in the U.S. Army and Israeli Army, gave him the
perfect background to bring exciting and thrilling adventures
to the fans.
Andrew burst onto the scene with his first book “Hour of
the Assassins,” which the Los Angeles Times remarked, “Kept me
up till the late show hours... (paced) like a ride on the Magic
Mountain roller coaster.”
Leading a mission to capture master terrorist Abu Nazir, CIA operations officer Carrie Mathison discovers a
dangerous threat inside the Agency in this thrilling second official prequel novel to Showtime’s Emmy Awardwinning hit series Homeland.
Damascus, Syria, 2009: Carrie Mathison is leading an operation to capture or kill al-Qaeda terrorist Abu
Nazir. But arriving at the compound where he was supposed to be in hiding, they find it empty. Carrie is sure
that someone is leaking CIA information to the enemy and has betrayed their operation, seriously threatening
American interests in the Middle East. To expose the double agent, her boss, Saul Berenson, devises an elaborate
ruse that will send her on the most dangerous mission of her life.
This twisting tale of international intrigue takes fans deeper into the intense world of high-stakes espionage,
and explores never-before-seen details of Carrie’s life as an operative in the Middle East, Saul’s past as an agent
in Iran, Brody’s dark childhood and captivity, and events involving the trio—and other favorite characters, like
Dar Adal—that will lead them to the present.
Suspense Magazine (S. MAG.): What can you tell us about the book that’s not on the back cover?
Andrew Kaplan (A.K.): When I met with the Homeland showrunners and studio execs before I began to write my second
Homeland book (this was before any of the scripts for the TV show’s Season 3 had been written), they gave me advance notice
that the Brody character would be killed off in the Season 3 finale. They then asked, well, begged, me to include Brody in this
book, because “otherwise Brody’s story would never be told.” The show had never touched on his past or adequately addressed
what caused Brody, a United States Marine, to become a jihadi terrorist.
But the book is about a lot more than Brody. There are scenes here, like one where Carrie’s at a diplomatic party in Istanbul or
another about Saul at a soccer match that played a key role in the Iranian Revolution, that are as good as anything I’ve ever done.
Also, while I’ve written a lot about the Middle East, I don’t think I’ve ever written anything that will help people more clearly
understand what’s happening in the Middle East today than this book.
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Suspense Magazine October / November 2014 / Vol. 060
“Even while maintaining pacing and suspense,
you are always conscious of a certain rhythm
and sense when you have to slow it down.”
S. MAG.: What unanswered questions did you leave fans hanging with in “Homeland: Carrie’s Run” that you answer with
this book?
A.K.: In the first book, Carrie was devastated by the death of a love interest, Captain Ryan Dempsey. In the new book we see not
only what’s happened to her since, but we also learn about the other key characters; not just who they are, but how they got that
way. Where and how did Saul become who he is? How do we understand his relationship with Mira, this marriage between an
idealistic, yet flawed Indian woman and a lonely boy raised as an Orthodox Jew in rural Indiana? The Saul-Carrie relationship
is the axis around which the show revolves. How did that core relationship come about? I believe readers will get a completely
new understanding of Saul. What about Dar Adal? Where did he come from? His ruthlessness, his uncaring about people, yet
closeness to Saul? And what happened to Carrie after Dempsey? What about the men in her life? The show doesn’t tell you. The
book does. All in a damn good thriller.
S. MAG.: Writing one series is hard enough, but with your Scorpion series being so successful also, how are you able to juggle
everything?
A.K.: I had to put the Scorpion series on pause while I wrote “Homeland,” which was further complicated by having to coordinate
on an ongoing basis with my publisher, the TV showrunners and the studio so that we remained consistent to the characters and
to what was happening in the TV series. This was rendered even more difficult by late script changes and other decisions by the
studio.
Also, I don’t think anyone anticipated that the first book, “Homeland: Carrie’s Run” would be such a big bestseller (five times, the
No. 1 thriller, No. 1 political novel, and No. 1 movie tie-in on Amazon), especially internationally. So there was a lot of pressure
on “Homeland: Saul’s Game.” For a time, it sucked up all the oxygen.
S. MAG.: When writing about a topic that is big in the news today, how are you able to separate the fact from the fiction?
A.K.: Interesting question for a guy who wrote “Scorpion Winter,” based on the premise of a threatened Russian invasion of
Ukraine, something that at the time my publisher was concerned was too far-fetched to be
believable. How do I separate fact from fiction in the news? I tend not to believe government
or NGO pronouncements, no matter which government, group or
website it is. They have an agenda. If someone announces “twentythree terrorists were killed in a drone attack,” I think, how the hell
do you know? Did you count them? I do believe history.
Countries don’t have friends or allies, they have interests. When
I looked at Ukraine, I looked at Russian and Ukrainian history.
Russia’s interests, its concern about its naval base in Crimea, made
its actions inevitable. The Middle East is a tribal society riven by
religious factionalism, not a collection of countries. Only if you look
at it in that context, can you start to separate fact from fiction. For
me, the biggest problem our government has is not that it tries to
delude us, but that it succeeds in deluding itself.
S. MAG.: What is your favorite and least favorite word and why?
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51
A.K.: My favorite word(s) is “We’ve sold” and it has to come from my agent. My least favorite word(s) are “You know” followed by
a pause, because it always means something negative is coming. I like the descriptive “You know” not followed by a pause, which
can be very evocative. For example, I started “Homeland: Carrie’s Run” with the line: “You know how it is at Princeton on a dark
winter morning, five a.m., before anyone else is up?”
S. MAG.: What one piece of advice did you receive early on in your writing career that you continue to pass along to writers
today?
A.K.: One of my closest friends is Brian Garfield, Edgar-winning author of “Death Wish” and “Hopscotch.” He set out ten rules for
suspense fiction that John Grisham credited with helping him write his breakout hit, “The Firm.” Rule One is, “Start with action,
explain it later.” In other words, right on page one, start with fear, violence, conflict, trouble, something to make the reader turn
from page 1 to page 2. I tell writers, these days, you have to hook your reader not just with the first page or the first paragraph,
but the first sentence. Writers today couldn’t do better than Brian’s ten rules.
S. MAG.: When writing such fast-paced thrillers, how many times during the editing process do you say, “OK, let’s slow
things down a little and let the readers take a breath”?
A.K.: For me, it doesn’t happen in the editing process, but organically, as part of the writing itself. Even while maintaining pacing
and suspense, you are always conscious of a certain rhythm and sense when you have to slow it down. Transitions are good for
that, particularly after a tense, suspenseful sequence. Also, the protagonists in my books, whether it’s Scorpion or Carrie or Saul,
are not super-karate people (yeah, Scorpion can kick ass, but that’s not what makes him so effective and dangerous), but very
intelligent, analytical people. They think, and taking those interludes when they pause to figure stuff out in various settings, gives
the reader a breather while setting up the next move.
S. MAG.: What part of your writing do you feel you need to continue to improve upon?
A.K.: One fault I have that drives me nuts is that I often create a memorable character that appears in a single chapter or two and
then disappears forever. For example, the Russian gangster, Khmelnitsky, in “Scorpion Betrayal,” one of the most wildly original
characters I’ve ever come up with—and I have absolutely no idea where he came from—one minute he wasn’t there, and then
there he was. He was so dazzlingly original I tried everything I could think of to try to keep him longer in the book. The problem
occurs because thrillers, particularly spy thrillers, tend to be plot-driven. Thus, once the plot no longer requires the services of a
character, it’s adios. I wish I knew how to solve that.
S. MAG.: What scares Andrew Kaplan?
A.K.: That there won’t ever be a “Scorpion” movie. Although we were approached by producers a bunch of times, especially after
Publishers Weekly did an article about me, we didn’t want to go the normal option route because in Hollywood, only one out
of a hundred optioned properties ever makes it to the screen. Plus you’ve given up control, so even if by some miracle you avoid
Development Hell and the movie actually gets produced, nine times out of ten, it ends up a typical Hollywood potboiler. We didn’t
want that for “Scorpion.”
Twice now we’ve come very close to closing deals for a “Scorpion” film franchise and each time, something that had nothing to do
with us or “Scorpion” killed it. Hopefully, third time is the charm.
S. MAG.: What can fans expect to see from you in the future?
A.K.: The big news is that for the first time ever, four of my early books—including the original “Scorpion,” the book that started
the series, and my spy novel “War of the Raven,” cited by the American Library Association as “One of the 100 Best Books ever
written about World War Two”—have been released as e-books. I’m hoping readers will check them out. As for what’s next for
me, stay tuned.
Thank you, Andrew, for taking the time to talk with us. If you want more information about Andrew and all his books
check out his website at www.andrewkaplan.com. ■
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COPY EDITOR’S CORNER
Line Editing: You Need This, and It's Not the Same as Copy Editing
By Jim Thomsen
A while back, I was hired by a newspaper to write a review of a local author’s debut mystery novel,
published by an imprint of one of the “Big Five” houses in traditional book publishing.
Unfortunately, the book was awful—full of continuity errors, plausibility issues, expositional
dragging, and muddled plotting. The prose seemed, for lack of a better term, lumpy. Lacking in flow.
I read it through a second time, trying to find merit I might have missed in the first go-round,
and noticed something strange: the book had a commercially appealing story and structure, and had
none of the grammar, style, or spelling errors I associate with poor copy editing.
So what failed this book? The answer came, fortuitously, in a lunch conversation with a couple of
editing colleagues on the day I was struggling to finish my review. They had invited me to join her on
a panel about editing at an upcoming writers’ conference, and we were strategizing how to divvy up
the talk so we wouldn’t overlap.
One said she’d cover developmental editing, since that was her specialty. The other said she’d
cover copy editing and proofreading, since those were her specialties.
Ummm, I thought. What does that leave for me?
As if reading my thoughts, one of the ladies said: “You can talk about line editing. That seems to be your specialty—you
know, flagging repetitive or overwritten passages, catching things that don’t make sense, stuff like that.”
“Oh,” I said. “I guess I had the idea that line editing and copy editing were kind of the same thing.”
I was assured that was not the case.
So, after lunch, I did some online research, and found out that my colleagues were indeed correct. My favorite definition
of line editing comes from author Tahlia Newland: “Line editing checks whether or not the author has expressed themselves
well. It improves the quality of the prose, removes unnecessary repetition, restructures sentences and paragraphs so that they
flow more smoothly together, and checks the subtleties of word usage, and so on. A good line editor knows the difference
between active and passive prose and can turn dull prose into something more engaging. A copy editor does not do this. They
merely check the grammar on what is there, and writing that is grammatically sound can still be dull.”
And just like that, I saw the problem with the novel I was reviewing: It hadn’t been line edited.
So I wrote a negative review, but I didn’t lay the blame on the author entirely. My take was that the book was an early
draft that had gone through a dev edit and a copy edit, but lacked a necessary intermediate layer of line-by-line tightening
for clarity and cohesion. In my review, I blamed the acquisition editor and the publishing house for rushing the book to
publication without giving it due process.
Some months later, I got an email from the author. I’ll admit that it took me a few days to work up the nerve to open it.
When I did, I was surprised. He admitted he’d been angry at first—at me—and reflexively defensive about his publisher. But
over time, he said, my words wormed into his thoughts and he began to wonder just what quality control he did get. So he
worked up the nerve to question his acquiring editor.
And what he heard back, after some pointed exchanges, was surprising. His manuscript got a developmental edit that
was aimed mostly at improving its commercial potential. And it got a copy edit and a proofread. And that was it. And that’s
why his characters said things that contradicted things they’d said before, and why things that were said in dialogue were
repeated in narrative, and why some plot threads got stranded on Bridges to Narrative Nowhere.
At the talk we gave, my developmental-editor colleague described her work as “flying at the ten-thousand-foot level.” My
copy editing/proofing colleague’s work was more analogous to “being on hands and knees, looking for a contact lens in the
carpet.”
But who travels in between? At that place above the ground but not too high up to see the fine details of the landscape?
The line editor, that’s who.
Jim Thomsen is Suspense Magazine’s copy editor. Jim has been a full-time line editor for authors since 2010. Each month, he’ll diagnose
and discuss problems that crop up in his work with his clients. He lives on Bainbridge Island, Washington and can be reached at
[email protected]
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Find Yourself on the Edge of Your Seat With
ROBERT DUGONI
Interview by Jeff Ayers for Suspense Magazine
Press Photo Credit: C. Dugoni
R
obert Dugoni has established himself over the past several years as a
top legal thriller writer. His first novel, featuring his character, attorney
David Sloane, “The Jury Master,” was a New York Times best seller. The
ensuing Sloane titles continued to win accolades for Dugoni, and the most
recent, “The Conviction,” was nominated for a Harper Lee Award.
Dugoni’s latest book, “My Sister’s Grave,” begins a new series featuring
police officer Tracy Crosswhite, and the advance reviews have been stellar.
Dugoni has become a popular writing teacher as well. His ThrillerFest
sessions are always packed, and he has begun teaching weekend-long Novel
Intensive Workshops with fellow thriller author Steven James, around the
country.
Dugoni chatted with Suspense Magazine about his latest book and his
writing.
Suspense Magazine (S. MAG.): Your first novel was “The Jury Master,” but
your first published book was non-fiction. How did that process happen?
Robert Dugoni (R.D.): I was working all weekend building a brick patio when
my wife came home and told me I needed to dress for a party. I really didn’t
want to go and almost didn’t, but she said the host was a former FBI agent and
might be a good contact for me. When we arrived I found a man who looked as disinterested as I to be at the party. Turned
out he was an EPA agent in Seattle with a love of books and stories and a great tale to tell. Being a former journalist, I knew
a good story and “The Cyanide Canary” was a tragic story with a terrific protagonist, sympathetic victim, and mind-boggling
antagonist. When I wrote the proposal, ten agents wanted to represent me.
Up until that point I had written three novels but none had been picked up yet. The agency that I chose to work with on “The
Cyanide Canary” also picked up those novels.
S. MAG.: What led to the publication of “The Jury Master”?
R.D.: A lot of heartache, angst, and grief. I had an agent who loved the manuscript but before he ever sent it out he died and no
one else at the agency would take me on. I was cut loose. I continued sending it out, snail mail, and continued getting rejection
letters, many of them. Then “The Cyanide Canary” happened and I signed with the Jane Rotrosen Agency, and they asked,
“What else have you got?” They read “The Jury Master” in a day and a half, loved it, and eventually sold it to Warner Books,
now Grand Central.
S. MAG.: How did you develop your hero, David Sloane?
R.D.: Sloane is an amalgamation of attorneys I worked with and a little bit of me sprinkled in. I think every protagonist has a
54
Suspense Magazine October / November 2014 / Vol. 060
little of the author in him or her. I’d known an attorney who
was so good, it was almost as if he couldn’t lose, and I thought
that would be an incredible responsibility for an attorney, not
to mention a statement about our judicial system. The truth
doesn’t always win. What does an attorney with a conscience
do about that? How does it make him feel to represent a case
in which the client is at fault and has liability but the attorney
can get him off? I’ve been on both ends of that dilemma and let
me tell you, neither feels particularly satisfying.
S. MAG.: Without giving anything away, can you talk about
a major plot point that ignited your fan base in “Bodily
Harm”?
R.D.: I am of the firm opinion that no character should ever be
safe. In fact, given all of the dangerous situations we novelists
put our characters in, I think it is unrealistic that too often no
one gets hurt or dies. It’s kind of like The
Game of Thrones series. Part of the fun
and the tension comes from the reader’s
uncertainty that a character in which they
are going to become emotionally invested
might not be around forever.
S. MAG.: You have turned from writing
about David Sloane to a new character,
Tracy Crosswhite. Can you talk about
her origins?
R.D.: Tracy Crosswhite is complex.
She first appeared in “Murder One” as
one of the Seattle homicide detectives
investigating the murder of a Russian
drug dealer. She was Detective Kinsington
Rowe’s partner. She just came alive for
me as I wrote that book. Her colleagues
called her, “The Professor” because she
was a high school chemistry teacher before becoming a cop.
After that book I started asking myself, how did she go
from being a teacher to being a cop? Then I was reading the
newspaper and saw that they were taking down dams in the
Pacific Northwest to restore the salmon’s wild habitat, and
I read that lakes above the dams were drained. Of course I
started doing the “what if” game. What if they found a body
at the bottom of the lake, a crime that was never solved? I
thought Tracy could be the detective on the case.
Then I continued the “what if” game and eventually came to
the idea of, what if that body was a relative of Tracy’s, and
what if Tracy became a cop precisely because that crime
had never been solved and it had destroyed her life as well?
Tracy would be emotionally scarred, but she’d also have to be
SuspenseMagazine.com
determined enough and strong enough to continue pushing
for answers against some formidable foes for twenty years
when there were seemingly no answers to be found…until
they find her sister Sarah’s body. Oh, and did I mention she
is an expert marksman and lightning-fast from competing in
shooting competitions her entire life?
S. MAG.: Was the research for “My Sister’s Grave” stepping
out of your comfort zone since you had been writing about
the other end of law enforcement?
R.D.: No, not really. It was difficult because MSG has a much
stronger police-procedural element to the plot than my past
books, but I’d made some great contacts in the Seattle Police
Department as I wrote the David Sloane series, and as I began
to hash out the story I just asked a lot of questions. Usually my
research errors are when I think I know something and don’t
ask the question. What I’ve found is that
police officers want you to get it right, and
if they don’t know the answer they’ll put
you in touch with someone who does.
S. MAG.: Is “My Sister’s Grave” the start
of a new series? Do you have any plans to
have Tracy Crosswhite tangle with David
Sloane at some point?
R.D.: It is definitely the start of a new
series, but I don’t know how many books
will be in the series. The reader dictates
that. Series can be great for picking up new
readers and keeping loyal readers, but not
at the risk of the series becoming stale. I
don’t want to write a story simply because
I have to write another book. I feel that
cheats the readers.
I want every book to be written like it is a standalone, and I’ve
been waiting my whole life to write it and create the characters.
If I can do that, the story will be fresh for the reader and they
won’t feel like they’re reading the same “been there done that
story.” For me that gets tiresome when I pick up a book and
it’s the same character on the same quest, just in a different
setting. That’s what I thought was the brilliance of the Harry
Potter series. Same characters in the relatively same setting,
but each quest was new and the characters were constantly
evolving.
As for Sloane and Tracy meeting? You never know. As I said
above, the reader should never feel too comfortable.
S. MAG.: Is it difficult for a man to write a compelling story
from a female perspective?
55
R.D.: I think writing from any perspective is difficult. Just because I’m a man
doesn’t mean I can write from a longshoreman’s perspective or a police officer’s
perspective. You have to do a lot of research regardless of the gender of your
protagonist. So I don’t fixate on the gender, but on the career. I’ve spent my life
around strong-willed, competent women. My four sisters are all professionals. My
mother has been a professional her entire life and still works at eighty-two. My wife
is a professional. I’ve worked in a profession with competent women.
Yes, men and women are different, but we’re also a lot alike. We want certain
things in our lives. I wrote Tracy to be a homicide detective trying to do her job
while struggling with the loss of her sister, her own remorse and guilt, and frustrated
when she can’t get answers. Those are human emotions that any man or woman
can relate to and based on the early reviews they’ve struck a chord with both men
and women.
S. MAG.: What can a reader expect when they pick up a Robert Dugoni thriller?
R.D.: What I’ve been told is that my thrillers have a lot more character development
than many in the genre. MSG in particular has received stellar reviews on Amazon
because people have really taken to Tracy Crosswhite and become emotionally
invested in her. I try to write honestly and, as the novels have piled up, I try to
get the story moving and keep it moving. I think writers, like every profession,
learn what works and doesn’t work. For a mystery/thriller author, the best advice
is Elmore Leonard when he said he only writes the parts of the books that people
read. So my books have a lot of dialogue, not a lot of long transitions, and usually
a mystery element to go along with the traditional “thriller” quality.
S. MAG.: You mentioned character development in your novels. What is more
important to you: character or story?
R.D.: Character. Time and again I’ve had readers email to tell me how much they
liked one of my novels and invariably they begin discussing one of the characters.
If you can get readers to empathize with a character, to feel what the character is
experiencing, then you’ve done a pretty good job. You need an interesting story to
keep the action moving and interesting, but readers really want to care about the
characters in the novel. So far, with Tracy Crosswhite, so good.
S. MAG.: It seems that attorneys make terrific storytellers. Why is that?
R.D.: I know a lot of attorneys who are just natural storytellers in and out of the
courtroom. In law school you read short stories all the time—that’s what case law
is. Every reported case is a short story about a dramatic time in certain peoples’
lives. Every case in the legal reporters has all the elements of a good story. You have
your protagonists and your antagonists. Something ignites the story and sends the
participants on a quest to find the answer. Along the way others are dragged in
willingly and unwillingly to the quest. There is maneuvering and obstacles leading
to a climax when the jury renders its decision and ultimately a final resolution
of the conflict, good or bad. After a while, lawyers begin to think and talk like
storytellers without even knowing they’re doing it.
For more information on “My Sister’s Grave” and all of Robert’s work, check
out his website at www.robertdugoni.com. ■
56
MY SISTER'S GRAVE
By Robert Dugoni
Not only has Mr. Dugoni offered a
fantastically suspenseful tale but he has
also written a heart-wrenching book
about two small-town sisters who grew
up with wonderful parents…yet their
perfect life ended in tragedy.
Tracy, the more outspoken of the
sisters, has been trying for two decades to
figure out exactly what happened to her
sister. She has never stopped questioning
the facts of her sister’s disappearance, and
the person accused of killing her, even
though her body was never found.
Tracy and Sarah had been at a
shooting contest. When it was over, Tracy
went home with her fiancé while Sarah
headed back to their home alone. She was
never seen again, and their happy family
never recovered.
With Sarah gone, and Dad and Mom
gone shortly thereafter, Tracy moved
from the small town to Seattle where she
became a homicide detective. It was her
true calling, considering that Tracy never
believed Edmund House, a convicted
rapist and the person found guilty for
Sarah’s murder, was the right man. And
after twenty years, when Sarah’s body is
found in the hills near their old home,
Tracy becomes motivated to help House
get a new trial as she uncovers secrets
about her old hometown that she never
wanted to know.
Searching for the answers while
hunting the real killer down, Tracy finds
out many deep, dark secrets that will not
only shed light on the past, but will also
bring mortal danger to herself and all
others around her.
A fantastic wordsmith, this book
jumps from the present back to the past
without skipping a beat or confusing the
reader in any way. The ending is masterful
and, even though the book is long, it can
be read in a day. In fact, it will be read in a
day, because once author Dugoni has you,
he never lets go.
Reviewed by Mary Lignor, Professional
Librarian & Co-Owner of The Write
Companion ■
Suspense Magazine October / November 2014 / Vol. 060
SLASHER
By Jeff Chesnut
FROZEN IN PLACE, ALL SENSES ALERT, the hair on the back of my neck prickling, I strain to interpret the noise I just
heard, but I can’t exactly place it. A cold breeze pushes dried leaves skittering across the concrete sidewalk. Could that have
been what I heard? Did I hear anything at all? I spend a few breathless seconds listening, but I hear nothing else out of the
ordinary, just the wind tossing about naked tree branches and the usual hum of the city at night. Behind me, all I can see is the
halo of a solitary, yellow streetlight. Everything else is black. My mind conjures all the invisible threats, both real and unreal,
that could easily hide in the inky blackness. I try to reassure myself that I am just being paranoid, then quickly remember the
saying, “Just because you’re paranoid doesn’t mean that someone isn’t out to get you.” It sounds much funnier during the light
of day than it does walking alone on this dark night. I shift the bag of groceries from my right arm to my left and uneasily turn
my back on my imagined, or not, threat and continue down the street in the direction of my apartment.
I can be excused for being anxious; the entire city is on edge. Earlier this week, the police department officially
acknowledged what had been suspected for some time, that a serial killer is stalking the city’s West Side—my neighborhood.
In fact, the police department’s announcement was prompted by the local daily newspaper’s sensational series on the “West
Side Slasher.” Though rumors and speculation have recently been running rampant throughout the city, the newspaper series,
and especially the department’s official recognition of the Slasher, transformed gray imaginings into brilliant, Technicolor
reality. No longer could we pretend that this gruesome series of murders was a figment of some publicity hungry reporter’s
hyperactive imagination. It was now confirmed that they actually are a reality, that they are committed by the same person,
and, most frightening, that they seem to be happening to random victims. Firearms dealers are reporting that handguns are
flying off the shelves. It is now probably more likely that one would be killed by a skittish citizen with a hair-trigger than by
the Slasher, himself.
The West Side is what is euphemistically referred to as a “neighborhood in transition.” In my younger days, we would
have said that it was becoming Yuppified. I guess the current term is “gentrification.” In any case, in what used to be solely
a working class neighborhood, blue-collar workers now rub shoulders with barely dry-behind-the-ears professionals,
developing calluses on their butts rather than their hands, attracted by the refurbished historic brownstones and oak lined
streets. Trendy art galleries are now next-door neighbors with grimy muffler shops. Chic farm-to-table restaurants and fast
food joints are located in uncomfortable proximity to one another. It no longer seems out of place to see a shop solely dedicated
to selling free-trade coffee with flavoring in it and foam on top. A few short years ago, the denizens of this neighborhood
would have been served their coffee strong and black in a chipped ceramic cup at the counter of a diner and would have
been expected to mix in their own additives—cream and/or sugar. It won’t be long before the transition will be complete and
the entire neighborhood will be given over to the thirty-something lawyers, dot.com middle managers, and those folks who
don’t have any more sense than to spend far more than they ought to live in a trendy part of town. It is only a matter of time
before my modest apartment will soon be transformed into a not so modest priced condo and I will be forced to move. In
the meantime, I am comfortable here. I can walk to work at the furniture warehouse and the crime rate is low—at least it was
until the West Side Slasher arrived on the scene.
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57
Another noise! This time, there is no doubt that I hear footsteps. I whirl, holding my grocery sack in front of me, as
if unconsciously trying to hide behind it, my pulse pounding in my ears, my adrenal glands pumping rivers of adrenaline
into my bloodstream, preparing me to fight or fly, preferably the latter. Into the circle of a streetlight walks a young woman
bundled against the cold, her flats scuffling on the concrete. She walks briskly to the corner and turns right, walking out of
sight. I let out the breath that I hadn’t even realized I’d been holding, shift my grocery sack back into my left arm, hoping I
haven’t crushed the bread in my panic, and continue on my way, mildly abashed by my reaction.
The talking heads on the morning news show had a forensic psychologist on a couple of days ago to offer her profile of
the Slasher. She was probably chosen more for her perfect, white teeth and the way she fits into her snug sweater, rather than
for her clinical acumen, but she did have a few interesting things to say.
“He is male,” she said, “somewhere between the late 20s and early 40s. He probably holds a relatively menial job and
probably lives and/or works within the neighborhood of the murders.”
She based this assertion on the assumption that he would need a certain amount of strength and stamina to overpower
and kill his victims and because of his seeming comfort with his “kill zone.” She said that to see him, you would not recognize
him as a monster.
“In fact,” she said, “he is probably very normal in appearance. His next door neighbors probably don’t have a clue that
they are living next to a killer.”
As you might imagine, that last statement elicited no little amount of nervous small talk in the apartment building. As we
were leaving for work this morning, my neighbor, Jerry, and I teasingly accused each other of being the West Side Slasher. We
were kidding, of course, but the conversation was not without an undercurrent of discomfort. I am pretty certain that there is
no way Jerry could be a serial killer. He is kind of a small guy with a wife and children and a stable job as a printer. We aren’t
what you call close friends, though we run into each other fairly frequently around the apartment building and I’ve even been
invited to one of his barbeques, so I feel I have a pretty good handle on him. I realize that other serial killers—BTK, the Green
River Killer, and others—have also been family men, but Jerry? Nah, he doesn’t have it in him. In fact, now that I think about
it, the idea is almost laughable, as if having a serial killer roaming the neighborhood is a laughing matter.
Ahead, a figure suddenly emerges from the dark. Again, my breath shortens and my heart rate jumps. In spite of the chill
of the night, rivulets of sweat run down my back. As the silhouette comes into closer view, I can see that he is a large man
and that he is wearing the uniform and carrying the implements of a policeman. If possible, my heart races faster still, and
I begin to feel somewhat lightheaded. I consciously try to slow my breathing as I’m obviously beginning to hyperventilate.
The psychologist on the news speculated that the Slasher was someone who would feel non-threatening to his victims, and
suggested that he could be a person in authority, possibly even a policeman or someone impersonating a policeman. A ruse
like that would make it easy to get close to someone, and gain his or her trust. I shift my grocery sack to my outside arm,
preparing to throw my gallon of milk, loaf of bread, and pint of ice cream in his face and run should he make a move toward
me. I keep my eyes averted, not wanting to meet his gaze, but my glances confirm that he is eyeing me closely. I continue
walking, head down, looking out of the corner of my eyes and breathing a silent prayer that he will pass by me.
I feel that he senses my nervousness, but when he is a couple of steps from me, he merely touches the brim of his hat,
nods, and says, “Good evening.”
I return his nod and manage to croak out, “How ya’ doing?” hoping that my shaky voice doesn’t betray how much of a
nervous wreck I am.
It seems to me that the best protection I could have, since I don’t own a firearm yet, is to appear strong and confident,
even though I feel anything but. After he passes, I glance over my shoulder repeatedly until he is well out of sight, making sure
he doesn’t double back on me. When he walks out of view, I pick up my pace. I don’t like being out here alone on this street.
One of the particularly frightening things about the West Side Slasher is that he doesn’t seem to have a “type” like a Ted
Bundy, Wayne Williams, or John Wayne Gacy. Because his victims are unpredictable, no one seems safe. His five known
victims range from a fifteen-year-old, pretty, Hispanic girl to, most recently, a forty-seven-year-old, plain, white woman.
He even counts one man, a twenty-five-year-old gay, white man, among his victims. The TV shrink called him a “killer of
opportunity,” meaning that he takes his victims when and where it is convenient, not caring who or what they are. He hasn’t
killed a black person yet, but she feels that may be only because no African-American has crossed his path at the wrong time
or place, yet. The psychologist feels that he is not likely to slice up another man since his other male victim put up such a
terrific fight, but that almost sounded more like a challenge than a reassurance to me. The only commonality between the
victims is the method of death—a slash across the neck with a sharp, razor-like instrument, so deep that, in a couple of cases,
there was near decapitation—and the body parts he slices from his victims, apparently for gruesome trophies. So far, he’s
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taken an ear, a finger, a nose, eyebrows and, most recently, a nipple.
At the next corner, I turn left onto Campbell Street, a narrow street lined with old oaks and very dark, the only illumination
being supplied by an occasional porch light. At this time of night, even passing cars are only an occasional occurrence. Even
though Campbell is darker than Porter Avenue, the more residential nature of the neighborhood feels more comfortable
to me and I breathe easier, not having to worry about potential danger from each passing pedestrian. The policeman really
shook me up, but I have now relegated him to the back of my mind as just another false threat my nervousness conjured up.
I pucker my lips, as if to whistle, but then remember my mother saying something about “whistling past the graveyard” and
decide not to tempt fate. I plan on going home to see my family this weekend, and for a moment become lost in thought
while thinking of my mom’s food, but I am quickly snapped back to the present by the appearance of someone ahead of me.
I can only see the silhouette of a person faintly in the gloom about half a block ahead of me, a dim figure of someone
walking a little-bitty dog. I can’t tell the age of the person, but the body type looks like a young woman, though it is difficult
to tell because of a bulky coat camouflaging the figure. In any case, she or he, looks slight and alone. Normally, I hate those
tiny excuses for dogs, but in this case, I figure anyone who is out with one of those rat-dogs can’t pose much of a threat to me.
I quicken my steps a little bit to catch up to her. She has stopped moving as the rat-dog examines a tree. As quietly as I
can, I put my sack of groceries into a curbside garbage can. Neither the dog nor its owner has noticed me, yet. The noise of the
wind in the branches covers the soft sounds of my sneakers on the sidewalk. My right hand slips into my pocket and thumbs
out the blade of my X-acto knife. My left hand feels in my left coat pocket, making sure the small Tupperware container is
still there.
I think that tonight, I may take home a pair of lips. ■
SuspenseMagazine.com
59
MELISSA
DE LA CRUZ
Takes Another Bite With
the New Blue Blood Coven
Interview by Suspense Magazine
Press Photo Credit: Denise Bovee
Bestselling author Melissa de la Cruz’s latest book is “The Vampires of Manhattan:
The New Blue Bloods Coven.” It comes on the heels of several bestselling young
adult books, and fans can see them come to life on the hit Lifetime show, The
Witches of East End.
Melissa describes her books as “hipster horror”—the memorable characters
from her Blue Blood series are older and cooler than before.
Melissa’s writing career started not with suspense but with fashion and beauty.
She has written for The New York Times, Marie Claire, Glamour, Cosmopolitan, and
more. Melissa grew up in Manila and moved to San Francisco with her family, then
headed to study at Columbia University in New York City, where she majored in
English but minored in nightclubs and shopping.
Several of her books have been listed on the USA Today and NY Times bestseller lists, but when she penned her first adult
paranormal book, “Witches of East End,” her career went into another stratosphere.
A brief look inside “Vampires of Manhattan”:
You’ll devour Melissa de la Cruz’s hot new adult novel, in which her Blue Bloods immortals have matured and
are now exposed to new challenges, new loves, new threats, and a haute, hot hipster lifestyle. It is ten years after the great War with Lucifer, and the Coven has rebuilt. Leader of the Fallen, Oliver
Hazard-Perry, plans to celebrate this prosperity by throwing a 400-year Ball—and all Blue Blood society will
be there. And then, all hell breaks loose...
Suspense Magazine (S. MAG.): What exactly is the “Blue Blood Coven”?
Melissa de la Cruz (M.D.L.C.): The Blue Bloods coven is the new group of vampires who are still on Earth after the Redemption.
They are rebuilding the vampire community after they won the War with Lucifer.
S. MAG.: With the success of the TV series Witches Of East End, you have gotten many more new readers. Where do you tell
them to start reading?
M.D.L.C.: They can start anywhere—a lot of them have gone on to read my Blue Bloods series, which is great. You can definitely
start there, or start at “Vampires of Manhattan.” Both will work.
S. MAG.: In “Vampires of Manhattan” emotions are at an all-time high. Would you say this is your most emotionally driven
book to date?
M.D.L.C.: I don’t know if I would say that. Every Blue Bloods novel is incredibly intense and the drama just ratchets up in each
book. Maybe this is one of the most intense since it is the latest Blue Bloods novel, but I’m not really the person to say. :) That’s
for the reader.
S. MAG.: When you saw Witches Of East End on TV for the first time, did you say “Holy crap, it’s real!”
SuspenseMagazine.com
61
M.D.L.C.: It was really hard to process, just because it is SO surreal. You almost don’t know what to think—but once I did
truly realize—WOW MY BOOK IS ON TV!!!—I just felt really, really, really happy. I just had this silly smile on my face the whole
time when the first episode premiered. I have a silly smile on my face every time an episode airs. I love that show. I love the people
it brought into my life; the experiences I have had. It’s a fun vacation from the book world. I understand why people are drawn to
Hollywood. But I also like that I get to go back to my own world and write my books alone. Novelists are solitary creatures, but
screenwriters are not—it’s very collaborative and community-oriented, which is such a nice contrast.
Also, in working now with two women now who have adapted my work, I am just in awe of their talent and how well they know
THEIR medium. They are the experts, and I’m just there to cheer them on and help out in any way I can, but it’s their vision of
the show and I feel so lucky that they kept the heart of the books and expanded the story lines. I’m a huge fan. (“Witches of East
End” and “The Ring and the Crown.”) S. MAG.: Which book do you wish you would have written?
M.D.L.C.: I admire a lot of books, but I don’t know if I wish I had written someone else’s. I know how hard the process is, what it
takes to get to the final version. Knowing what I know, I don’t know if I’d like to have written anyone else’s really.
S. MAG.: What part of your writing do you continue to work on and improve with each book?
M.D.L.C.: Every part. Structure. Tone. Voice. Character. Plot. You want every book to be better than the one before it of course.
I always try my hardest.
S. MAG.: Is there a sentence or paragraph in “Vampires of Manhattan” that you feel captures the essence of the book?
M.D.L.C.: “Come to think of it, what was a happy ending after all? It wasn’t as if once the credits rolled and the lights came on or
an author wrote, ‘The end,’ you stopped living, because there was so much more of life to live, wasn’t there?”
The book is basically the story of what happens after Happily Ever After; what happens after “The End.”
S. MAG.: What is on your DVR right now?
M.D.L.C.: Witches of East End! Season Two was amazing! We are crossing our fingers for Season Three!
S. MAG.: What scares Melissa de la Cruz?
M.D.L.C.: The night is dark and full of terrors. George RR Martin was right about that. S. MAG.: What can fans expect to see from you in the future?
M.D.L.C.: The second book in the Heart of Dread series: “Stolen,” is out this November, and it’s “an action-packed adventure”
starring “fierce fighter” Nat Kestal and her mercenary-for-hire-love Ryan Wesson (I’m quoting from the Kirkus review; I’m
always giddy when they like my books). I’m so excited for people to find out
what happens! Also, “Descendants: Isle of the Lost” is out in May, it’s my first middle-grade
fantasy featuring the teenage children of Disney’s most famous villains—it’s so
so so much fun! Also, a new book set in the world of Witches of East End that I can’t talk about
too much yet, as we have not yet announced it. And the sequel to “The Ring and
The Crown,” which I’m also working with a producer and a writer to develop
into a television show. Hopefully we’ll get another Mel DLC show on the air soon!
Thank you, Melissa, for taking the time to talk with us. For more information
about all her work check out her website at www.melissa-delacruz.com. ■
62
Suspense Magazine October / November 2014 / Vol. 060
OF
MANHATTAN
Chapter 1 | Omens
The alarm went off like an air-​raid siren at midnight, and the
hand that shot out of the bed slammed the snooze button
so hard the side table shook. Half an hour later, Araminta
Scott jumped out from underneath the blankets, kicking off
the covers and cursing loudly. She’d dreamed she was late for
work again and she was right—that wasn’t the snooze button
she’d hit. She scrambled into her clothes, putting on a worn
black sweater over her thin black tank top, grabbing a pair of
black jeans from the pile on the floor, and pulling them up
over her skinny hips. She ran to the sink, splashed water on
her face, finger combed her platinum bangs, and smoothed
the soft, shorn hair at the back of her neck as she met her
dark, baleful eyes in the mirror.
Ara wiped her hands and face on her lone, grungy, gray
towel and took a rueful glance at the squalor that was her
home—the nest of sheets, half-empty Chinese food containers
on the kitchen counter, dust
balls that seemed to be
growing out of the walls
like a cozy gray fungus.
She should really clean
this place once in a
while. Or take a shower.
She smelled pretty ripe,
but there was nothing
she could do about
that now. If she was
lucky and the L train
was running without
delays, she might just
make it in time without
catching heat from the
chief, which she really
didn’t need right now.
He wasn’t exactly a
SuspenseMagazine.com
By Melissa de la Cruz
fan of hers lately. Besides, she liked the way she smelled, like
sweat and hard work, after spending the last seventy-two
hours sitting on her suspect.
Policy mandated that anyone who didn’t read as mortal
and wasn’t registered with the Coven had to be checked out.
These days, that was all it took to rouse suspicion from the
brass, who were still twitchy after last month’s raid. Things
had been relatively peaceful for the last decade since the
War had ended, except for a renegade vampire or a demon
popping up every now and then.
Lately, though, the Nephilim, those half-​demon, half-​
human abominations, had started showing up in the city
again in greater numbers, and just a few weeks ago the
Venators had found their hive and destroyed it.
Ara had followed her guy for three days straight as he
wandered around the city. So far he hadn’t done anything
more malicious than fail to tip the barista at a trendy coffee
shop, but she’d noted his visits to a few interesting locations,
secret places that were known only to their kind: the burned-​
out building that used to house the Repository of History;
the church of St. John the Divine, where a significant battle
had taken place; the old Van Alen place on Riverside Drive,
the childhood home of the girl who had saved all their skins
and had slain the Coven’s nemesis, father of the Nephilim,
Lucifer, the Morningstar, the Fallen Prince of Heaven.
Schuyler Van Alen had thrust the archangel Michael’s sword
straight through his black heart. Rest in peace, motherfucker.
But Ara lost the trail somewhere on the Upper West Side,
so she’d called it a day and slept for fourteen hours straight.
Not that it was any excuse for being late. Chief was a hard-​ass
about stuff like that.
He was old-​school and liked to remind the new recruits
that he’d been battling dark angels in Hell when they were
just getting their fangs.
She burst out of her apartment, boots clomping down
the stairs, then abruptly turned around and ran right back up
again. She must really be out of it to have forgotten these, she
thought, as she stuffed her weapons—two crescent blades as
63
SPECIAL PREVIEW FROM MELISSA DE LA CRUZ
VAMPIRES
SPECIAL PREVIEW FROM MELISSA DE LA CRUZ
beautiful as they were deadly—into their sheaths in her back
pockets and checked to make sure her gun (outfitted with
silver bullets they called demon-​killers for that very reason)
was secure in its holster.
It was a moonless night in September, chilly, and the
sidewalks were teeming with young people congregating
in front of restaurants and bars even on a Sunday night:
girls with glasses that were too big for their faces wearing
awkward-​length skirts and ugly shoes, texting furiously on
their smartphones as they headed to the next watering hole;
boys in suspenders wheeling old-​fashioned six-​speeds home,
twee bow ties around their necks, who looked like they spent
their days editing copy with red pencils instead of on screens
until their faces were as pale and bluish as the light from their
computers.
This had been quite the ghetto neighborhood once, but
the tornado of gentrification that swept through broad swaths
of the city during the last decade shook up Williamsburg
until it was almost unrecognizable. The dirty urban
landscape of bleak tenements that had once been home to
junkies and starving artists was now filthy with money, was
hipster central, counting bankable artists, boutique owners,
artisanal chefs, and earnest young bearded men who made
small-​batch chocolate among its residents. She entered one
of the last remnants of the former neighborhood, her favorite
bodega, a shabby storefront where candy bars were kept
behind bulletproof glass, and nodded to Bahir, who had her
cup of coffee at the ready.
At least some things never changed.
Ara walked toward the Bedford Avenue station sipping
her coffee and occasionally blowing on it through the
lid to cool it down. The subway platform was filled with
Manhattanites heading home, the new bridge-​and-​tunnel
crowd, she mused, remembering that old insult, when Upper
East Siders like her used to sneer at the outer-​borough
weekend crowd. In her old moneyed life, she never even took
the subway—maybe once in a while, just for kicks, to slum
it with her fellow Merryvale girls. But that was as far as she
went underground.
She never even touched the subway turnstile with her
hands if she could help it; she would push it with her hip.
For the first thirteen years of her life Ara had lived on
Eighty-Third and Park Avenue and had worn the same thing
every day: a white button-​down shirt, a green plaid skirt, and
a blue blazer with the gold school crest. She was a Blue Blood
in every sense of the word; her family used to summer in the
Hamptons and Bermuda and winter in Palm Beach. She’d had
long glossy hair that fell past her shoulders, and her friends
were rich and popular. Ten years later, the silly, spoiled girl
she had been back then, back when she was still called
“Minty,” was a distant memory. But some things remained the
same—she still wore a uniform, she thought, looking down
at her all-​black outfit. Preferred it even since it was one less
64
thing she had to worry about. Besides, black blended in with
the shadows. Fading into black was the opposite of drawing
attention, and attention was the one thing Ara couldn’t
afford. Not in her particular line of work. How far Minty had
come since Merryvale. Good riddance. Ara missed nothing
about her own life, not really. Well, maybe the manicures,
she thought, examining her nails. The train clacked into the
station and screeched to a halt. She pushed in with the rest of
the revelers calling it a night, finding a place to stand without
having to touch anyone else too closely. It was amazing how
polite New Yorkers were, how they allowed each other a
certain degree of personal space even when shoved up next
to someone’s armpit. No one made eye contact. It was only
the perverts and the weirdos who stared directly at you;
everyone else kept their eyes trained above at the Dr. Zit
posters or below at the grimy floor.
Ara leaned against the doors and savored her coffee,
zoning out with the rest of the passengers. She got off at
Fourteenth Street and caught the N downtown. It was almost
one in the morning and the subway car was empty now,
rattling passengers like bones in a cage.
Not a lot of people headed to the financial district in the
wee hours. Ara wasn’t worried and for good reason. She was
probably the most dangerous thing in there.
Her destination was the newly christened Orpheus
Tower, the headquarters of the new Coven. Once upon
a time the building had housed one of the most powerful
investment banks in the world, but the bank had crumbled
in one day, disappearing with most of the world’s wealth.
The Coven had snatched the building up for a song. As Ara
walked through the glass-​and-​chrome lobby, she never failed
to marvel at just how much things had changed. Vampires
no longer hid in their corescrapers, buildings that tunneled
deep into the ground, as the new Regent—and he was still
relatively new at ten years in, given their former leader had
led the vampires for centuries—decided they had as much
right to the sky as the rest of the world. She pressed the
button for the top floor—security—and pricked her finger
on the blood key. The elevator whisked her up and opened to
a bank of surveillance screens surrounding a massive desk in
front of an imposing steel door.
“Chief wants you,” the night clerk told her with raised
eyebrows.
Ara sighed as the clerk buzzed her through.
Since she was already in trouble, she decided to pick
up her files first. That suspect she was trailing had an
unrecognizable aura; he was definitely immortal, but he
wasn’t one of them. Chief might be interested to know the
list of vampire hot spots he’d visited.
Her office was one of the corner ones with a floor‑to‑ceiling
window and a panoramic view of the Brooklyn Bridge and
the bright lights of the city. But as far as Ara was concerned
the most impressive thing about it was the plaque on her
Suspense Magazine October / November 2014 / Vol. 060
small or trivial, with vigorous force and finality, and that was
exactly what she did. No trial, no courtrooms—justice was
ARAMINTA SCOTT
meted out by the Venators’ blades, by bullets from their fancy
VERITAS VENATOR
new guns. The Regent of the Coven didn’t mess around.
Ara gave up looking for the file and walked down the hall
It never failed to give her chills. Most nights she couldn’t and straight into the chief ’s office without knocking, a habit
believe she actually made it through training and was now she’d been trying to break. But she’d stormed in before she
part of this elite squad, the most prestigious and exclusive remembered she wasn’t all that welcome in there anymore.
police force in the world.
Sam Lennox looked pointedly toward his watch.
She was a card-​carrying badass. A truth seeker. A hunter.
“What about the fifteen-minute grace period?” she
A killer.
protested.
Veritas Venator. Venators had the ability to read and
“What happened, you hit the wrong button?” he asked.
destroy minds, enter and manipulate dreams. They brought Chief knew her too well, and she tried not to blush.
death and destruction in the name of truth and justice.
“Sorry, Chief—they said you, uh, wanted me,” she
The old Minty would have been terrified of what she had blurted, then bit her tongue.
become, whereas the new Ara couldn’t have been prouder.
“I did,” he said. “I mean, I do,” he quickly added, which
“Where’ve you been? Chief ’s looking for you,” Ben made the awkwardness between them even more palpable.
Denham said slyly as he walked by her office. Denham was Sam had the world-​weary air of a longtime security enforcer,
a new recruit, a new Venator—a noov, still in his first year of a melancholy sadness underneath his gruff demeanor. He
training and overly excited about everything. Baby cops were was stocky, and his hair had streaks of gray.
the worst.
Her blush deepened and she looked away. The chief
“Tell me something I don’t know,” she said crossly as she hadn’t been too happy with the way she’d figured out where
looked through the stack of case files on her desk. Her office the nest was hidden.
was as disorderly as her apartment, and every folder and
She’d taken a Death Walk and invaded a captured demon’s
piece of paper was stained with coffee rings.
mind, entering its psychotic subconscious, risking her own
“Hear what the day shift found?” Ben asked eagerly.
immortal life and sanity in the process. She still shuddered
“You gonna tell me or do I have to guess?” she snapped, when she thought about the things she’d seen there, when
annoyed she couldn’t find her file. She swore she’d just left it she remembered what it felt like being immersed in that
on top of her desk before she left yesterday.
much darkness and evil, but it was worth it. She got what she
“Another pentagram,” said Ben.
needed. When the chief found out, though, he was furious.
“Yeah? Where?”
“Death Walks are too dangerous,” he’d yelled. The
“Sewers below Canal, and bloody this time.”
dangers of jobs like theirs weren’t limited to death by stray
“Bloody?” she asked, looking up at him.
silver bullets, and that little trick of hers could have gotten
“Juicy,” he said, nodding.
her killed. But what was the point of being a Venator if you
“Like mortal blood, you mean?”
couldn’t stretch your muscles? Use your powers? Besides,
“Yeah.” He grinned, flashing his fangs. “Tasty.”
he’d trained her well, and the Neph hadn’t gotten the better
Pentagrams were popping up all over the city lately. Chalk-​ of her. No Neph would ever get the better of her.
drawn ones against brick walls in Soho, neon spray-​painted
“So what’s up?” she asked. “This about the pentagram?”
ones on billboards in Chelsea, tiny little ones scratched on
“What penta—Damn noovs talk too much. Yeah, but
the glass windows of taxicabs. A bloody pentagram? Mortal you can deal with that later. Called you in ’cause we got you a
blood? In the sewers below Canal? What was that all about? new partner,” he said. “Starts today.”
Was he serious or just pulling her leg?
Ara frowned. She still missed her old partner, Rowena
“Really?” she asked, looking directly at him. “This isn’t Bailey, who had recently moved up in the food chain. Ara had
just some noov bullshit you’ve gotten all scrambled in your been offered an opportunity to move up as well but preferred
soft little head?”
to remain right where she was. She didn’t want to shuffle
“Might’ve caught a body, too. They don’t know yet. Chief papers and fall asleep at conclave meetings. She wanted to be
wants you.”
in the center of the action. She liked the street. She liked the
She nodded, her heart starting to pound in her chest. energy and the adrenaline. She also liked not having to look
There hadn’t been all that much action around here until she bullshit in the face every day and act as if she didn’t see it.
and her former partner had busted the Nephs—and Ara still
“Yeah, who’s the lucky asshole?” Ara couldn’t get the
felt a flush of pride when she remembered that night, when edge out of her voice, not that she was trying that hard.
she’d empathically proven she was worthy of her badge and
Sam motioned toward the doorway in his office. It was
title. Orders from on high were to meet each threat, however cracked open to the adjoining room.
SuspenseMagazine.com
65
SPECIAL PREVIEW FROM MELISSA DE LA CRUZ
door. The one that read:
SPECIAL PREVIEW FROM MELISSA DE LA CRUZ
Ara jerked her head and blanched.
“No way.”
The guy slouched against the wall was her suspect. The
one she’d been trailing for three days.
“You’ve got to be kidding me,” she said and noticed the
file she was looking for was right on the chief ’s desk.
“What can I say? If you had taken the time to report your
findings to your superior officers like you were supposed to,
you wouldn’t have wasted your time or mine,” he scolded.
“What do you mean? I was too busy doing my job. He’s
unregistered. He’s immortal. He’s lucky I didn’t shoot him on
sight. He has a demon’s aura.”
“Yeah, but that can’t be helped considering where he’s
from,” Chief agreed. “Come on, it’s time you met him.”
Ara frowned as she followed the chief into the conference
room.
“Ara Scott, meet Edon Marrok.”
Edon Marrok?
Had she heard that right?
How could she not have known?
She supposed it was because the scruffy, dirty guy in the
faded flannel shirt and beaten army jacket who was standing
in front of her wasn’t quite what she pictured when she
thought of Edon Marrok, the legendary golden wolf, one of
the heroes from the final battle.
The wolves were skinchangers, keepers of the Passages of
Time, creatures of the underworld, and bred in Hell, which
accounted for his shady aura. They were also beautiful and
powerful, and without their help the vampires would have
lost the War to Lucifer and his legions.
Edon sure wouldn’t win any beauty contests right now. His
hair was dry and brittle, and his eyes were red and bloodshot.
His beauty was all but destroyed, a ghostly memory in the
lines of his haggard face. No longer the golden wolf of legend
but a dirty yellow mongrel.
He looked like he crawled out of the alleys of Nevada,
not Las Vegas, but its outskirts—
Henderson, those little desert towns. Nowhere towns.
Although she couldn’t help but admit there was still
something magnetic and compelling about him, from the
sexy stubble on his jaw to his hungry, hooded topaz-​colored
eyes. She looked away, trying not to stare. Trying not to let on
that she was impressed, that she cared anything at all about
what he’d done or where he’d come from.
Still.
The wolves had taken up their historical positions as
guardians of Time, so what was Edon doing in New York?
Plus, the wolves had an uneasy alliance with the Fallen; they
were no fans of the vampires.
She glanced back at him, just in time to catch him
shooting her a yellow grin, and for a moment it looked as if
his incisors were as sharp as points.
She inhaled sharply.
66
“Hey, angel,” he growled, rolling his vowels like he had
all the time in the world. “Looks like you’ve drawn the short
straw.”
“Chief? A word?” she asked.
Sam nodded. “Help yourself,” he told Edon, motioning
to the pink box of doughnuts on the table.
Ara followed the chief back into his office and shut the
door.
“What the hell?”
Sam shrugged his shoulders. “He’s been helping out
Venator squads all over the world, specializing in Nephilim
activity. Thought you’d be best for him since you’ve been
following him around anyway.”
He grinned, clearly enjoying himself.
“So why’d he spend three days sniffing around taking the
vampire history tour, then?” she asked, annoyed.
“Ask him. Nostalgia? Curiosity? I fought next to him in
the War. He’s a good guy. I trust him. You’ll learn to.” Sam
attempted a real smile this time. “C’mon, Scott, be a team
player for once.”
“Fine,” she said, gritting her teeth.
Ara stomped back into the room where Edon was
finishing his breakfast. “Let’s go, wolf, but if you call me angel
again, I’ll strap a collar around your neck so fast you won’t
have time to beg for a dog biscuit,” she said.
“Woof, angel. What’d I ever do to you?” he asked, feigning
hurt.
She considered punching him in the face but stopped
short. He stood up, wiping crumbs from his mouth with a
napkin.
“Come on, Scott, let’s start over,” he said and offered his
hand to shake.
She took it warily. She could already tell he was going to
be just another pain in the ass.
As the chief liked to say, New Coven, same old shit. She
was a Venator and there was work to be done. Nephilim were
back in New York, and now there was a bloody pentagram in
the sewers below Canal Street.
Ara felt invigorated, her heart pumping, her fingers
itching, ready for whatever monster their investigation would
turn up. She would hunt them. She would find them. And, if
necessary, she would kill them, even if she had to walk that
dog along with her to do it.
She would uncover the secrets of the darkness and bring
the truth to light. ■
Copyright 2014
MANHATTAN:
Hachette Books,
with permission.
Melissa de la Cruz. From VAMPIRES OF
The New Blue Bloods Coven, published by
a division of the Hachette Book Group. Used
All rights reserved.
Suspense Magazine October / November 2014 / Vol. 060
THE ALL-AMERICAN:
How Greg Pappas Went From Football Star to
the Only American in Pablo Escobar’s Medellín Cartel
By Jon Land
Press Photo Credit: Provided by Author
Brazil, 1982: Greg Pappas awoke tied to a beam in the center of a windowless room, another
man bound next to him whimpering with thick pools of drool dribbling down his chin.
Hovering over them stood a hulking Brazilian soldier known as el Delegado, brandishing a meat
cleaver that glinted in the naked light cast by the single overhead fixture. Locals called this sprawling
mansion-like military prison the “Torture Palace,” or “La Rua Pige Awie,” roughly translated as “nobody
ever comes out.”
For good reason, since nobody ever did.
Greg had been brought here after being whisked away by the Brazilian military police. That followed a failed business
negotiation to launder ten million dollars of Pablo Escobar’s drug money per week through Sao Paulo banks. He watched
as el Delegado crouched and jerked the other prisoner’s hand outward, stamping a boot down on his wrist to steady it as he
leaned over. The cleaver rose through the murky light and slashed downward in a blur.
“I closed my eyes and heard the scream,” Greg says today, his lips trembling and voice hushed, tugging at his gray-tinged
hair clubbed back in a ponytail. His deep-blue eyes still look youthful, hopeful, face creased with lines as much from the sun
as the years. “But the first blow didn’t cut all the way through. I remember
hearing the blade hitting concrete and knew the second one had
finished the job. I felt the blood spread out under me, soaking my
clothes, and thought, I’m next.”
Three years before awakening in the Torture Palace, Greg was
playing safety on the practice field at the University of Kentucky
when a running back came up the middle. Greg zeroed in for the
kind of hit that made him an honorable mention All-American
playing for Christopher Columbus High in Miami, Florida, and
collided violently with a defensive tackle who’d later play pro. His
neck took the brunt of the impact, wrenching awkwardly and sending
starbursts exploding before his eyes right before the world faded to
black.
He woke up in a hospital bed with the naked bulb from a broken
fixture shining in his eyes, asking a nurse how soon he could leave.
He was missing practice, he told her, had to get back on the field, not
realizing night had fallen. Greg had suffered a major concussion and
compression of two major vertebrae.
“So what’s that mean?” he asked the neurologist, voice cracking
and dry from the painkillers.
The look on the doctor’s face said it all. Even in these preconcussion mania days of 1979, near-broken necks made for career68
Suspense Magazine October / November 2014 / Vol. 060
enders. In this case, a career born dominating a Coral Gables War Memorial Youth Center league in Packer green. Charcoal
stripes beneath his eyes even then. A star in the making.
Now the star was falling and there was no one to catch him. Initially, he lay in bed trying to convince himself he could
prove the doctors wrong. They didn’t know how tough he was. The Army did. It offered him a Congressional appointment to
West Point to keep the storied family history going; his father had been the first OSS agent to operate in Nazi-held Europe.
But Greg’s battlefield had always been the hundred yards between end zones. He was chasing glory, not medals and
commendations. He loved the game and the game loved him back. His parents were long divorced by the time decisiontime came. And at one point Greg didn’t see his father, then a lawyer, for ten years; plenty of time to build his own dreams.
Ironically, his father returned from a long tenure in Europe in time to attend Greg’s senior sports banquet at Christopher
Columbus High. It was there he learned his son had decided to pursue his own dream of playing pro football, intending to
use perennial power Kentucky as a launching pad.
“Both my parents wanted me to go to West Point more than anything,” Greg recalls. “But football was everything to me.”
That night in the hospital, reality set in through the dull glow cast by the television droning softly in the background,
where news coverage featured a drug bust outside the Mutiny, a stylish nightclub in the Coconut Grove near his hometown
of Coral Gables, Florida. In the heyday of the Cocaine Cowboys, this was Miami’s version of the O.K. Corral, a world entirely
foreign to Greg up until that point, but no longer.
Because he was going home.
He needed to start from scratch. But there wasn’t a lot of glory to choose from for a former high school All-American.
Greg ended up going back to his high-school job as a parking valet at a high-end nightclub called the Alley owned by a family
friend.
On a Monday night when the Dolphins were playing on television, a regular customer who was a notoriously bad tipper,
and an asshole, pulled up. He tossed the keys in Greg’s face and told him to leave his brand-new Rolls Royce coupe right out
in front in one of two spaces under an awning; he wouldn’t be staying long. Treated him like dirt, like shit. Didn’t know who
he should’ve been, only who he was now. Greg took the man’s customary dollar tip and parked the Rolls six blocks away. In
the rain.
“Where the fuck’s my car?” Asshole asked, reemerging fifteen minutes later with an entourage of “A” listers to show off
his new Rolls, expecting it to be parked right out in front.
“Back of the lot, six blocks away,” Greg said, tossing him the keys.
Asshole was livid. The rest of the valets couldn’t stop laughing. Instead of getting fired, the incident earned Greg a transfer
to the valet service at the famed Mutiny, the prime nightspot in Miami where a spot in the VIP line was the most cherished
in town. Parking cars there was like playing backyard football. Attendants flying in all directions through the steamy nights,
swapping keys and stashing tips amid the neon spray of glitter and glitz, screeching away in fifty-thousand-dollar cars with
white powdery sheens on their dashboards.
Located along the water on the second floor of a thirteen-story hotel by the same name, the club had become so emblematic
of the era that Crosby, Stills, Nash & Young immortalized it in a song called “Mutiny.” The ultimate pop-culture statement.
One night Greg was next in line when a Cadillac DeVille pulled up in front of the Mutiny and four Colombians spilled
out, chatting up a storm. The driver stopped long enough to tuck a fifty-dollar bill in Greg’s vest pocket.
“Put her someplace safe,” he winked, grinning.
He’d barely hung the keys in the valet box when a dirt-encrusted Ford sedan pulled up across the street. Three men
climbed out with law enforcement badges hanging outside their lapel pockets.
“You! Hey, kid!” one of them called. “We need the keys to that Caddy.”
“What Caddy?” Greg asked him.
The agent scolded him with his eyes. “The one you just parked. The DeVille.”
“Sure. Just wait a sec.”
He pretended he couldn’t find the keys and rushed back to the agents.
“Wait here. They must be in the VIP box inside.”
No such thing, of course. The only thing inside was a collection of Miami’s best, brightest and most stoned, among them
the Colombians who’d tipped Greg fifty bucks. He found them in the bathroom.
“I FELT THE BLOOD SPREAD OUT UNDER ME,
SOAKING MY CLOTHES, AND THOUGHT, I’M NEXT.”
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69
“Hey, guys!” Greg called to them.
No response.
“Guys!”
Still no response.
“Policia!” Greg yelled next.
That got their attention. Just ahead of the law enforcement
agents pushing through the crowd, Greg led the Colombians out
of the hotel through a little-known exit into the heat of the night
to Peacock Park where his sister’s car was parked and gave them
the keys. Then, remembering that fifty-dollar tip, he drove the
Colombians’ car away through a violent thunderstorm and parked
it in his sister’s garage for the night.
Just doing his job. Somebody does something good for you,
you do something for them.
The next day Greg chugged to work on his bicycle under a
cloudless sky, roasted by the blistering sun’s near ninety-degree
temperatures. The Colombians quickly showed up and a sunburned
Greg returned the car to them. The driver opened the trunk,
shocked to find a leather satchel exactly where he’d left it. Greg
watched as he zipped it open to reveal stacks and stacks of cash
inside. The driver, whose name was Caesar, counted out fifty grand
and handed it to Greg.
Not bad for a night’s work.
Greg used the money to buy a Porsche 911 SC and gold Rolex
Presidential. All of a sudden he had street cred, enough so that a friend who’d flown in from the West Coast with a bag of
cash asked him to help broker a deal. If you wanted to make a boatload of cash moving drugs, Miami was where you did it.
The big leagues. The show. Nowhere else even compared.
It turned out, of all things, that Greg’s grandmother’s house in Coral Gables abutted the property of a Jewish-Cuban
drug dealer named Esteban Levy who was one of the early pillars on which the Colombians built their distribution network
through the region. So Greg and his friend literally jumped the fence and made a deal on the spot, pulling splinters from their
hands while Levy handed out beers to everyone. A toast was proposed that turned out to be the first of many, because in just
a few days Greg and friend were back to do another deal, only this time they didn’t jump the fence.
That was fast even by the Miami of 1979 standards, and Levy was impressed. Sure, there were plenty of dealers out there.
But they seldom came from the same gene pool as their clientele, specifically the rich twentysomethings who were turning
Miami into their personal playground. Greg spoke their language, had grown up in their circles, was well known around
town. Just as being on the wrong part of the field at the wrong time had ended his football career, being in the right place at
the right time on this field had opened a new one. Levy saw in Greg a local boy who could open up markets and clientele he
couldn’t reach on his own.
“I was his right-hand man,” Greg recalls. “I made deals, arranged deliveries, picked up money, opened up new business.
It was an exciting fucking ride. If I wasn’t going to make money on the football field, hey, I’d make it somewhere else. And
with Levy I was making thousands of dollars in huge chunks at the age of twenty-one. I started at the top and the adrenaline
rush was incredible.”
Like playing football. Greg had become the star he’d always dreamed of being, albeit in a different game altogether.
Another player on that field was a football friend of Greg’s named Jeremy Meddlin, whose pro career with the Houston
Oilers had just ended. Meddlin had a line on a Jamaican posse looking for a supplier and Greg saw this as an opportunity to
further expand Levy’s interests. The problem was the Jamaicans operated under an entirely different set of rules. At the initial
buy, in a scene straight out of a Quentin Tarantino movie, Greg was ripped off, handcuffed and left in the apartment where
the deal was supposed to go down. He managed to knock the phone receiver off its hook and dial Esteban Levy’s number
with his nose.
A few days later four Colombians, a hit squad, showed up to get the money back and extract revenge.
They tracked down the Jamaican posse’s headquarters and off they went, loaded for bear. A similarly Tarantino-like
gunfight seemed inevitable until word came from Colombia over a voice beeper to stand down. With millions and millions
more to be made, it wasn’t worth the risk or the scrutiny it would bring to their Florida operation that was growing in
70
Suspense Magazine October / November 2014 / Vol. 060
geometric fashion. At this stage of the game, guns were determined to be bad business.
The Colombians held Esteban Levy responsible for the lost drugs and money. He didn’t have the money to pay them but
he did have something else they wanted: Greg. And they said they’d forgive his debts if Greg came to work for them in return.
Levy didn’t like it, but what choice did he have? And Greg learned the hard way that in the drug world people were assets,
property, to be bartered accordingly.
“It felt pretty shitty at first. But then I realized the sky was the limit with these guys, the Colombians. Esteban was a very
singular person; he did everything himself. The Colombians were a gang, like a team. It was a new sport, a new game with
new players and new rules. And I loved it.
“I was having the time of my life.”
In late fall of 1979, Greg was assigned to work for Alejandro Leon, one of the Colombians’ top earners in southern
Florida. He moved into Alejandro’s house in the Crossings, a barren development of beige town homes west of Miami that
had been a You Pick ‘Em strawberry patch a mere decade before. A haven for drugs and crime with concrete growing out of
the ground instead of grass.
“I told Alejandro no way we could live there. If you lived this far out, everyone pretty much figured you were doing
something wrong. We had to be businessmen first and businessmen would never live in such a place. The next day we moved
into a house in Pinecrest.”
Pinecrest featured swatches of stately homes on big lots, the soft center of affluent suburbia dotted with basketball hoops
and crystal blue swimming pools—the perfect place, in other words, from which to run a drug operation. Greg served as
Leon’s chauffeur and confidante, even taught him English. Leon taught Greg Spanish in return. The entire business shut down
for most of December and January to allow the Colombian cadre to get the books balanced and business ready for the New
Year.
Leon took Greg with him to Medellín.
“Our plane lands at the airport,” he recalls, “my head’s swimming with visions of riches and luxury, and out the window
I notice the luggage carts being pulled by donkeys.”
The first two weeks down there were a nonstop party, culminating in Greg being invited for New Year’s up to the infamous
Ochoa brothers’ horse ranch, La Hacienda Vera Cruz, that had its own asphalt landing strip. A short, squat man with black
hair and eyes was already on the tarmac holding court, a trio of bodyguards riding his shadow.
Pablo Escobar.
Greg wanted to meet the boss, el Patron as only his closest associates called him, but was afraid of overstepping his
bounds, a lowly American in a nest of the most powerful men in Colombia. So he let it pass, and was waiting for a ride to the
ranch when Escobar came up to him. He smiled and said, “Gregory.” Then he smiled again and, as if to correct himself, said
“Don Gringorio.”
Combining “Gringo” with the Spanish version of “Gregory.”
“Call me Patron,” Escobar added.
“He was short up close,” Greg recalls, “but I remember thinking he was much bigger viewed from a distance, the way
everyone else did. He had this incredible charisma, presence. I couldn’t believe a man like this, this powerful, knew who I
was, even my name.”
Escobar had his reasons. Most
of the business was in California at
the time and he saw in Greg the kind
of personality to help him expand
his interests in Florida where the
action was. Greg returned home
from Medellín shortly after to
begin building his own distribution
network in southern Florida on the
instructions of el Patron. Not just
as an ordinary cocaine cowboy, but
John Wayne.
Before long, he was moving $10
million worth of Escobar’s cocaine
a month through the region. He
had enlisted a legion of friends with
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71
whom he’d grown up, even played football with, in building a network
adept at effortlessly reaching the high-end young clientele the
Colombians coveted for their disposable incomes, trust funds,
and lavish lifestyles. Instead of parking cars at the Mutiny, Greg
drove up to the club in a Toyota Land Cruiser and opened the
rear barn doors so a group of young hotties known as the Cocaine
Cheerleaders could spill out and move straight for that VIP line
that remained the ultimate status symbol in the city.
He was Don Gringorio, the quarterback now on top of his
game, until a blitz orchestrated by the DEA sacked him.
A dealer Greg had made rich named Jimmy Larson gave Greg
up to the DEA later in 1981 to save his own skin. Only Larson
had second thoughts at the last minute and ended up literally
swimming away from DEA agents who were waiting for him in
the next room to come out of the bathroom. He showed up, on
foot again, at Greg’s oceanfront high-rise in Key Biscayne to warn
him the feds were coming. Just ahead of the law, Greg jammed a
Walther into his pants, jumped into his thirty-one-foot Seahawk
speedboat with twin KSW motors and jetted out for Bimini, where
a Cessna twin-engine was waiting. He barely beat the Bahamian
Defense Forces in sleek black Zodiac rafts to the scene, and hopped
on board a twin-engine 402 Cessna just ahead of them docking.
Awaiting him on board was a contract stone killer Greg knew only
as Chu Chillo.
“Hey,” Greg greeted, stowing a duffel bag full of cash under his legs.
Chu Chillo just scowled as their plane soared off over the arriving soldiers.
Upon landing in Medellín, a convoy composed of men Greg had considered his co-workers and friends, men he’d partied
with, were waiting on the tarmac to whisk him to Escobar’s headquarters downtown. He spotted Maqua, a contract killer who
always wore a priest’s collar and drove around the city in a Toyota Land Cruiser missing all its doors. Eduardo Tata, one of the
first Colombians he’d met in his first trip down, stood outside another Land Cruiser at the convoy’s rear.
“Get in, Gringorio,” he beckoned. “This isn’t good.”
He’d fucked up and he knew it. The Colombians ran a top-down operation, making men like Greg ultimately responsible
for anything his people did, good or bad. What Jimmy Larson had done was very bad and now Greg was going to pay the
price for that. He’d known playing football he could be hurt, even crippled, on any play at any moment. It was no different
here, and the power he’d amassed amid the drug-fueled haze left him feeling as invincible as he had on the field.
But now all he had to show for that invincibility was an elevator ride to the penthouse level of a downtown office building
where naked light shed by a pair of table lamps captured Pablo Escobar framed by French doors leading out onto a balcony.
“Standing in the room, facing Escobar, after dropping my duffel bag on the floor, I finally remember the gun and took it
out,” Greg recalled. “Ejected the magazine, unchambered the round, and laid the pistol down on top of the desk.”
The moment froze. Nobody moved, nobody spoke.
“Here I was with twenty of the deadliest men in the world and I was the only one in the room who had a gun! This was
1981. There was no reason to carry guns. They owned the city and the violence hadn’t started yet. They all just stared at each
other, eyes bulging, just couldn’t believe I’d do such a thing. They’d looked at me as an American they’d discovered parking
cars and now I was one of them.”
Elmore Leonard couldn’t write this shit any better.
Escobar then pulled Greg over to the side, his eyes looking even darker and colder in the room’s half-light. “You can
never go home again, Gregory. This is your home now. We are your familia.” ■
To be continued in the December 2014 issue of Suspense Magazine.
Jon Land is the USA Today bestselling author of 36 novels including the critically acclaimed, award-winning Caitlin Strong
series, the most recent entry of which is “Strong Darkness.” He lives in Providence, Rhode Island and can be reached on the web
at jonlandbooks.com.
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Suspense Magazine October / November 2014 / Vol. 060
Diane Chamberlain
Speaks Up about “The Silent Sister”
Interview by Suspense Magazine
Press Photo Credit: John Pagliuca 2013
New York Times bestselling author Diane Chamberlain has
penned several very successful romantic suspense novels,
and her latest book “The Silent Sister” doesn’t disappoint.
Her books have been called; “incredibly moving...very
sensitive…” and “brisk, atmospherically evocative” and
“absorbing.”
Her first book “Private Relations,” was published in
1989 and earned the RITA award for Best Single Title
Contemporary Novel from the Romance Writers of
America. Diane had a brief stint writing for daytime TV,
and published a variety of articles for newspapers and
magazines. But her real love was always novels, of which
she now has over twenty published.
She says that her stories are filled with twists and
surprises and tug at the emotions. She primarily focuses
on the relationships of men and women, parents and
children, sisters and brothers, and the struggles with life’s
trials.
“The Silent Sister” is another perfect example of
her emotional roller-coaster approach. Check out the
interview below, after a quick look at “The Silent Sister.”
Riley MacPherson has spent her entire life believing
that her older sister Lisa committed suicide as a
teenager. Now, over twenty years later, her father has passed away and she’s in New Bern, North Carolina
cleaning out his house when she finds evidence to the contrary. Lisa is alive. Alive and living under a new
identity. But why exactly was she on the run all those years ago, and what secrets are being kept now? As Riley
works to uncover the truth, her discoveries will put into question everything she thought she knew about her
family. Riley must decide what the past means for her present, and what she will do with her newfound reality.
Suspense Magazine (S. MAG.): Tell us about your main character, Riley MacPherson.
SuspenseMagazine.com
73
Diane Chamberlain (D.C.): Riley is a twenty-five-year-old high school counselor
who returns to her childhood home to settle her father’s estate after his sudden
death. As she begins sorting through his house and possessions, she discovers more
than she bargained for. S. MAG.: Riley has been put through an emotional ride for years. Do you
secretly not like her?
D.C.: I love her! Yes, she’s lost not only her father, but her mother and sister as
well, plus her brother is a recluse who is of little help to her as she sorts through her
father’s things...Oh, and she recently broke up with her boyfriend. I intentionally
isolated her from the support of others so that she develops her own backbone as
she moves through the story. It was for her own good. ;)
S. MAG.: As an author, how curious are you to explore human emotions in
incredible situations?
D.C.: In my previous career, I was a hospital social worker and a psychotherapist
in private practice, so I have a lot of experience dealing with human emotions
in extraordinary circumstances. I’ve always been amazed and awed by the way
people find inner strength to cope with whatever life throws at them, so naturally
that’s what I like to explore in my writing. S. MAG.: What was your biggest challenge in writing “The Silent Sister”?
D.C.: The biggest challenge in writing this novel was deciding on the structure.
I played with several different approaches before settling on the final structure,
which alternates between the past and present and is told from the perspectives of
two characters, using first and third points of view. It was mind-bending at times,
but I believe the structure fits the story.
S. MAG.: Is there one sentence or one paragraph in the book you feel captures
the essence of your writing?
D.C.: I like surprising my readers, so that’s an important part of my writing. I
think these few sentences sum that up: And then she told Celia everything. Everything!
Even the things
Daddy had no idea
about. Even the
things he couldn’t
possibly guess.
At this point in the
story, the reader
thinks Daddy already
knows
everything,
so the plot thickens
and—I
hope—the
pages keep turning.
S. MAG.: What was
74
THE SILENT SISTER
By Diane Chamberlain
Riley MacPherson is heading home to
settle her late father’s estate. Both parents
are gone now and her only relative is older
brother Danny, who’s a veteran living in
a trailer in the woods. Danny had issues
with their father, and wishes to stay away
from the whole process of cleaning up the
homestead.
Riley soon stumbles across some
things concerning the death of her much
older sister, Lisa, a musical child prodigy
who committed suicide because she was
unable to attend Julliard. The story that
had been given to Riley and Danny long
ago was that Lisa suffered from depression.
Lisa went out on a freezing lake one
morning, and her kayak ended up being
discovered in the Potomac River, stuck in
the ice near their home. Although her body
was never found, she had left a suicide note,
so everyone believed she had killed herself,
and after the tragedy, the family moved to
get away from the painful memories.
Now, twenty-three years later, Riley is
in the process of getting the property ready
to sell, and learns some strange family
secrets that she’d never known, and can
hardly believe: Danny is mentally troubled
after his time in the Iraq War, and his grudge
against both dead father and dead sister
runs far deeper than imaginable; a family
friend is more than a bit nasty to Riley
regarding a debt owed to him by her father;
and Jeannie, a friend of her late mother’s,
seems to have been overly chummy with
the man who has just passed away—a man
who Riley is beginning to believe was a
total stranger during her lifetime.
With a murder plot added in that
involves a dead sibling, the readers of this
tale will be surprised and shocked by the
unveiling of a truth that they will never
guess up front. Chamberlain has written
an excellent novel with well-thought-out
plotlines that never lose the suspense
lover’s interest for one solitary second.
Reviewed by Mary Lignor, Professional
Librarian and Co-Owner of The Write
Companion ■
Suspense Magazine October / November 2014 / Vol. 060
your goal when you published your first novel?
D.C.: My first novel, “Private Relations,” was published
twenty-five years ago. Back then, my goal was for someone
other than my mom to actually read my book. My goals
have grown loftier over time.
S. MAG.: Which character in “The Silent Sister” had a
bigger voice than you originally thought they would?
D.C.: For sure, that would be Verniece, an older woman
who lives in an RV park owned by Riley’s father. My
Facebook readers helped me name her, and it seemed that
once I christened her Verniece, she turned into someone
I hadn’t anticipated and lived up to her unusual name. S. MAG.: “The Broken String” is a short story featuring
Riley. What will fans see inside this short?
D.C.: I wrote “The Broken String” after I wrote “The
Silent Sister.” In it, I explore Riley’s relationship with
her brother Danny when they were young. In “The Silent
Sister,” I often allude to their closeness as children, but I
wanted to see how that closeness developed and what it
looked like. It really helped me understand them as adults
to see them as kids. S. MAG.: Is there another type of genre you wish to
explore in your writing?
D.C.: I have an idea for the book I will write when I
“retire,” which I hope is a long time from now. It involves
time travel, something that fascinates me. If only I could
travel to the future, I could write it right now!
S. MAG.: What can fans expect to see from you in the
future?
D.C.: I hope to continue writing a book a year for as
long as I enjoy the process and my readers want to keep
reading my stories. I’m nearly finished with my next
novel, “Pretending to Dance.” It’s the story of a fourteenyear-old girl, Molly, who lives on a hundred acres with
her extended family during a time of tremendous family
turmoil. “Pretending to Dance” has the distinction of
being the only book I’ve written entirely from one point of
view, but I think Molly’s a strong enough character to pull
it off. I’m counting on her.
Thank you, Diane, for talking with us. To learn
more about Diane and her books, visit her website at
www.dianechamberlain.com. ■
SuspenseMagazine.com
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SPECIAL PREVIEW FROM WILBUR SMITH
DESERT
GOD
A Novel of Ancient Egypt
A
By Wilbur Smith
Press Photo Credit: Provided by Publicist
ton blinked his little eyes that were
set deep in their rolls of fat, and
then raised them from the bao
board laid out between us. He turned
his gaze on the two young princesses
of the royal house of Tamose who were
disporting themselves naked in the
limpid water of the lagoon.
‘They are no longer children,’ he
remarked casually, without a trace of
lascivious interest in the subject. We
sat facing each other under an open
barrazza thatched with palm fronds
beside one of the lagoons in the
backwaters of the great Nile River.
I knew that his reference to the girls
was an attempt to distract my attention
from his next move of the bao stones.
Aton does not enjoy losing, so he is not
overly scrupulous about how he wins.
Aton has always been high on the
list of my oldest and dearest friends.
Like me he is a eunuch and was once
a slave. During the period of his
slavery, and long before he reached
puberty, his master had singled him
out for his exceptional intellect and
his acute mental powers. He wished to
nurture and concentrate these gifts; and
prevent them from being diluted by the
distractions of his libido. Aton was an
extremely valuable property and so his
master employed the most renowned
physician in Egypt to perform the
castration. His master is long dead,
SuspenseMagazine.com
but Aton has risen
high above his slave
status. He is now
the chamberlain of
the royal palace of
Pharaoh at Thebes,
but he is also a
master of spies
who administers
a
network
of
informers
and
clandestine agents
across the civilized
world. There is only
one organization
that exceeds his,
and that is my own.
In this, as in most things, we are in
friendly competition with each other
and very little gives us greater pleasure
and satisfaction than to score a coup,
the one over the other.
I enjoy his company immensely.
He amuses and often surprises me with
his good advice and perception. On
occasion he can test my skill on the bao
board. He is usually generous with his
praise. But mostly he acts as a foil to my
own genius.
Now both of us studied Bekatha,
who was the younger of the royal
princesses by almost two years, although
you might not have guessed that fact,
for she was tall for her age and already
her breasts were beginning to swell and
in the cool lagoon waters her nipples
perked out jauntily. She was lithe, agile
and she laughed readily. On the other
hand she was possessed of a mercurial
temper. Her features were nobly chis­
elled, her nose narrow and straight, her
jaw strong and rounded and her lips
finely arched. Her hair was thick and
sparkled with glints of copper in the
sunlight. She had inherited that from
her father. Although she had not yet
shown the red flower of womanhood, I
knew that her time was not far off.
I love her, but truth to tell I love her
elder sister a shade better.
Tehuti was the senior and the more
beautiful of the two sisters. Whenever
I looked upon her it seemed to me that
I was seeing again her mother. Queen
77
SPECIAL PREVIEW FROM WILBUR SMITH
Lostris had been the one great love of
my life. Yes, I had loved her as a man
loves a woman. For unlike my friend
Aton, I was gelded only after I had
grown to full manhood and known
the joy of a woman’s body. True it is
that my love for Queen Lostris was
never consummated for I was castrated
before she was born, but it was all the
more intense for never having been
assuaged. I had nursed her as a child
and had shepherded her through her
long and joyous life, counselling her
and guiding her, giving all of myself to
her without stinting. In the end I held
her in my arms as she died.
Before she went on into the
underworld Lostris whispered to me
something which I will never forget:
‘I have loved only two men in my life.
You, Taita, were one of them.’
Those were the sweetest words I
have ever heard spoken.
I planned and supervised the
building of her royal tomb and laid her
once beautiful but then wasted body
in it, and I wished that I could go with
her into the nether world. However, I
knew that I could not; for I had to stay
and take care of her children as I had
cared for her. Truly, this has not been
an onerous burden, for my life has been
enriched by this sacred charge.
At sixteen years of age Tehuti was
already a woman fully fledged. Her skin
was lustrous and unblemished. Her
arms and her legs were slim and elegant
as those of a dancer, or the limbs of
her father’s great war bow which I had
carved for him, and which I had placed
on the lid of his sarcophagus before I
sealed his tomb.
Tehuti’s hips were full but her waist
was narrow as the neck of a wine jug.
Her breasts were round and taut. The
dense golden curls that covered her
head were a gleaming glory. Her eyes
were as green as her mother’s had been.
She was lovely beyond the telling of it;
and her smile wrung my heart whenever
she turned it upon me. Her nature was
gentle, slow to anger but fearless and
78
strong-willed once she was roused.
I love her almost as much as I still
love her mother.
‘You have done well with them,
Taita.’ Aton gave praise unstintingly.
‘They are the treasures which may yet
save our very Egypt from the barbarian.’
In this, as with many other things,
Aton and I were in full accord. This
was the true reason why the two of us
had come to this remote and secluded
location; although everyone else in
the palace, including Pharaoh himself,
was convinced that we had met here to
continue our endless rivalry across the
bao board.
I did not respond at once to his
remark, but I dropped my eyes to the
board. Aton had made his latest move
while I was still watching the girls.
He was the most skilled player of this
sublime game in Egypt, which was as
good as saying ‘in the civilized world’.
That is excepting for me, of course. I
can usually best him in three games out
of four.
Now, at a glance, I saw that this
game would be one of my three. His
last move had been ill considered.
The layout of his stones was now
unbalanced. It was one of the few flaws
in his game that often, when he had
convinced himself that victory was
within his grasp, he threw caution to the
winds and disregarded the rule of seven
stones. Then he tended to concentrate
his full attack from his south castle and
allowed me to wrest control of either
the east or the west from him. This time
it was the east. I did not need a second
invitation. I struck like a cobra.
He rocked back on his stool as he
evaluated my surprise move, and when
at last the sheer genius of it struck him,
his face dark­ened with outrage and his
voice choked, ‘I think that I hate you,
Taita. And if I don’t, then I certainly
ought to do so.’
‘I was lucky, old friend.’ I tried not
to gloat. ‘Anyway, it’s only a game.’
He puffed out his cheeks with
indignation. ‘Of all the inane things I
have ever heard you say, Taita, that is
the most crass. It is not only a game.
It is the veritable reason for living.’ He
really was angry.
I reached down under the table
for the copper wine jug and I refilled
his cup. It was a superb wine, the
very best in all of Egypt, which I had
taken directly from the cellars beneath
Pharaoh’s palace. Aton puffed out his
cheeks again and tried to bolster his
anger and affront, but as of their own
accord his plump fingers closed around
the handle of his cup and he raised it
to his lips. He swallowed twice, his eyes
closed with pleasure. When he lowered
the vessel he sighed.
‘Perhaps you are right, Taita. There
are other good reasons for living.’ He
began to pack the bao stones into their
leather drawstring bags. ‘So what do
you hear from the north? Astonish
me once again with the extent of your
intelligence.’
We had come at last to the true
purpose of this meeting. The north was
always the danger.
Over one hundred years ago mighty
Egypt was split by treason and rebellion.
The Red Pretender, the false Pharaoh—I
deliberately do not speak his name;
rather may it be cursed through all
eternity—this traitor rebelled against
the true Pharaoh and seized all the land
to the north of Asyut. Our very Egypt
was plunged into a century of civil war.
Then in his turn the Red Pretender’s
heir was overwhelmed by a savage and
warlike tribe that emerged from the
northern steppes beyond the Sinai.
These barbarians swept through Egypt
conquering all of it by means of a
weapon which we had never known
existed: the horse and chariot. Once
they had defeated the Red Pretender
and captured the northern part of
Egypt, from the Middle Sea to Asyut,
these Hyksos turned upon us in the
south.
We true Egyptians had no defence
against them. We were driven from our
own lands, and were forced to retreat
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offspring. Amongst them was Beon, his
eldest son. This Beon now calls himself
King Beon, Pharaoh of the Upper and
Lower Kingdoms of Egypt. The truth
is that he is nothing but a free­booting
killer, worse even than his evil father.
My spies regularly report to me how
Beon is steadily rebuilding the Hyksos
army which we so grievously wounded
at the battle of Thebes.
These reports are disturbing
because we are having great difficulty
procuring the raw materials to make
good the losses that we suffered in that
same battle. Our land-locked southern
kingdom is cut off from the great
Middle Sea and from trade with the
other civilized nations and city states
of the world, which are rich in leather,
timber, copper, antimony, tin and the
other sinews of war which we lack. We
are also short of manpower. We need
allies.
On the other hand our enemies, the
Hyksos, have fine harbours in the delta
where the Nile enters the Middle Sea.
Trade flows into these uninterrupted.
I also know through my spies that the
Hyksos are seeking to forge alliances
with other warlike nations.
Aton and I were meeting in this
isolated spot to discuss and ponder
these problems. The survival of our
very Egypt was being held on the point
of a dagger. Aton and I had on many
occasions discussed all this at length,
but now we were ready to make the
final decisions to lay before Pharaoh.
The royal princesses had other
plans. They had seen Aton pick up
the bao stones and they took this as
a signal that they were now able to
command my full attention. I am
devoted to them both but they are very
demanding. They charged out of the
lagoon splashing water in all directions
and raced each other to get to me first.
Bekatha is the baby but she is very quick
and determined. She will do almost
anything to obtain what she wants. She
beat Tehuti by a length and dived into
my lap, cold and wet from the lagoon.
‘I love you, Tata,’ she cried as she
threw her arms around my neck and
pressed her sodden mop of red hair to
my cheek. ‘Tell us a story, Tata.’
Bested in the race to reach me,
Tehuti had to accept the less desirable
position at my feet. Gracefully she
lowered her naked and dripping body
to the ground, and hugged my legs to
her breast while she rested her chin
on my knees and looked up into my
face. ‘Yes please, Tata. Tell us about our
mama and how beautiful and clever she
was.’
‘I must speak to Uncle Aton first,’ I
protested.
‘Oh. All right then. But don’t be
too long,’ Bekatha chipped in. ‘It’s so
boring.’
‘Not too long, I promise.’ I looked
back at Aton and switched smoothly
into Hyksosian. Both of us are fluent in
the language of our deadly enemy.
I make it my business to know my
enemy. I have a way with words and
languages. I have had many years since
the return to Thebes to learn. Aton had
not joined the exodus to Nubia. He was
not an adventurous soul. So he had
remained in Egypt and he had suffered
under the Hyksos. However, he had
learned everything they had to teach,
including their language. Neither of the
princesses understood a word of it
‘Oh, I hate you when you speak that
dreadful jargon.’ Bekatha pouted, and
Tehuti agreed with her.
‘If you love us you will speak
Egyptian, Taita.’
I hugged Bekatha and stroked
Tehuti’s lovely head. Nevertheless I
continued speaking to Aton in the
language that the girls so bitterly
deplored. ‘Ignore the babbling of
infants. Proceed, old friend.’
Aton smothered his grin and went
on, ‘So we are agreed then, Taita. We
need allies and we need trade with
them. At the same time we have to deny
both of these to the Hyksos.’
I was tempted to make a sarcastic
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southwards beyond the cataracts of
the Nile at Elephantine and into the
wilderness at the end of the world. We
languished there while my mistress
Queen Lostris rebuilt our army.
My part in this regeneration was
not altogether insignificant. I am not
by nature a boastful man; however, in
this instance I can state without fear of
contradiction that without me to guide
and counsel my mistress and her son,
the Crown Prince Memnon, who is
now the Pharaoh Tamose, they would
never have achieved their purpose.
Among my numerous other
services to her I built the first chariots
with spoked wheels that were lighter
and faster than those of the Hyksos,
which had only solid wooden wheels.
Then I found the horses to draw them.
When we were ready Pharaoh Tamose,
who had now grown to manhood, led
our new army down again through the
cataracts, northwards into Egypt.
The leader of the Hyksos invaders
called himself King Salitis, but he was
no king. He was at the best only a robber
baron, and an outlaw. However, the
army he commanded still outnumbered
us Egyptians almost two to one, and it
was well equipped and ferocious.
But we caught them off guard and,
at Thebes, fought a mighty battle with
them. We smashed their chariots and
slaughtered their men. We sent them
scurrying, in rout, back northwards.
They left ten thousand corpses and
two thousand wrecked chariots on the
battlefield.
However, they inflicted heavy losses
upon our gallant troops, so that we
were unable to pursue and completely
destroy them. Since then the Hyksos
have been skulking in the delta of the
Nile.
King Salitis, that old plunderer,
is dead now. He did not die on the
battlefield from a blow by a good
Egyptian sword, as would have been
just and proper. He died in bed of
old age, surrounded by a horde of
his hideous wives and their ghastly
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reply, but I had already annoyed him
enough across the bao board. So I
nodded seri­ously. ‘As usual you have
come to the point unerringly and you
have stated the problem succinctly.
Allies and trade. Very well, what do we
have to trade, Aton?’
‘We have the gold from our mines
in Nubia which we discov­ered while
we were in exile beyond the cataracts.’
Aton had never left Egypt, but to hear
him tell it he might have been the one
who led the exodus. I smiled inwardly
but maintained a serious expression as
he went on, ‘Although the yellow metal
is not as valuable as silver, yet men
also lust for it. With the quantities that
Pharaoh has piled in his treasury we
can readily buy friends and allies.’
I nodded in agreement, although
I knew that the amount of Pharaoh’s
treasure was greatly over-estimated by
Aton and many like him who are not as
close to the throne as I am. I went on
to enlarge on the subject. ‘However, do
not forget the produce of the rich black
loam that Mother Nile casts up upon her
banks with every annual inundation.
Men must eat, Aton. The Cretans, the
Sumerians and the Hellenic city states
have little arable land. They are always
hard pressed to find corn to feed their
people. We have corn in abundance,’ I
reminded him.
‘Aye, Taita. We have corn, and we
also have horses to trade; we breed the
finest warhorses in the world. And we
have other things even more rare and
precious.’ Aton paused delicately, and
he glanced at the lovely child I was
cuddling and the other who sat at my
knee.
Nothing else needed to be said
on this subject. The Cretans and the
Sumerians of the land between the
Tigris and the Euphrates Rivers were our
nearest and most powerful neighbours.
Both of these peoples tended to be
swarthy and sable-haired. Their rulers
find the fair-haired and light-skinned
women of the Aegean tribes and of
the royal house of Egypt desirable.
80
However, the pale and insipid Hellenic
women cannot stand comparison with
our glowing Nilotic jewels.
The parents of my two princesses
were Tanus, he of the fiery red curls,
and the bright blonde Queen Lostris.
They had bred true and the beauty of
their two girls was becoming renowned
across the entire world. Ambassadors
from afar had already made the
onerous journeys across wide deserts
and deep waters to the palace of Thebes
to convey delicately to Pharaoh Tamose
the interests of their masters in making
a marital and martial alliance with the
House of Tamose. The Sumerian King
Nimrod and the Supreme Minos of
Crete were two of those who had sent
envoys.
At my behest, Pharaoh had received
both these ambassadors kindly. He had
accepted the handsome gifts of silver
and cedar wood that they presented.
Then he had listened sympathetically to
their offers of marriage to one or both
of Tamose’s sisters, but then Pharaoh
had explained that the two girls were
still too young to contract a marriage
and that they should speak again on
this subject after both girls had reached
maturity. That had been some time ago,
and now circumstances had changed.
At the time Pharaoh had discussed
with me the possible alliance between
Egypt and Sumeria or Crete. I had
tactfully pointed out to him that Crete
would make a more desirable ally than
would the Sumerians.
Firstly the Sumerians were not a
seafaring race and, although they could
field a powerful army well equipped
with cavalry and chariots, they did
not possess a navy of any distinction.
I reminded Pharaoh that our southern
Egypt had no access to the Middle Sea.
Our Hyksos enemies controlled the
northern reaches of the Nile and we
were essentially a landlocked country.
The Sumerians also had limited
access to the sea and their fleet was
puny compared to those of other
nations, such as the Cretans or even
the Mauretanian people in the west.
The Sumerians were always reluctant to
risk the sea passage with heavily laden
ships. They feared both the pirates and
the turbu­
lent weather. The overland
route between our countries was also
fraught with difficulties.
The Hyksos controlled the isthmus
that runs between the Middle and Red
Seas and connects Egypt to the Sinai
Desert in the north. The Sumerians
would be forced to march across the
Sinai Desert much further south and
then take ship across the Red Sea to
reach us. This route would present so
many problems to their army, not least
the lack of water and the dearth of
shipping on the Red Sea, that it might
prove to be impossible.
What I had previously proposed
to Pharaoh, and which I now outlined
for Aton, was a treaty between our very
Egypt and the Supreme Minos of Crete.
‘The Supreme Minos’ was the title of
the Cretan hereditary ruler. He was the
equivalent of our Pharaoh. To suggest
that he was more powerful than our
own Pharaoh would be treason. Suffice
it to say that his fleet was reputed to
comprise over ten thousand fighting
and trading galleys of such an advanced
design that no other ship could outrun
them or outfight them.
We have what the Cretans want:
corn, gold and lovely brides. The
Cretans have what we need: the most
formidable fleet of fighting ships in
existence with which to blockade the
Hyksos ports in the mouth of the Nile
Delta; and in which to convoy the
Sumerian army down the southern
shores of the Middle Sea and thus
catch the Hyksos in a deadly pincer
movement which would crush their
army between our forces.
‘A fine plan!’ Aton applauded me.
‘An almost an infallible plan. Except
for one small almost insignificant detail
which you have overlooked, Taita my
old darling.’ He was grinning slyly,
savouring his revenge for the drubbing
I had just given him on the bao board.
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friend; however, you have stated but
a small part of the problems that face
the Supreme Minos. He dare not risk
sending his heavily laden treasure ships
to cross the open seas during the season
of storms. So for five months of the year
he cannot send bullion to the southern
shores of the Middle Sea which in
winter entails a voyage of more than
five hundred leagues from his island.’
Aton broke in quickly, trying to beat
me to my conclusion. ‘Ah, yes indeed!
I take your point. So that means that
for all that period of time the Supreme
Minos is unable to trade with the states
and nations that lie upon this African
shore of the Great Sea!’
‘During the whole of winter half
the world is closed to him,’ I agreed.
‘But if he could obtain a secure base
upon the Egyptian coast, his fleet
would be protected from the winter
gales. Then all year around his ships
would be able to ply their trade from
Mesopotamia to Mauretania under the
protecting lee of the land.’ I paused to
let him see the full magnitude of what
the Supreme Minos was planning,
then I went on remorselessly, ‘Twenty
lakhs of silver would not be sufficient to
fund a hundredth part of this activity.
Five hundred lakhs is a more likely
amount that he will have to hoard in
his new fortress at Tamiat to carry his
trade through the winter. Do you not
agree that amount of silver would make
any man contemplate treachery, more
especially such a naturally perfidious
and rapa­cious rogue as Beon?’
For fifty heartbeats Aton was struck
dumb by the magnitude of the vision
that I had presented him with. When at
last he stirred again his voice croaked
as he asked, ‘So you have proof that
Beon, in defiance of his incipient treaty
with the Supreme Minos, is planning to
storm the Tamiat fortress and seize the
Supreme Minos’ treasure? Is that what
you are telling me, Taita?’
‘I did not say that I have proof that
it is Beon’s intention to do so. I merely
asked you a question. I did not make a
state­ment.’ I chuckled at his confusion.
It was unkind of me, but I could not
restrain myself. Never in our long
acquaintance have I seen him so lost
for rebuttal or repartee. Then I took pity
upon him.
‘You and I both know that Beon is a
savage oaf, Aton. He can drive a chariot,
swing a sword, draw a bow or sack a
city. However, I doubt he is able to plan
a visit to the privy without ponderous
and painful deliberation.’
‘Then who is it that is planning
this raid upon the Supreme Minos’
treasury?’ Aton demanded. Instead of
answering him immediately I merely
sat back on my stool and smiled. He
stared at me. Then his expression
cleared. ‘You? Surely not, Taita! How
can you plan to rob the Supreme Minos
of five hundred lakhs of silver and then
court the Cretan for his support and
alliance?’
‘In the darkness it is difficult to tell
a Hyksos from an Egyptian, especially
if the Egyptian is dressed in Hyksos war
array, and carrying Hyksos weapons
and speaking Hyksosian,’ I pointed
out, and he shook his head, once
again at a loss for words. But I pressed
him further. ‘You do agree that such
a treacherous attack would destroy
forever any chances of Crete and the
Hyksos ever forming an alliance against
us?’
Aton smiled at last. ‘You are so full
of guile, Taita, that I wonder how I can
ever trust you!’ Then he demanded,
‘Just how large is the Cretan garrison at
Tamiat?’
‘At the present time it comprises
nearly two thousand soldiers and
archers. Although almost all of these
are mercenaries.’
‘So!’ He was impressed. He paused
again and then continued: ‘How many
men would you need, or should I ask
rather how many men would Beon
need to carry through this dastardly
plan?’
‘Enough,’ I hedged. I would not
reveal all my plans to Aton. He accepted
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I have never been a vindictive person,
but in this instance I could not restrain
myself from having a little bit more
innocent fun at Aton’s expense. I
contrived an expression of dismay.
‘Oh, don’t tell me that, please! I have
thought it all out so carefully. Where is
the fault in my plan?’
‘You are too late. The Supreme
Minos of Crete has already contracted
a secret alliance with King Beon of the
Hyksos.’ Aton smacked his lips, and
slapped one of his own elephantine
thighs gleefully. He had confuted my
proposition decisively, or so he believed.
‘Oh yes!’ I replied. ‘I presume that
you are referring to the trading fort to
deal with Beon that the Cretans opened
five moons ago at Tamiat, the most
easterly mouth of Mother Nile in the
delta.’
Now it was Aton’s turn to look
crestfallen. ‘When did you learn about
that? How did you know?’
‘Please, Aton!’ I spread my hands in
a gesture of appeal. ‘You do not expect
me to reveal all my sources, do you?’
Aton recovered his poise swiftly.
‘The Supreme Minos and Beon already
have an understanding, if not a war
alliance. Clever as we all know you are,
Taita, there is very little you can do
about it.’
‘What if Beon is planning treachery,’
I asked mysteriously, and he gawked at
me.
‘Treachery? I do not understand,
Taita. What form would this treachery
take?’
‘Do you have any inkling of how
much silver the Supreme Minos of
Crete is hoarding in this new fortress at
Tamiat in Hyksos territory, Aton?’
‘I imagine it must be substantial. If
the Supreme Minos proposes to buy the
greater part of next season’s corn crop
from Beon, then he would need to have
a heavy weight of silver on hand,’ Aton
hazarded carefully. ‘Perhaps as much as
ten or even twenty lakhs.’
‘You are very perceptive, my dear
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that and did not press me directly.
However, he asked another oblique
question.
‘You would leave no Cretan
survivors in the Tamiat fort? You would
slaughter them all?’
‘Of course I would allow the
great majority of them to escape,’ I
contradicted him firmly. ‘I want as
many of them as possible to make their
way back to Crete to warn the Supreme
Minos of King Beon’s treachery.’
‘The Cretan treasure?’ Aton
demanded. ‘These five hundred lakhs
of silver? What will become of that?’
‘Pharaoh’s coffers are almost empty.
We cannot save Egypt without treasure.’
‘Who will command this raid?’ he
demanded. ‘Will you do it, Taita?’
I looked aghast. ‘You know that I
am no warrior, Aton. I am a physician, a
poet and a gentle philosopher. However,
if Pharaoh urges me to do so, I am
willing to accompany the expedition as
an adviser to the commanding officer.’
‘Who will command then? Will it
be Kratas?’
‘I love Kratas and he is a fine
soldier, but he is old, bull-headed and
not amenable to reason or suggestion.’ I
shrugged and Aton chuckled.
‘You have described General Kratas
perfectly, O gentle bard. If not him,
then whom will Pharaoh appoint?’
‘He will probably appoint Zaras.’
‘Ah! The famous Captain Zaras of
the Blue Crocodile division of the Royal
Guards? One of your favourites, Taita.
Not so?’
I ignored the taunt. ‘I have no
favourites.’ On occasion even I can
stretch the truth just a little. ‘But Zaras
is simply the best man for the job,’ I
responded mildly.
When I laid before Pharaoh my
plan to discredit King Beon with the
Supreme Minos of Crete and to drive a
wedge of steel between the two powers
which were potentially the most
dangerous enemies we had in all the
world he was amazed at the brilliant
82
simplicity of my design.
I had begged for a private interview
with Pharaoh and of course he had
granted it without a quibble. He and
I were alone on the wide palm-lined
terrace which encircled his throne
room, overlooking the Nile at its widest
point in southern Egypt. Of course
beyond Asyut the river becomes wider
and the current slower as it passes
through the territory that the Hyksos
have seized from us, and flows down
into the delta before debouching into
the Middle Sea.
There were sentries at both ends of
the terrace to ensure that we could not
be overlooked or overheard by either
friend or enemy. The guards were under
the direct command of reliable officers,
but they kept discreetly out of sight
so Pharaoh and I were not distracted.
We paced along the marble paving.
Only now that we were alone was it
permissible for me to walk shoulder
to shoulder with him, even though I
had been intimately involved with him
from the minute of his birth.
In truth it was I who had delivered
him into this world. I had been the
one who caught his infant body in my
hands as Queen Lostris propelled him
from her royal womb with the force
of a stone from a sling shot. The very
first act the prince ever performed was
to empty his bladder over me. I smiled
now at the memory.
I have been his tutor and his mentor
since that day. I was the one who taught
him to wipe his own arse, to read and
write; to shoot a bow and drive a war
chariot. From me he has learned how to
rule a nation. Now at last he has grown
into a fine young man, a doughty
warrior and the seasoned ruler of this
very Egypt. But we are still the very best
of friends. I would go so far as to say
that Pharaoh loves me like the father he
never knew, and I love him like the son
I never had.
Now, as he listened to the stratagem
that I was proposing, he stopped
walking and turned to face me with
mounting wonder. When I reached
the denouement of my plan he seized
my shoulders in hands that were hard
and strong as bronze from swinging
a sword, drawing a bow and driving a
team of four horses in the traces of a
chariot.
‘Tata, you old scallywag!’ he
shouted into my face, ‘you never fail
to amaze me. Only you could have
dreamed up such an outrageous plot.
We must begin at once to plan the finer
details. Well I remember how I hated it
when you forced me to learn to speak
Hyksosian; now I would be lost without
it. I could never have commanded this
expedition without being able to pass as
one of our enemies.’
It took me several hours of tactful
manipulation before I could convince
him that the danger of leaving Egypt
without a leader at such a crucial point
in our history far outweighed the glory
or other benefit that he could hope to
win from a successful capture of the
Minoan fortress at Tamiat and the
treasure it contained. I gave thanks to
Horus that he is young enough to be
flexible in his thinking and old enough
to have learned a modicum of good
sense. Long ago I learned how to sway
him to my purpose without allowing
him to realize that I was doing so. In the
end I usually have my own way.
At my suggestion Pharaoh
appointed Zaras to command the
expedition. Even though Zaras was
young, only twenty-five years of
age—almost the same age as Pharaoh
himself—he had already made a
considerable name for himself, as his
mili­tary rank attested. I had worked
with him many times before and I knew
that his reputation was well founded.
Most impor­tant was the fact that he
revered me.
However, before he dismissed me
Pharaoh Tamose placed in my hands
the royal hawk seal. This was Pharaoh’s
means of delegating all of his powers
to the bearer. The bearer of the seal
answered only to Pharaoh. On pain of
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true race when Pharaoh Tamose led us
down through the cataracts to thrash
the Hyksos at the battle of Thebes
and drive their survivors in panic and
confusion back into the north.
The men Zaras selected to make up
the raiding party were highly trained
and drilled, mostly under Zaras himself.
They were all sailors as well as soldiers
and had spent most of their time as
fighting crews on board the river
galleys, when they were not handling
the war chariots. There was nothing
more that Zaras needed to teach them.
I told him to divide this force into
small detachments each of fifteen or
twenty men so that they would not
draw too much attention to themselves
when they left the city of Thebes.
When I showed the royal hawk
seal to the captain of the guard at the
city gates he did not question me. Over
three successive nights these small
bands of Zaras’ men slipped out of the
city during the hours of darkness and
headed out into the eastern wilderness.
They reassembled in the ruins of the
ancient city of Akita, where I was
waiting for them.
I had with me wagons laden with
authentic Hyksos helmets, armour,
uniforms and weapons. This was just a
small part of the booty we had captured
from the enemy at the battle of Thebes.
From Akita we marched on
eastwards to the shores of the Gulf of
Suez at the northern end of the Red Sea.
The men wore Bedouin robes over their
uniforms and weapons.
Zaras and I had ridden ahead of the
main party. We were waiting at the little
fishing village of Al Nadas on the shore
of the gulf when they caught up with us.
Zaras had hired a guide whom he
had employed before, and whom he
recommended highly. His name was Al
Namjoo. He was a tall silent man with
one eye. He was waiting for us at Al
Nadas.
Al Namjoo had chartered all
the available fishing vessels from the
villagers to ferry us across to the eastern
shore. The gulf was less than twenty
leagues wide at this point and we could
see the low hills of the Sinai on the far
side.
We crossed in the night, with only
the stars to light our way.
We disembarked on the eastern
shore of the gulf near another tiny
fishing village. This was Zuba, where
one of Al Namjoo’s sons was waiting
for us. He had a string of over a
hundred donkeys which he had hired
to carry our heavy gear. We still faced
a march of almost two hundred leagues
northwards to reach the Middle Sea, but
the men were trained to peak condi­tion
and we moved fast.
Al Namjoo kept well to the east of the
Sinai isthmus which links Africa to Asia
to minimize the risk of us encountering
any Hyksos troops. Finally we came
out on the rocky southern coast of the
Middle Sea near the Phoenician port of
Ushu. This was approximately midway
between the Sumerian border and that
part of northern Egypt still in the hands
of the Hyksos invaders.
I left Zaras and his men encamped
outside the port and went ahead with
two donkeys loaded with gold ingots
concealed in leather sacks of corn and
four picked men to help me. After three
days of bargaining with the merchants
of the port I had three medium-sized
galleys drawn up on the beach below
the Phoenician Temple of Melkart. Each
of these ships was capable of carrying a
hundred men. They had cost me dearly,
and there was very little gold remaining
in the corn sacks we had brought with
us from Thebes.
I let it be known in the port that we
were a band of merce­naries travelling
eastwards to sell our services to the
Assyrian King Al Haturr who was
laying siege to the city of Birrayut. As
soon as the men were embarked we
shoved off from the beach. When we
reached deep water and while we were
still visible to the watchers in Ushu we
turned and rowed eastwards towards
Lebanon. However, once we were out
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SPECIAL PREVIEW FROM WILBUR SMITH
death no man could question or hinder
him in the course or commission of the
royal duties.
It was customary for Pharaoh to
bestow the hawk seal upon his chosen
emissary with solemn ceremony in
the presence of the senior members of
his court, but I realized that in such a
sensitive matter as this he had decided
to do so in total secrecy. Nevertheless I
was humbled by the trust he had shown
in me.
I fell to my knees and touched my
forehead to the ground before him. But
Pharaoh stooped and lifted me to my
feet.
‘You have never failed me, Taita.’
He embraced me. ‘I know you will not
do so now.’
I went directly to find Zaras. I
impressed upon him the importance
of our mission and the opportunity it
presented to him to establish himself
in Pharaoh’s esteem. Success in this
mission would set his feet firmly on the
high road to advancement and royal
favour. He tried unconvincingly to hide
his awe from me.
The two of us drew up a list of
220 men to make up the raiding party.
At first Zaras was adamant that this
number was insufficient to take on the
Cretan garrison of almost two thou­
sand. When I explained the particular
circumstances which I had not shared
with Aton or even with Pharaoh he
accepted my plan in its entirety.
I allowed him to choose his own
men. I insisted only that the single
attribute all the men he selected
must possess was the ability to speak
Hyksosian fluently. Zaras was too
young to have been part of the exodus to
Nubia when the Hyksos overwhelmed
southern Egypt. In fact he had been
pressed into the Hyksos legions at the
age of sixteen. The result was that he
could speak the language as though
born to it, and he could pass for one of
them in any circumstances. However,
he was a loyal Egyptian and had been
amongst the very first to revert to his
SPECIAL PREVIEW FROM WILBUR SMITH
of sight of land I reversed our course
and headed back towards Egypt and the
delta of the Nile.
There was a light offshore breeze
blowing that favoured us. We hoisted
the mainsails, and relieved the rowers
at the long oars at regular intervals. We
passed Ushu once again, but heading in
the opposite direction. I kept our ships
below the horizon, and out of sight of
the port.
Although each galley was crowded
with seventy men or more, we made
good speed and there was curling white
water under the bows of every vessel.
By late afternoon of the second day I
calculated that the Cretan fortress of
Tamiat lay less than a hundred leagues
ahead of us.
Of course I was in the leading
galley with Zaras and I suggested to
him that as we had left Ushu far behind
us, we could now close in and keep
within sight of the shore. It was much
easier for me to navigate and judge our
position when I had sight of solid land
to guide me. At last, as the sun touched
the surface of the sea ahead of us and
darkness gathered behind us, I pointed
out to the helmsman a sheltered but
deserted bay with sandy beaches. We
ran in until our keels grounded and
then the men jumped overboard and
dragged the boats up the sand.
The journey from Thebes to where
we now lay had been long and gruelling
but we were within a few leagues of
our goal. There was a contagious sense
of excitement and anticipa­tion in our
camp that evening, tempered by the
foreboding which even the bravest men
feel on the eve of battle.
Zaras had selected two of his best
men to command our other galleys.
The first of these was named Dilbar.
He was a tall and handsome man,
with muscled forearms and powerful
hands. From our first meeting he had
particularly engaged my attention and
earned my approval. His eyes were dark
and piercing, but he had a glossy pink
scar from a sword-cut across his right
84
cheek. This detracted not in the least
from his good looks. When he gave
an order the men responded to him
readily and swiftly.
The commander of the third galley
was a stocky man with broad shoulders
and a bull neck. His name was Akemi.
He was a jovial man with a bull voice
and an infectious laugh. His weapon of
choice was a long-handled axe. Akemi
was the one who came to me after the
men had eaten.
‘My Lord Taita.’ He saluted me.
When first the men had used that title
I had protested mildly that I was not
entitled to it. They had ignored my
protestations and I did not persist. ‘The
men have asked me if you will do them
the honour of singing for them tonight.’
I have an exceptional voice and
under my fingers the lute becomes a
celestial object. I can seldom find it
within me to deny entreaties of this
kind.
That night before the Battle of
Tamiat I chose for them ‘The Lament
for Queen Lostris’. This is one of my
most famous compositions. They
gathered around me at the camp-fire
and I sang for them all 150 verses. The
best singers amongst them joined in
the chorus while the others hummed
the refrain. At the end there were very
few dry eyes amongst my audience.
My own tears did not detract in any
way from the power and beauty of my
performance.
With the first glimmering of dawn
the next day our camp was astir. Now
the men could strip off their Bedouin
robes and head-dresses and open the
sacks that contained their Hyksos body
armour and weapons. The armour
was for the most part made of padded
leather, but the helmets were bronze
skull-caps with a metal nose-piece.
Every man was armed with a powerful
recurved bow and a quiver of flintheaded arrows, which were fletched
with coloured feathers in the Hyksos
style. Their swords were carried in a
scabbard strapped to their backs, so
the handle stood up behind their left
shoulder, ready to hand. The bronze
blades were not straight-edged as those
of regular Egyptian weapons, but were
curved in the eastern fashion.
The armour and weapons were too
heavy and too hot to wear while they
worked the oars in the direct sunlight.
So the men stripped to their loin-cloths
and laid their battle gear on the deck
beneath the rowing benches between
their feet.
Most of my men were of light
complexion and many of them had fair
hair. I ordered them to use soot from
the cooking fires to darken their beards
and skin, until they were all as swarthy
as any Hyksos legionnaire.
When our three crowded galleys
pushed off from the beach and rowed
out of the bay, I was once again in the
leading ship with Zaras. I stood beside
the helmsman who wielded the long
steering-oar in the stern. From the same
merchant in the port of Ushu who had
sold me the boats I had also purchased a
papyrus map which purported to set out
the details of the southern shore of the
Middle Sea between Gebel and Wadi al
Nilam. He claimed to have drawn this
map with his own hand from his own
observations. Now I spread it on the
deck between my feet and anchored the
corners with pebbles that I had picked
up on the beach. Almost at once I was
able to identify some of the features on
the shore. It seemed that my chart was
gratifyingly accurate.
Twice during the morning we
spotted the sails of other vessels on
the horizon, but we sheered off and
gave them a wide berth. Then, when
the sun was directly overhead, the
lookout in the bows shouted another
warning and pointed ahead. I shaded
my eyes and peered in the direction he
was indicating. I was astonished to see
the surface of the sea along the entire
horizon was churning white water as
though a heavy squall were bearing
down on us. This was not the season of
storms.
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the subject that I should have known
what was happening. I realized that I
was in danger of looking ridiculous, so I
opened my eyes and yelled as loudly as
Zaras, ‘Of course they are tuna. Get the
harpoons ready!’
I had noticed the harpoons when
I came aboard for the first time. They
were stowed under the rowing benches.
I had supposed that they were used to
repel pirates and corsairs if they tried
to board the ship. The shafts were about
twice as long as a tall man. The heads
were of razor-sharp flint. There was an
eye behind the barb to which the coir
line was spliced. And at the other end of
the line was tied a carved wooded float.
Although I had given the order for
harpoons, it was typical of Zaras that he
was the first of any of them to act upon
it. He always led by his own example.
He snatched one of the long weapons
from where it had been strapped under
the thwart, and as he ran with it to the
ship’s side he unwrapped the retaining
line. He jumped up on to the gunwale
of the galley and balanced the long
harpoon easily, with the shaft resting on
his shoulder and the barbed flint head
pointing down at the flashing shoal of
fish that was streaming past him like a
river of molten silver. They looked up at
him with great round eyes that seemed
to be dilated with terror.
I watched him gather himself and
then hurl the harpoon, point first,
straight down into the water below
him. The shaft of the heavy weapon
shuddered as the point struck and the
harpoon was whipped away below the
surface by the rush of the huge fish that
was impaled by the flint point.
Zaras jumped back on to the
deck and seized the running line as it
streamed away, blurring with speed and
beginning to smoke with the friction of
the coarse rope against the wood of the
gunwale. Three other men of the crew
leaped forward to help him and they
latched on to the rope and battled to
subdue the fish and bring it alongside.
Four other men had followed Zaras’
example and each of them grabbed
a harpoon from its place below the
thwarts and ran with it to the gunwale.
Soon there were knots of struggling men
on each side of the boat, shouting with
excitement, swearing and bellowing
incoherent orders at each other as they
struggled with the massive creatures.
One after another the fish were
heaved on board and clubbed to death.
Before the last of the harpooned fish
had been killed and butchered, the rest
of the mighty shoal had disappeared
back into the depths as suddenly and
miracu­lously as they had appeared.
We went ashore again that night,
and by the light of the cooking fires on
the beach we feasted on the succulent
flesh of the tuna. It is the most highly
prized delicacy in all the seas. The men
seasoned the flesh with just a little salt.
Some of them could not wait for it to be
thrown on the coals, and they wolfed
it down raw and bleeding. Then they
followed it with a swallow from the
wine-skins.
I knew that the next morning they
would be strong and eager for the first
sight of the enemy. Unlike corn or other
insipid foods, meat rouses the demon in
the heart of a warrior.
So that night I sang for them ‘The
Ballad of Tanus and the Blue Sword’. It
is the battle hymn of the Blues, and it
set them afire. Every man joined in the
chorus, no matter how rough his voice,
and afterwards I could see the light of
war shining in their eyes. They were
ready to meet any enemy. ■
Described by Stephen King as ‘the best
historical novelist,’ Wilbur Smith made
his debut in 1964 with “When the Lion
Feeds” and has since sold over 125 million
copies worldwide and been translated
into twenty-six different languages. Born
in Central Africa in 1933, he now lives in
London.
Copyright 2014 Wilbur Smith. From
“Desert God: A Novel of Ancient Egypt,”
published by William Morrow. Used with
permission. All rights reserved.
85
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‘Get the sails down!’ I snapped
at Zaras. ‘Ship oars and have the sea
anchors rigged by the bows and ready
for streaming.’
The furious waters raced towards
us and we braced ourselves for the
onslaught of the wind. The white
water emitted a mounting roar as it
approached.
I took a firm grip on the wooden
coaming of the hatch in front of me and
braced myself. Then the seething water
envel­oped the hull. The uproar became
deafening, with men shouting orders
and oaths, and the waters dashing
against the ships’ sides. However, to
my astonishment there was no wind. I
knew at once that this storm without
wind was a supernatural phenomenon.
I closed my eyes and began to chant a
prayer to the great god Horus for his
protection, and I clung to the coaming
with both hands.
Then there was a hand upon my
shoulder shaking me rudely and a
voice shouting in my ear. I knew it was
Zaras but I refused to open my eyes. I
waited for the gods to dispose of me as
they saw fit. But Zaras kept shaking me
and I remained alive. I opened my eyes
cautiously. But I kept on praying under
my breath. Now I realized what Zaras
was saying to me, and I risked a quick
glance over the side.
The sea was alive with enormous
gleaming bodies that were shaped like
arrowheads. Again it took me a moment
to realize that they were living creatures,
and that each of them was at least the size
of a horse. However, these were gigantic
fish. They were packed so densely that
those below were forcing the others to
the surface in a tumult of waves and
spray. Their multitudes stretched to the
limit of the eye.
‘Tuna!’ Zaras was yelling at me.
‘These are tuna fish.’
Upper Egypt is a landlocked country
so I have never had the opportunity to
spend enough time on the open sea to
have witnessed a tuna migration of this
magnitude. I had read so much about
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